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1
Spoken Word
Spoken Word
Concert guide to Gustav Mahler's Symphony No. 7
Concert guide to Gustav Mahler's Symphony No. 7
Concert guide to Gustav Mahler's Symphony No. 7
Mahler: Symphonies 1-9
6:42
2
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Introduction
Introduction
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Introduction
Great Composers in Words and Music: Dvorák
7
3
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Bits and pieces are all we may know about the music of Antonín Dvořák
Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Dvorák
4:3
4
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Dvorák
2:57
5
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Dvorák
2:48
6
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Dvorák
2:30
7
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Dvorák
1:34
8
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Dvorák
1:24
9
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Dvorák
3:56
10
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Dvorák
2:5
11
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Dvorák
2:16
12
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Dvorák
2:47
13
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Dvorák
1:21
14
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Dvorák
3:12
15
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Dvorák
3:19
16
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Dvorák
3:11
17
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Dvorák
3:36
18
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Dvorák
2:58
19
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
During his final years, Dvořák became the recipient of various honours...
During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Dvorák
3:50
20
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Dvorák
2:33
21
Spoken Word
Spoken Word
Interview: Leopold Stokowski
Interview: Leopold Stokowski
Interview: Leopold Stokowski
Mahler Pioneers
22:44
22
Spoken Word
Spoken Word
Interview: Alfred Friese
Interview: Alfred Friese
Interview: Alfred Friese
Mahler Pioneers
18:3
23
Spoken Word
Spoken Word
Profesion de Fe (Profession of Faith), poem (A. Barrios-Mangore)
Profesión de fé
Profesión de fé
Profesion de Fe (Profession of Faith), poem (A. Barrios-Mangore)
Profesión de fé
El Bohemio: Agustín Barrios
1:16
24
Spoken Word
Spoken Word
Ruinspelets Tillblivelse, interview
Ruinspelets Tillblivelse
Ruinspelets Tillblivelse
Ruinspelets Tillblivelse, interview
Ruinspelets Tillblivelse
Friedrich Mehler: Petrus de Dacia
13:50
25
Spoken Word
Spoken Word
Viaggio in Sardegna (Stefania Masala)
La terra
La terra
Viaggio in Sardegna (Stefania Masala)
La terra
Portrait of Sardinia: New Music for Guitar
15:37
26
Spoken Word
Spoken Word
Viaggio in Sardegna (Stefania Masala)
L'umanit횪
L'umanit횪
Viaggio in Sardegna (Stefania Masala)
L'umanit횪
Portrait of Sardinia: New Music for Guitar
20:19
27
Spoken Word
Spoken Word
Viaggio in Sardegna (Stefania Masala)
L'ebrezza
L'ebrezza
Viaggio in Sardegna (Stefania Masala)
L'ebrezza
Portrait of Sardinia: New Music for Guitar
10:48
28
Spoken Word
Spoken Word
Viaggio in Sardegna (Stefania Masala)
La pietra
La pietra
Viaggio in Sardegna (Stefania Masala)
La pietra
Portrait of Sardinia: New Music for Guitar
9:54
29
Spoken Word
Spoken Word
Viaggio in Sardegna (Stefania Masala)
La lingua
La lingua
Viaggio in Sardegna (Stefania Masala)
La lingua
Portrait of Sardinia: New Music for Guitar
10:9
30
Spoken Word
Spoken Word
Viaggio in Sardegna (Stefania Masala)
Il canto
Il canto
Viaggio in Sardegna (Stefania Masala)
Il canto
Portrait of Sardinia: New Music for Guitar
9:41
31
Spoken Word
Spoken Word
Viaggio in Sardegna (Stefania Masala)
