Composer

:

Edward Bairstow

Genre

:

Choral

Style

:

Lamentation

Compose Date

:

ca. 1942

Average_duration

:

8:08

Edward Bairstow's "The Lamentation" is a choral work that was composed in 1947. It was premiered on April 6, 1947, at York Minster, where Bairstow served as the organist and choirmaster. The piece is divided into three movements, each of which is characterized by its use of rich harmonies, expressive melodies, and dramatic contrasts. The first movement, "In the Garden," sets the scene for the lamentation. The choir sings a mournful melody that is accompanied by a somber organ accompaniment. The harmonies are rich and complex, with dissonances that create a sense of tension and unease. The movement ends with a quiet, reflective section that sets the stage for the next movement. The second movement, "At the Sepulchre," is the emotional heart of the piece. The choir sings a powerful melody that is full of longing and grief. The harmonies are more dissonant than in the first movement, creating a sense of anguish and despair. The organ accompaniment is more prominent in this movement, adding to the sense of drama and intensity. The movement ends with a quiet, reflective section that leads into the final movement. The third movement, "The Resurrection," is a triumphant celebration of Christ's victory over death. The choir sings a joyful melody that is accompanied by a bright, uplifting organ accompaniment. The harmonies are more consonant than in the previous movements, creating a sense of resolution and peace. The movement ends with a powerful, triumphant chord that brings the piece to a close. Overall, "The Lamentation" is a powerful and emotional work that showcases Bairstow's skill as a composer and his deep understanding of choral music. The piece is characterized by its rich harmonies, expressive melodies, and dramatic contrasts, and it remains a beloved work in the choral repertoire.

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