Composer

:

Diego Ortiz

Genre

:

Chamber

Style

:

Chamber Music

Compose Date

:

1533

Average_duration

:

1:53

Diego Ortiz's "Recercada No. 2 Tratado de Glosas" is a piece of music that was composed during the Renaissance period. It was first published in 1553 as part of Ortiz's "Tratado de Glosas," which is a collection of music that explores the art of improvisation. The piece is written for a solo instrument, and it is typically performed on a viola da gamba or a recorder. The "Recercada No. 2 Tratado de Glosas" is divided into three movements, each of which explores a different aspect of the art of improvisation. The first movement is a recercada, which is a type of improvisation that was popular in the Renaissance period. The second movement is a variation on a popular Spanish song called "La Folia." The third movement is a canzona, which is a type of instrumental music that was popular in Italy during the Renaissance period. One of the characteristics of the "Recercada No. 2 Tratado de Glosas" is its use of ornamentation. Ortiz was known for his skill in improvisation, and he incorporated many different types of ornamentation into his music. These include trills, mordents, and turns, which are all used to add interest and complexity to the music. Another characteristic of the piece is its use of counterpoint. Counterpoint is a technique in which two or more melodies are played simultaneously, creating a complex and harmonically rich sound. Ortiz was a master of counterpoint, and he used it extensively in his music. Overall, the "Recercada No. 2 Tratado de Glosas" is a beautiful and complex piece of music that showcases the art of improvisation and the skill of counterpoint. It is a testament to the creativity and innovation of the Renaissance period, and it continues to be a popular piece of music among musicians and music lovers today.

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