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1
Swedish Traditional
Swedish Traditional
Evening Greeting Song
Evening Greeting Song
Swedish Rhapsody
1:7
2
Swedish Traditional
Swedish Traditional
Thou Lovely Värmland
Thou Lovely Värmland
Swedish Rhapsody
2:26
3
Cristóbal de Morales
Cristóbal de Morales
Work(s)
Antienne in pace in ipsidum; Psaume Cum invocarem exaudivit me
Work(s)
Antienne in pace in ipsidum; Psaume Cum invocarem exaudivit me
Doulce Mémoire
4:16
4
Pierre Sandrin
Pierre Sandrin
Then live in bondage
Puis que vivre en servitude
Doulce Mémoire
2:31
5
Anonymous
Anonymous
Work(s)
Tambur tambur / Ah partiale (Il libro del cortegiano Venezia)
Work(s)
Tambur tambur / Ah partiale (Il libro del cortegiano Venezia)
Doulce Mémoire
4:20
6
Anonymous
Anonymous
Canto di Lanzi Sonatori di Rubechines
Canto di Lanzi Sonatori di Rubechine
Doulce Mémoire
3:14
7
Anonymous
Anonymous
Vision, Vision
Visin, Visin
Doulce Mémoire
2:10
8
Anonymous
Anonymous
Song of the Chimney Sweeps
Canto degli Spazzacamini
Doulce Mémoire
2:5
9
Francesco Bendusi
Francesco Bendusi
Pass'e mezzo della Paganina
Pass'e mezzo della Paganina
Doulce Mémoire
2:44
10
Fillippo Azzaiolo
Fillippo Azzaiolo
Girometta, Without You
Girometta, Senza Te
Doulce Mémoire
3:16
11
Francesco d'Ana
Francesco d'Ana
If for humidity
Se per humidita
Doulce Mémoire
2:24
12
Anonymous
Anonymous
O mishini
O mischini
Doulce Mémoire
6:35
13
Bartolomeo Tromboncino
Bartolomeo Tromboncino
Non val aqua al mio gran foco
Non val aqua al mio gran foco
Doulce Mémoire
5:50
14
Anonymous
Anonymous
Comadrine Gaillarda
Comadrina gaillarda
Doulce Mémoire
3:4
15
Bartolomeo Tromboncino
Bartolomeo Tromboncino
Quasi semper
Quasi sempre
Doulce Mémoire
2:43
16
Giovanni Antonio Casteliono
Giovanni Antonio Casteliono
Saltarello called El mazolo
Saltarello chiamato El mazolo
Doulce Mémoire
2:9
17
Giovanni Antonio Casteliono
Giovanni Antonio Casteliono
Saltarello chiamato The torgia
Saltarello chiamato La torgia
Doulce Mémoire
1:51
18
Anonymous
Anonymous
Tropenser
Trop penser
Doulce Mémoire
3:15
19
Jimmy McHugh
Jimmy McHugh
Universal Signature
Universal Signature
Frank Skinner & Hans J. Salter: Monster Music
17
20
Jimmy McHugh
Jimmy McHugh
Universal Signature
Universal Signature
Frank Skinner & Hans J. Salter: Monster Music
15
21
Jimmy McHugh
Jimmy McHugh
Universal Signature
Universal Signature
Frank Skinner & Hans J. Salter: Monster Music
14
22
Johann Sebastian Bach
Johann Sebastian Bach
Work(s)
So oft ich meine Tabakspfeife, BWV 515a / Willst du dein Herz mir schenken, BWV 518
Work(s)
So oft ich meine Tabakspfeife, BWV 515a / Willst du dein Herz mir schenken, BWV 518
Gérard Souzay sings Classical Airs and Songs
3:55
23
William Byrd
William Byrd
Work(s)
Queen's Goodnight (Prelude and Ground)
Work(s)
Queen's Goodnight (Prelude and Ground)
Four Temperaments: Byrd, Ferrabosco, Parsons, Tallis
5:29
24
Robert Parsons
Robert Parsons
From the Court
De la Court
Four Temperaments: Byrd, Ferrabosco, Parsons, Tallis
5:14
25
Alfonso Ferrabosco
Alfonso Ferrabosco
In nominees a 5
In Nomine a 5
Four Temperaments: Byrd, Ferrabosco, Parsons, Tallis
2:26
26
Alfonso Ferrabosco
Alfonso Ferrabosco
Fantasy a 4
Fantasia a 4
Four Temperaments: Byrd, Ferrabosco, Parsons, Tallis
3:26
27
Kurt Cobain
Kurt Cobain
Smells Like Teen Spirit
Smells Like Teen Spirit
The String Quartet Tribute to Nirvana's Nevermind
4:59
28
Kurt Cobain / Nirvana
Kurt Cobain / Nirvana
Come As You Are
Come As You Are
The String Quartet Tribute to Nirvana's Nevermind
3:44
29
Kurt Cobain
Kurt Cobain
Polly
Polly
The String Quartet Tribute to Nirvana's Nevermind
3:3
30
Kurt Cobain / Nirvana
Kurt Cobain / Nirvana
On A Plain
On A Plain
The String Quartet Tribute to Nirvana's Nevermind
3:41
31
Kurt Cobain / Nirvana
Kurt Cobain / Nirvana
Something In The Way
Something In The Way
The String Quartet Tribute to Nirvana's Nevermind
3:33
32
Unspecified
Unspecified
Work(s)
Work(s)
Testament: Symphony For Marimba and Orchestra
4:9
33
Johann Christoph Pezel
Johann Christoph Pezel
Bycynia Variorum Instrumentarum (111)
Suite: Intrade
Bicinia Variorum Instrumentarum (111)
Suite: Intrade
Die Deutsche Schalmey ou La naissance du hautbois baroque
1:8
34
Johann Christoph Pezel
Johann Christoph Pezel
Bycynia Variorum Instrumentarum (111)
Suite: Allemande
Bicinia Variorum Instrumentarum (111)
Suite: Allemande
Die Deutsche Schalmey ou La naissance du hautbois baroque
1:21
35
Johann Christoph Pezel
Johann Christoph Pezel
Bycynia Variorum Instrumentarum (111)
Suite: Courente
Bicinia Variorum Instrumentarum (111)
Suite: Courente
Die Deutsche Schalmey ou La naissance du hautbois baroque
44
36
Johann Christoph Pezel
Johann Christoph Pezel
Bycynia Variorum Instrumentarum (111)
Suite: Sarabande
Bicinia Variorum Instrumentarum (111)
Suite: Sarabande
