Composer

:

Claude Debussy

Genre

:

Keyboard

Style

:

Prelude

Compose Date

:

1909

Average_duration

:

6:28

Claude Debussy's "La cathédrale engloutie" is a solo piano piece that was composed in 1910. It was premiered on March 9, 1910, by pianist Ricardo Viñes at the Salle Érard in Paris. The piece is part of Debussy's larger work, "Préludes," which consists of 24 pieces for solo piano. "La cathédrale engloutie" is the tenth prelude in the first book of "Préludes." The piece is divided into three distinct sections or movements. The first section is marked "Lent" (slow) and is characterized by a series of arpeggios that create a sense of mystery and depth. The second section is marked "Plus lent" (slower) and features a melody that is played in the left hand while the right hand plays a series of chords. This section is meant to evoke the image of the submerged cathedral rising from the depths of the ocean. The final section is marked "Lent" and features a return to the arpeggios from the first section. One of the most notable characteristics of "La cathédrale engloutie" is its use of harmony. Debussy was known for his use of non-traditional harmonies and scales, and this piece is no exception. The piece is based on a whole-tone scale, which gives it a dreamlike quality. Additionally, Debussy uses a technique called "planing," in which the same chord is played in different inversions, creating a sense of fluidity and movement. The piece is also notable for its programmatic elements. Debussy was inspired by the legend of Ys, a mythical city that was said to have been submerged by the sea. The cathedral in the title of the piece is meant to represent the city of Ys, and the music is meant to evoke the image of the cathedral rising from the depths of the ocean. Overall, "La cathédrale engloutie" is a haunting and evocative piece of music that showcases Debussy's unique style and innovative use of harmony and programmatic elements.

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