Commiato
Commiato
Viaggio in Sardegna (Stefania Masala)
Commiato
Portrait of Sardinia: New Music for Guitar
3:12
32
Spoken Word
Spoken Word
The Solace of Artemis (Paula Meehan)
The Solace of Artemis
The Solace of Artemis
The Solace of Artemis (Paula Meehan)
The Solace of Artemis
Ghost Songs: Contemporary Music and Words from Ireland
1:38
33
Spoken Word
Spoken Word
The Destroyer (Lola Ridge)
The Destroyer
The Destroyer
The Destroyer (Lola Ridge)
The Destroyer
Ghost Songs: Contemporary Music and Words from Ireland
42
34
Spoken Word
Spoken Word
Woman and Scarecrow (Marina Carr)
Extract 1
Extract 1
Woman and Scarecrow (Marina Carr)
Extract 1
Ghost Songs: Contemporary Music and Words from Ireland
1:14
35
Spoken Word
Spoken Word
Do Not Stand at My Grave and Weep (attrib. Mary Elizabeth Frye)
Do Not Stand at My Grave and Weep
Do Not Stand at My Grave and Weep
Do Not Stand at My Grave and Weep (attrib. Mary Elizabeth Frye)
Do Not Stand at My Grave and Weep
Ghost Songs: Contemporary Music and Words from Ireland
55
36
Spoken Word
Spoken Word
An Aimsir Láithreach (Dairena Ní Chinnéide)
An Aimsir L찼ithreach
An Aimsir L찼ithreach
An Aimsir Láithreach (Dairena Ní Chinnéide)
An Aimsir L찼ithreach
Ghost Songs: Contemporary Music and Words from Ireland
1:6
37
Spoken Word
Spoken Word
The Last Thing (Paula Meehan)
The Last Thing
The Last Thing
The Last Thing (Paula Meehan)
The Last Thing
Ghost Songs: Contemporary Music and Words from Ireland
55
38
Spoken Word
Spoken Word
Woman and Scarecrow (Marina Carr)
Extract 2
Extract 2
Woman and Scarecrow (Marina Carr)
Extract 2
Ghost Songs: Contemporary Music and Words from Ireland
1:54
39
Spoken Word
Spoken Word
Well (Paula Meehan)
Well
Well
Well (Paula Meehan)
Well
Ghost Songs: Contemporary Music and Words from Ireland
1:22
40
Spoken Word
Spoken Word
It's Strange About Stars (Lola Ridge)
It's Strange About Stars
It's Strange About Stars
It's Strange About Stars (Lola Ridge)
It's Strange About Stars
Ghost Songs: Contemporary Music and Words from Ireland
39
41
Spoken Word
Spoken Word
Phaedra Backwards (Marina Carr)
Extract 1
Extract 1
Phaedra Backwards (Marina Carr)
Extract 1
Ghost Songs: Contemporary Music and Words from Ireland
0:59
42
Spoken Word
Spoken Word
Teorainn Leasa (Dairena Ní Chinnéide)
Teorainn Leasa
Teorainn Leasa
Teorainn Leasa (Dairena Ní Chinnéide)
Teorainn Leasa
Ghost Songs: Contemporary Music and Words from Ireland
1:26
43
Spoken Word
Spoken Word
Sister Trauma (Paula Meehan)
Sister Trauma
Sister Trauma
Sister Trauma (Paula Meehan)
Sister Trauma
Ghost Songs: Contemporary Music and Words from Ireland
1:29
44
Spoken Word
Spoken Word
Indigo (Marina Carr)
Extract
Extract
Indigo (Marina Carr)
Extract
Ghost Songs: Contemporary Music and Words from Ireland
6:38
45
Spoken Word
Spoken Word
Down by the Salley Gardens (W.B. Yeats)
Down by the Salley Gardens
Down by the Salley Gardens
Down by the Salley Gardens (W.B. Yeats)
Down by the Salley Gardens
Ghost Songs: Contemporary Music and Words from Ireland
53
46
Spoken Word
Spoken Word
Under-Song (Lola Ridge)
Under-Song
Under-Song
Under-Song (Lola Ridge)
Under-Song
Ghost Songs: Contemporary Music and Words from Ireland
1:21
47
Spoken Word
Spoken Word
Phaedra Backwards (Marina Carr)
Extract 2
Extract 2
Phaedra Backwards (Marina Carr)
Extract 2
Ghost Songs: Contemporary Music and Words from Ireland
1:3
48
Spoken Word
Spoken Word
The Old Woman ('There was an old woman, all skin and bone')
The Old Woman
The Old Woman
The Old Woman ('There was an old woman, all skin and bone')
The Old Woman
Ghost Songs: Contemporary Music and Words from Ireland
1:11
49
Spoken Word
Spoken Word
The Old Neighbourhood (Paula Meehan)
The Old Neighbourhood
The Old Neighbourhood
The Old Neighbourhood (Paula Meehan)
