Johann Sebastian Bach
Cantata No. 17, "Wer Dank opfert, der preiset mich", BWV 17
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Composer:Johann Sebastian BachGenre:ChoralStyle:CantataCompose Date:Sep 22, 1726Publication Date:1852First Performance:Sep 22, 1726Average_duration:16:33Movement_count:7Movement ....Johann Sebastian Bach composed Cantata No. 17, Wer Dank opfert, der preiset mich, BWV 17, in 1726 during his tenure as the Thomaskantor in Leipzig. The cantata was premiered on June 11, 1726, as part of the liturgy for the 3rd Sunday after Trinity. The cantata consists of six movements, including an opening chorus, three arias, a recitative, and a closing chorale. The text is based on a combination of biblical verses and hymn stanzas, and it centers around the theme of gratitude and thanksgiving. The opening chorus, "Wer Dank opfert, der preiset mich" (He who offers thanks praises me), is a joyful and celebratory piece that features a lively orchestral accompaniment and a complex choral fugue. The first aria, "Danke, Gott, daß ich durch dich" (Thank you, God, that through you), is a solo soprano piece that expresses gratitude for God's blessings and features a virtuosic vocal line accompanied by a solo violin. The second aria, "Was Gott tut, das ist wohlgetan" (What God does is well done), is a solo bass piece that reflects on the sovereignty of God and features a simple and elegant melody accompanied by a solo oboe d'amore. The third aria, "Ach, ich habe schon erblicket" (Ah, I have already beheld), is a solo alto piece that expresses the desire to see God's face and features a hauntingly beautiful vocal line accompanied by a solo flute. The recitative, "Gedenk an uns mit deiner Liebe" (Remember us with your love), is a brief and contemplative piece that asks for God's continued blessings and guidance. The closing chorale, "Sei Lob und Preis mit Ehren" (Be praise and honor with glory), is a simple and uplifting hymn that reinforces the theme of gratitude and thanksgiving. Overall, Cantata No. 17 is a masterful example of Bach's ability to combine complex musical structures with profound spiritual themes. Its joyful and celebratory tone, combined with its deep sense of gratitude and reverence, make it a timeless masterpiece of sacred music.More....
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Cantata no. 17, "He who offers thanks praises me", BWV 17
No. 1. Coro. Wer Dank opfert, der preiset mich
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Part 1. Coro. Wer Dank opfert, der preiset mich
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Wer Dank Opfert, Der Preiset Mich (1. Teil)
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Parte Prima. 1. [Chorus]. Wer Dank opfert, der preiset mich
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Erster Teil: I. Coro: Wer Dank opfert, der preiset mich
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Pt. 1: 1. 'Wer Dank opfert, der preiset mich'
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Cantata no. 17, "He who offers thanks praises me", BWV 17
I: Wer Dank opfert, der preiset mich
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Cantata no. 17, "He who offers thanks praises me", BWV 17
I. Chor - Wer Dank opfert, der preiset mich
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Cantata no. 17, "He who offers thanks praises me", BWV 17
1, Wer Dank opfert, der preiset mich
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Featured Music
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Part 1. (Coro.) Wer Dank opfert, der preiset mich
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Part 1. Recitativo. Es muß die ganze Welt
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Part 2. Recitativo. Einer aber unter ihnen
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Part 2. Aria. Welch Übermaß der Güte
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Part 2. Recitativo. Sieh meinen Willen an
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Cantata no. 17, "He who offers thanks praises me", BWV 17
Part 2. Choral. Wie sich ein Vatr erbarmet
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