Die Deutsche Schalmey ou La naissance du hautbois baroque
1:11
37
Johann Christoph Pezel
Johann Christoph Pezel
Bycynia Variorum Instrumentarum (111)
Suite: Ballo
Bicinia Variorum Instrumentarum (111)
Suite: Ballo
Die Deutsche Schalmey ou La naissance du hautbois baroque
36
38
Johann Christoph Pezel
Johann Christoph Pezel
Bycynia Variorum Instrumentarum (111)
Suite: Chique
Bicinia Variorum Instrumentarum (111)
Suite: Chique
Die Deutsche Schalmey ou La naissance du hautbois baroque
58
39
Johann Christoph (Petz) Pez
Johann Christoph (Petz) Pez
Work(s)
Passacaglia for solo oboe & ensemble [from unspecified Sinfonia]
Work(s)
Passacaglia for solo oboe & ensemble [from unspecified Sinfonia]
Die Deutsche Schalmey ou La naissance du hautbois baroque
3:32
40
Robert Johnson
Robert Johnson
Tell me, dearest
Tell me, dearest
Away Delights: Lute Solos and Songs from Shakespeare's England by Robert Johnson
2:9
41
Robert Johnson
Robert Johnson
Hark, Hark the Lark
Hark, Hark the Lark
Away Delights: Lute Solos and Songs from Shakespeare's England by Robert Johnson
53
42
Robert Johnson
Robert Johnson
Like heavy sleep
Come heavy sleep
Away Delights: Lute Solos and Songs from Shakespeare's England by Robert Johnson
1:49
43
French Traditional
French Traditional
The Rebellious Nun
La religieuse rebelle
Plaisir d'amour: Chansons & romances de la France d'autrefois
2:29
44
French Traditional
French Traditional
Stuffed
Bourrée
Plaisir d'amour: Chansons & romances de la France d'autrefois
2:17
45
French Traditional
French Traditional
Ah, would I tell you mom
Ah, vous dirais-je maman
Plaisir d'amour: Chansons & romances de la France d'autrefois
1:55
46
Michel Corrette
Michel Corrette
The Beautiful Old Lady
Tambourin
La Belle Vielleuse
Tambourin
Plaisir d'amour: Chansons & romances de la France d'autrefois
2:2
47
French Traditional
French Traditional
The Furstenberg
La Furstenberg
Plaisir d'amour: Chansons & romances de la France d'autrefois
3:23
48
Spoken Word
Spoken Word
Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
Simplicity itself (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
13:24
49
Spoken Word
Spoken Word
I always feel this gigantism... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
I always feel this gigantism... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
6:7
50
Spoken Word
Spoken Word
We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
We have just been examining... (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
5:25
51
Spoken Word
Spoken Word
All that we have said... Final
All that we have said... Finale
The 1953 American Decca Recordings [Box Set]
9:12
52
Spoken Word
Spoken Word
The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
The study of the Eroica is a lifetime work - Symphony No. 3 (Musical Analysis of Beethoven's Symphony No. 3 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
1:6
53
Spoken Word
Spoken Word
Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
Does this music sound like the New World to you? (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
9:51
54
Spoken Word
Spoken Word
We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
We come now to the second movement (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
3:22
55
Spoken Word
Spoken Word
The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
The Third movement is a marvel (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
1:40
56
Spoken Word
Spoken Word
And now the last movement…
And now the last movement…
The 1953 American Decca Recordings [Box Set]
5:
57
Spoken Word
Spoken Word
The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
The final claim... (Musical Analysis of Dvorák's Symphony No. 9 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
1:1
58
Spoken Word
Spoken Word
Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
Robert Schumann has been dead... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
4:22
59
Spoken Word
Spoken Word
To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
To my mind, Schumann follows in this tradition... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
1:48
60
Spoken Word
Spoken Word
Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
Now let's look at the Symphony itself (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
8:39
61
Spoken Word
Spoken Word
And so we have arrived…
And so we have arrived…
The 1953 American Decca Recordings [Box Set]
6:51
62
Spoken Word
Spoken Word
In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
In the marvelous Scherzo that follows... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
4:49
63
Spoken Word
Spoken Word
Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein
Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein
The 1953 American Decca Recordings [Box Set]