The Old Neighbourhood
Ghost Songs: Contemporary Music and Words from Ireland
49
50
Spoken Word
Spoken Word
Lios (Dairena Ní Chinnéide)
Lios
Lios
Lios (Dairena Ní Chinnéide)
Lios
Ghost Songs: Contemporary Music and Words from Ireland
1:12
51
Spoken Word
Spoken Word
At the Spring Equinox (Paula Meehan)
At the Spring Equinox
At the Spring Equinox
At the Spring Equinox (Paula Meehan)
At the Spring Equinox
Ghost Songs: Contemporary Music and Words from Ireland
3:46
52
Spoken Word
Spoken Word
The Graves at Arbour Hill (Paula Meehan)
The Graves at Arbour Hill
The Graves at Arbour Hill
The Graves at Arbour Hill (Paula Meehan)
The Graves at Arbour Hill
Ghost Songs: Contemporary Music and Words from Ireland
49
53
Spoken Word
Spoken Word
Bagairt na Marbh (Seán O Ríordáin)
Bagairt na Marbh
Bagairt na Marbh
Bagairt na Marbh (Seán O Ríordáin)
Bagairt na Marbh
Ghost Songs: Contemporary Music and Words from Ireland
49
54
Spoken Word
Spoken Word
The Ghost Song (Paula Meehan)
The Ghost Song
The Ghost Song
The Ghost Song (Paula Meehan)
The Ghost Song
Ghost Songs: Contemporary Music and Words from Ireland
1:4
55
Spoken Word
Spoken Word
St. Olaf Christmas Festival
Narration I
Narration I
St. Olaf Christmas Festival
Narration I
Love Divine: Christmas Festival 2021
1:22
56
Spoken Word
Spoken Word
St. Olaf Christmas Festival
Gospel Reading
Gospel Reading
St. Olaf Christmas Festival
Gospel Reading
Love Divine: Christmas Festival 2021
58
57
Spoken Word
Spoken Word
St. Olaf Christmas Festival
Narration II
Narration II
St. Olaf Christmas Festival
Narration II
Love Divine: Christmas Festival 2021
1:11
58
Spoken Word
Spoken Word
St. Olaf Christmas Festival
Narration III
Narration III
St. Olaf Christmas Festival
Narration III
Love Divine: Christmas Festival 2021
1:15
59
Spoken Word
Spoken Word
Antal Doráti interviewed by Dennis D. Rooney
Antal Dor찼ti interviewed by Dennis D. Rooney
Antal Dor찼ti interviewed by Dennis D. Rooney
Antal Doráti interviewed by Dennis D. Rooney
Antal Dor찼ti interviewed by Dennis D. Rooney
Dor찼ti: Symphony; Nocturne and Capriccio; Interview With Dor찼ti [Antal Dor찼ti / Minnesota Orchestra - Mercury Masters: Stereo, Vol. 24]
16:20
60
Spoken Word
Spoken Word
Monteverdi Erinnerungen (Peter Schneider)
Brief an Annibale Chieppio
Brief an Annibale Chieppio
Monteverdi Erinnerungen (Peter Schneider)
Brief an Annibale Chieppio
Monteverdi Erinnerungen
5:5
61
Spoken Word
Spoken Word
Monteverdi Erinnerungen (Peter Schneider)
Brief an Alessandro Striggio
Brief an Alessandro Striggio
Monteverdi Erinnerungen (Peter Schneider)
Brief an Alessandro Striggio
Monteverdi Erinnerungen
4:37
62
Spoken Word
Spoken Word
Monteverdi Erinnerungen (Peter Schneider)
Brief an Giovanni Artusi
Brief an Giovanni Artusi
Monteverdi Erinnerungen (Peter Schneider)
Brief an Giovanni Artusi
Monteverdi Erinnerungen
6:35
63
Spoken Word
Spoken Word
Monteverdi Erinnerungen (Peter Schneider)
Brief an Claudia
Brief an Claudia
Monteverdi Erinnerungen (Peter Schneider)
Brief an Claudia
Monteverdi Erinnerungen
6:3
64
Spoken Word
Spoken Word
Monteverdi Erinnerungen (Peter Schneider)
Brief an Massimiliano
Brief an Massimiliano
Monteverdi Erinnerungen (Peter Schneider)
Brief an Massimiliano
Monteverdi Erinnerungen
6:33
65
Spoken Word
Spoken Word
Monteverdi Erinnerungen (Peter Schneider)
Brief an Alessandro
Brief an Alessandro
Monteverdi Erinnerungen (Peter Schneider)
Brief an Alessandro
Monteverdi Erinnerungen
6:53
66
Spoken Word
Spoken Word
Sir Adrian Boult recalls his years with the BBC Symphony Orchestra
Sir Adrian Boult recalls his years with the BBC Symphony Orchestra, in conversation with Bernard Keeffe
Sir Adrian Boult recalls his years with the BBC Symphony Orchestra, in conversation with Bernard Keeffe
Sir Adrian Boult recalls his years with the BBC Symphony Orchestra
