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Manuel Infante
Danses Andalouses (3)
Released Album
 
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Works Info
Composer
:
Manuel Infante
Genre
:
Keyboard
Style
:
Dance
Compose Date
:
1921
Average_duration
:
15:12
Movement_count
:
3
Movement ....
Manuel Infante's 'Danses Andalouses (3)' is a set of three dances for piano, composed in 1928. The piece was premiered in Madrid in the same year, and has since become a staple of the Spanish piano repertoire. The first movement, 'Zambra', is a lively dance in 3/4 time, characterized by its syncopated rhythms and use of the Phrygian mode. The piece opens with a series of arpeggios, which set the stage for the energetic dance that follows. The melody is passed between the hands, with the left hand often playing a supporting role with its own rhythmic patterns. The middle section of the piece features a slower, more lyrical melody, before returning to the lively dance of the opening. The second movement, 'Danza de los ojos verdes', is a slower, more introspective piece, characterized by its use of the Aeolian mode and its haunting melody. The piece opens with a series of chords, which set the mood for the melancholic melody that follows. The melody is played in the right hand, with the left hand providing a simple accompaniment. The middle section of the piece features a more complex melody, with the left hand taking on a more prominent role. The piece ends with a return to the opening melody, played with a sense of resignation. The third movement, 'Farruca', is a fast-paced dance in 4/4 time, characterized by its use of the Phrygian mode and its driving rhythms. The piece opens with a series of chords, which set the stage for the energetic dance that follows. The melody is played in the right hand, with the left hand providing a driving accompaniment. The middle section of the piece features a slower, more lyrical melody, before returning to the lively dance of the opening. The piece ends with a series of fast runs and arpeggios, bringing the piece to a thrilling conclusion. Overall, 'Danses Andalouses (3)' is a masterful work that showcases Infante's skill as a composer and his deep understanding of Spanish music. The piece is characterized by its use of traditional Spanish rhythms and modes, as well as its virtuosic piano writing. It remains a popular work in the Spanish piano repertoire, and is a testament to Infante's enduring legacy as a composer.
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