7:31
64
Spoken Word
Spoken Word
Even in the final movement... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
Even in the final movement... (Musical Analysis of Schumann's Symphony No. 2 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
5:15
65
Spoken Word
Spoken Word
Brahms's Fourth Symphony in E minor...
Brahms' Fourth Symphony in E minor…
The 1953 American Decca Recordings [Box Set]
4:44
66
Spoken Word
Spoken Word
Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
Our journey begins without introduction (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
5:15
67
Spoken Word
Spoken Word
Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
Do you see now what a symphonic theme is? (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
3:23
68
Spoken Word
Spoken Word
Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
Now think of it - we have so far only had 44 bars of music (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
5:47
69
Spoken Word
Spoken Word
Here is that second theme (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
Here is that second theme (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
2:41
70
Spoken Word
Spoken Word
This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
This brings us to the development section proper (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
9:34
71
Spoken Word
Spoken Word
And here we are back home
And here we are back home
The 1953 American Decca Recordings [Box Set]
2:16
72
Spoken Word
Spoken Word
So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
So we arrive at the coda (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
3:18
73
Spoken Word
Spoken Word
Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
Well, we have had a microscopic view (Musical Analysis of Brahm's Symphony No. 4 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
2:11
74
Spoken Word
Spoken Word
Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
Now there is a melody (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
9:18
75
Spoken Word
Spoken Word
Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
Now the development section erupts (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
1:58
76
Spoken Word
Spoken Word
Now one would think... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
Now one would think... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
1:56
77
Spoken Word
Spoken Word
Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
Jumping now to the famous third movement (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
1:50
78
Spoken Word
Spoken Word
Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
Perhaps the most admirable example... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
3:40
79
Spoken Word
Spoken Word
Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
Now I don't want to give you the impression... (Musical Analysis of Tchaikovsky's Symphony No. 6 by Leonard Bernstein)
The 1953 American Decca Recordings [Box Set]
6:1
80
Anonymous
Anonymous
Retrove Petron
Retrove Petrone
A Garden of Music
7:28
81
American Traditional
American Traditional
Work(s)
Standish - Isle of Wight - 100th Psalm Tune New (from Tuft's 'Introduction')
Work(s)
Standish - Isle of Wight - 100th Psalm Tune New (from Tuft's 'Introduction')
A Gift to Be Simple
2:43
82
American Traditional
American Traditional
Work(s)
Southwell New - Windsor - Litchfield - Psalm 148 (from Walter's 'Grounds & Rules')
Work(s)
Southwell New - Windsor - Litchfield - Psalm 148 (from Walter's 'Grounds & Rules')
A Gift to Be Simple
1:29
83
American Traditional
American Traditional
Work(s)
Standish - Isle of Wight - 100th Psalm Tune New (from Lyon's 'Urania')
Work(s)
Standish - Isle of Wight - 100th Psalm Tune New (from Lyon's 'Urania')
A Gift to Be Simple
2:44
84
American Traditional
American Traditional
Work(s)
Cambridge Tune / Southwell Tune (from Ainsworth, Bay, Walter & Lyon)
Work(s)
Cambridge Tune / Southwell Tune (from Ainsworth, Bay, Walter & Lyon)
A Gift to Be Simple
4:29
85
John Antes
John Antes
How Beautiful Upon the Mountains
How Beautiful Upon the Mountains
A Gift to Be Simple
4:31
86
Anonymous
Anonymous
Unicorns in the Mist
Unicorns in the Mist
Flower of Chivalry: Tranquill Medieval Music
3:13
87
Henry VIII, King of England
Henry VIII, King of England
Consort No. 4
Consort No. 4
Flower of Chivalry: Tranquill Medieval Music
2:35
88
Henry VIII, King of England
Henry VIII, King of England
Consort No. 22
Consort No. 22
Flower of Chivalry: Tranquill Medieval Music
1:25
89
Spoken Word
Spoken Word
Reflections. Christine Schornsheim in conversation with Clemens Goldberg
Einführung
Reflektionen. Christine Schornsheim im Gespräch mit Clemens Goldberg
Einführung
Sonaten für Tasteninstr.
