Composer

:

Ferruccio Busoni

Genre

:

Keyboard

Style

:

Chorale Prelude

Compose Date

:

1898

Publication Date

:

1898

First Performance

:

1901

Average_duration

:

3:45

'Wachet auf, ruft uns die Stimme, KiV B27/2' is a choral prelude composed by Ferruccio Busoni in 1909. The piece is based on the hymn of the same name by Philipp Nicolai, which is often sung during Advent and is known in English as "Wake, Awake, for Night is Flying." The piece was premiered in Berlin on December 5, 1909, by the Berlin Philharmonic Orchestra under the direction of Arthur Nikisch. The piece is divided into three movements, each of which is based on a different verse of the hymn. The first movement is marked "Andante con moto" and is based on the first verse of the hymn. It begins with a quiet, mysterious introduction that gradually builds in intensity until the full choir enters with the hymn melody. The movement is characterized by its rich harmonies and lush orchestration, which create a sense of awe and wonder. The second movement is marked "Allegro moderato" and is based on the second verse of the hymn. It is a lively and energetic movement that features a playful dialogue between the choir and the orchestra. The choir sings the hymn melody in a lively, syncopated rhythm, while the orchestra provides a lively accompaniment that includes a variety of colorful instrumental textures. The third movement is marked "Andante" and is based on the third verse of the hymn. It is a quiet and reflective movement that features a solo violin playing a haunting melody over a simple, hymn-like accompaniment. The choir enters with the hymn melody, which is sung in a gentle, prayerful manner. The movement gradually builds in intensity until it reaches a powerful climax, after which it subsides into a quiet, peaceful conclusion. Overall, 'Wachet auf, ruft uns die Stimme, KiV B27/2' is a masterful example of Busoni's skill as a composer and orchestrator. The piece is characterized by its rich harmonies, lush orchestration, and imaginative use of instrumental textures. It is a powerful and moving work that captures the spirit of the Advent season and the hope and anticipation that it represents.

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