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William Alwyn
State Secret
Works Info
Composer
:
William Alwyn
Genre
:
Film
Style
:
Film Score
Compose Date
:
1950
State Secret is a British film released in 1950, directed by Sidney Gilliat and starring Douglas Fairbanks Jr. and Glynis Johns. The film is a political thriller that revolves around the assassination of a foreign president and the subsequent investigation to uncover the truth behind the murder. The film is notable for its use of flashbacks and non-linear storytelling techniques. The soundtrack for State Secret was composed by William Alwyn, a British composer who is known for his work in film and television. Alwyn's score for State Secret is a mix of orchestral and electronic music, with a heavy emphasis on percussion and brass instruments. The score is notable for its use of dissonant chords and unconventional harmonies, which create a sense of tension and unease throughout the film. The premiere of State Secret took place on 27th November 1950 at the Odeon Leicester Square in London. The film was well-received by critics and audiences alike, with many praising the performances of the cast and the direction of Sidney Gilliat. The film was also praised for its innovative use of flashbacks and non-linear storytelling techniques, which were considered groundbreaking at the time. State Secret is divided into three movements, each of which corresponds to a different stage in the investigation into the assassination. The first movement focuses on the initial investigation and the discovery of a key piece of evidence that leads the investigators to suspect foul play. The second movement follows the investigators as they try to piece together the events leading up to the assassination, using a series of flashbacks to reveal the truth behind the murder. The final movement sees the investigators confront the conspirators behind the assassination and bring them to justice. Overall, State Secret is a gripping political thriller that is elevated by William Alwyn's innovative and atmospheric score. The film's use of flashbacks and non-linear storytelling techniques was ahead of its time, and it remains a classic of British cinema to this day.
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