6:8
90
Spoken Word
Spoken Word
Reflections. Christine Schornsheim in conversation with Clemens Goldberg
Dowd-Cembalo
Reflektionen. Christine Schornsheim im Gespräch mit Clemens Goldberg
Dowd-Cembalo
Sonaten für Tasteninstr.
5:57
91
Spoken Word
Spoken Word
Reflections. Christine Schornsheim in conversation with Clemens Goldberg
Dulcken-Hammerflügel
Reflektionen. Christine Schornsheim im Gespräch mit Clemens Goldberg
Dulcken-Hammerflügel
Sonaten für Tasteninstr.
13:12
92
Spoken Word
Spoken Word
Reflections. Christine Schornsheim in conversation with Clemens Goldberg
Clavichord
Reflektionen. Christine Schornsheim im Gespräch mit Clemens Goldberg
Clavichord
Sonaten für Tasteninstr.
5:13
93
Spoken Word
Spoken Word
Reflections. Christine Schornsheim in conversation with Clemens Goldberg
Kirckman-Cembalo
Reflektionen. Christine Schornsheim im Gespräch mit Clemens Goldberg
Kirckman-Cembalo
Sonaten für Tasteninstr.
9:58
94
Spoken Word
Spoken Word
Reflections. Christine Schornsheim in conversation with Clemens Goldberg
Dulcken-Hammerflügel
Reflektionen. Christine Schornsheim im Gespräch mit Clemens Goldberg
Dulcken-Hammerflügel
Sonaten für Tasteninstr.
11:11
95
Spoken Word
Spoken Word
Reflections. Christine Schornsheim in conversation with Clemens Goldberg
Broadwood-Flügel
Reflektionen. Christine Schornsheim im Gespräch mit Clemens Goldberg
Broadwood-Flügel
Sonaten für Tasteninstr.
8:52
96
Spoken Word
Spoken Word
Reflections. Christine Schornsheim in conversation with Clemens Goldberg
Schlusswort
Reflektionen. Christine Schornsheim im Gespräch mit Clemens Goldberg
Schlusswort
Sonaten für Tasteninstr.
3:42
97
Spoken Word
Spoken Word
Hungarian String Quartet Interview at Colby College, Maine, Aug. 1971
Koromzay & Kuttner on early repertoire of Quartet and on characteristics of a Quartet that pioneers
Hungarian String Quartet Interview at Colby College, Maine, Aug. 1971
Koromzay & Kuttner on early repertoire of Quartet and on characteristics of a Quartet that pioneers
Historical Recordings and Previously Unissued Public Performances, 1937-1968 [Box Set]
8:9
98
Spoken Word
Spoken Word
Hungarian String Quartet Interview at Colby College, Maine, Aug. 1971
Koromzay on early repertoire of the Quartet
Hungarian String Quartet Interview at Colby College, Maine, Aug. 1971
Koromzay on early repertoire of the Quartet
Historical Recordings and Previously Unissued Public Performances, 1937-1968 [Box Set]
2:13
99
Spoken Word
Spoken Word
Hungarian String Quartet Interview at Colby College, Maine, Aug. 1971
Koromzay, Székely & Kuttner on how the Quartet first learned the Beethoven cycle in Holland during
Hungarian String Quartet Interview at Colby College, Maine, Aug. 1971
Koromzay, Székely & Kuttner on how the Quartet first learned the Beethoven cycle in Holland during
Historical Recordings and Previously Unissued Public Performances, 1937-1968 [Box Set]
2:29
100
Spoken Word
Spoken Word
Hungarian String Quartet Interview at Colby College, Maine, Aug. 1971
Székely on discovering the Dodály Second Quartet
Hungarian String Quartet Interview at Colby College, Maine, Aug. 1971
Székely on discovering the Dodály Second Quartet
Historical Recordings and Previously Unissued Public Performances, 1937-1968 [Box Set]
58
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