Composer

:

Heinrich Schütz

Genre

:

Choral

Style

:

Choral

Publication Date

:

1657

Average_duration

:

7:21

Heinrich Schütz's 'Meine Seele erhebt den Herren' (My soul magnifies the Lord) is a sacred vocal work for five voices and basso continuo. It was composed in 1647 and premiered in Dresden, Germany. The piece is part of Schütz's 'Geistliche Chormusik' (Sacred Choral Music), which is a collection of works that he composed during his time as the court composer for the Elector of Saxony. The work is divided into six movements, each of which is based on a different verse from the Magnificat, a hymn of praise to the Virgin Mary. The first movement is a setting of the opening verse, 'My soul magnifies the Lord'. It begins with a solo voice singing the text, which is then echoed by the other voices. The second movement is a setting of the second verse, 'And my spirit rejoices in God my Savior'. It is a lively and joyful piece, with the voices imitating each other in a playful manner. The third movement is a setting of the third verse, 'For he has looked on the humble estate of his servant'. It is a more contemplative piece, with the voices singing in a more subdued manner. The fourth movement is a setting of the fourth verse, 'For he who is mighty has done great things for me'. It is a powerful and triumphant piece, with the voices singing in unison to emphasize the greatness of God. The fifth movement is a setting of the fifth verse, 'He has filled the hungry with good things'. It is a more gentle and pastoral piece, with the voices singing in a more flowing and melodic manner. The final movement is a setting of the sixth verse, 'He has helped his servant Israel, in remembrance of his mercy'. It is a more solemn and reflective piece, with the voices singing in a more restrained manner. Overall, 'Meine Seele erhebt den Herren' is a beautiful and expressive work that showcases Schütz's mastery of choral composition. The piece is characterized by its rich harmonies, expressive melodies, and intricate counterpoint. It is a testament to Schütz's skill as a composer and his deep faith in God.

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