Franz Liszt
Grande Fantaisie symphonique über Themen aus Berlioz's "Lélio", S.120
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Composer:Franz LisztGenre:ConcertoStyle:FantasyCompose Date:1834Publication Date:1981First Performance:Apr 9, 1835Average_duration:24:49Franz Liszt's Grande Fantaisie symphonique über Themen aus Berlioz's Lélio, S.120, was composed in 1855 and premiered in Weimar, Germany, on August 9 of the same year. The piece is a transcription of themes from Hector Berlioz's Lélio, ou le retour à la vie, a sequel to his Symphonie fantastique. The Grande Fantaisie symphonique is divided into five movements, each of which is based on a theme from Lélio. The first movement, titled "Le pêcheur," is a lively and energetic piece that features a prominent horn melody. The second movement, "Chant de bonheur," is a slow and lyrical piece that showcases the beauty of the strings. The third movement, "La harpe éolienne," is a delicate and ethereal piece that features the harp and wind instruments. The fourth movement, "Marche au supplice," is a dramatic and intense piece that features the full orchestra. It is based on the same theme as the fourth movement of Berlioz's Symphonie fantastique, which depicts the protagonist's execution. The fifth and final movement, "Chant de triomphe," is a triumphant and celebratory piece that features a grandiose brass melody. The Grande Fantaisie symphonique is characteristic of Liszt's style, which is known for its virtuosity and grandeur. The piece features complex harmonies, intricate textures, and a wide range of dynamics. Liszt's transcription of Berlioz's themes showcases his ability to transform existing material into something new and unique. Overall, the Grande Fantaisie symphonique über Themen aus Berlioz's Lélio, S.120, is a masterful work that demonstrates Liszt's skill as a composer and arranger. Its five movements offer a diverse range of moods and emotions, making it a captivating and engaging piece of music.More....
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Grande Fantaisie symphonique on themes from Berlioz's "Lélio", p.120
Grande fantaisie symphonique sur des thèmes de Lélio, S. 120
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