Composer

:

Erik Satie

Genre

:

Keyboard

Style

:

Character Piece

Compose Date

:

1913

Average_duration

:

6:04

Movement_count

:

3

Movement ....

Embryons desséchés is a set of three piano pieces composed by Erik Satie in 1913. The premiere of the work took place on May 4, 1913, at the Salle Gaveau in Paris. The three movements of the work are titled "D'Holothurie," "De Podophthalma," and "D'Echinode." The title of the work, Embryons desséchés, translates to "dried-up embryos" in English. This title reflects Satie's interest in biology and his fascination with the strange and unusual. The three movements of the work are each named after different types of sea creatures, which Satie uses as inspiration for his music. The first movement, "D'Holothurie," is named after a type of sea cucumber. The music is slow and meditative, with a repetitive melody that creates a sense of calm and stillness. The second movement, "De Podophthalma," is named after a type of sea star. The music is more lively and playful, with a bouncy rhythm and a sense of whimsy. The third movement, "D'Echinode," is named after a type of sea urchin. The music is more intense and dramatic, with a sense of urgency and tension. Overall, Embryons desséchés is a unique and innovative work that showcases Satie's interest in biology and his ability to create music that is both strange and beautiful. The work is often considered to be a precursor to the minimalist movement in music, with its repetitive melodies and simple harmonies.

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