Composer

:

Jacques Offenbach

Genre

:

Opera

Style

:

Opera

Compose Date

:

ca. 1859 - 1875

First Performance

:

1859

"Geneviève de Brabant" is an opera bouffe in three acts composed by Jacques Offenbach. The libretto was written by Henri Meilhac and Ludovic Halévy, and the opera premiered on November 19, 1859, at the Théâtre des Bouffes-Parisiens in Paris. The plot of "Geneviève de Brabant" is a parody of the medieval legend of Genevieve of Brabant. The story follows the Duke of Brabant, who is married to Geneviève. However, the Duke's advisor, Boulotte, is in love with Geneviève and conspires to have the Duke executed so that he can marry her. The Duke is able to escape and disguises himself as a monk, while Geneviève is forced to marry Boulotte. The Duke eventually reveals himself and saves Geneviève from Boulotte's clutches. The opera is characterized by its light-hearted and comedic tone, as well as its use of satire and parody. Offenbach's music is lively and energetic, with catchy melodies and playful rhythms. The opera also features a number of memorable arias and ensembles, including the famous "Couplets de la mariée" sung by Geneviève. "Geneviève de Brabant" was a popular success upon its premiere, and it went on to become one of Offenbach's most frequently performed works. The opera was also notable for its use of spoken dialogue, which was a departure from the more traditional recitative style used in many operas of the time. In terms of movements, "Geneviève de Brabant" is divided into three acts, each of which contains multiple scenes. The first act introduces the characters and sets up the plot, while the second act focuses on the Duke's escape and Geneviève's forced marriage to Boulotte. The third act features the Duke's return and the final resolution of the story. Overall, "Geneviève de Brabant" is a lively and entertaining opera that showcases Offenbach's talent for creating catchy melodies and humorous situations. Its popularity has endured over the years, and it remains a beloved work in the operatic repertoire.

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