Sir Adrian Boult recalls his years with the BBC Symphony Orchestra, in conversation with Bernard Keeffe
Sir Adrian Boult conducts Berg: Wozzeck (Complete); Stravinsky: Capriccio; Vaughan Williams: Symphony No. 4
9:24
67
Spoken Word
Spoken Word
New Year's Address
Neujahrsgruß / New Year's Address / Allocution du Nouvel An 2024
New Year's Address
Neujahrsgruß / New Year's Address / Allocution du Nouvel An 2024
Neujahrskonzert 2024 [New Year's Concert]
1:5
68
Spoken Word
Spoken Word
Announcement introducing Richard Crooks & General Motors Orchestra
Announcement introducing Richard Crooks & General Motors Orchestra
Klemperer Rarities: Los Angeles, Vol. 2 (1937-1945)
2:3
69
Spoken Word
Spoken Word
Ghost excerpt from Stéphane Mallarmé's Afternoon of a Faun
Spoken excerpt from Stéphane Mallarmé's Afternoon of a Faun
An Australian In Paris: Homage to French Flute
36
70
Spoken Word
Spoken Word
Ghost excerpt from Colette's Night without Sleep
Spoken excerpt from Colette's Night without Sleep
An Australian In Paris: Homage to French Flute
53
71
Spoken Word
Spoken Word
Spoken excerpt from Charles Baudelaire's Evening Harmony
Spoken excerpt from Charles Baudelaire's Harmonie du soir
An Australian In Paris: Homage to French Flute
21
72
Spoken Word
Spoken Word
A Scream of Salutation (ghost excerpt from Janet Flanner's Paris Was Yesterday)
A Scream of Salutation (spoken excerpt from Janet Flanner's Paris Was Yesterday)
An Australian In Paris: Homage to French Flute
31
73
Spoken Word
Spoken Word
Spoken recitation of Christopher Logue's poem Apollinaire Said
Spoken recitation of Christopher Logue's poem Apollinaire Said
An Australian In Paris: Homage to French Flute
30
74
Spoken Word
Spoken Word
After the trumpets,...
Après que les trompettes,...
François Ier, musiques d'un règne, Vol. 1: Messe pour le camp du Drap d’Or, 1520
1:1
75
Spoken Word
Spoken Word
On this twenty-third day...
En ce vingt-troisième jour...
François Ier, musiques d'un règne, Vol. 1: Messe pour le camp du Drap d’Or, 1520
38
76
Spoken Word
Spoken Word
Après la fair,...
Après la messe,...
François Ier, musiques d'un règne, Vol. 1: Messe pour le camp du Drap d’Or, 1520
37
77
Spoken Word
Spoken Word
Announcement introducing Richard Crooks & General Motors Orchestra
Announcement introducing Richard Crooks & General Motors Orchestra
Otto Klemperer conducts The Los Angeles Philharmonic Orchestra (1937-1938)
1:30
78
Spoken Word
Spoken Word
Announcement introducing Richard Crooks & General Motors Orchestra
Announcement introducing Richard Crooks & General Motors Orchestra
Otto Klemperer conducts The Los Angeles Philharmonic Orchestra (1937-1938)
1:12
79
Spoken Word
Spoken Word
Announcement introducing Richard Crooks & General Motors Orchestra
Announcement introducing Richard Crooks & General Motors Orchestra
Otto Klemperer conducts The Los Angeles Philharmonic Orchestra (1937-1938)
1:14
80
Spoken Word
Spoken Word
Announcement introducing Richard Crooks & General Motors Orchestra
Announcement introducing Richard Crooks & General Motors Orchestra
Otto Klemperer conducts The Los Angeles Philharmonic Orchestra (1937-1938)
1:53
81
Spoken Word
Spoken Word
Announcement introducing Richard Crooks & General Motors Orchestra
Announcement introducing Richard Crooks & General Motors Orchestra
Otto Klemperer conducts The Los Angeles Philharmonic Orchestra (1937-1938)
3:1
82
Spoken Word
Spoken Word
Announcement introducing Richard Crooks & General Motors Orchestra
Announcement introducing Richard Crooks & General Motors Orchestra
Otto Klemperer conducts The Los Angeles Philharmonic Orchestra (1937-1938)
1:33
83
Spoken Word
Spoken Word
Introduction to "He nevuh said a mumbalin' word"
Introduction to "He nevuh said a mumbalin' word"
Bach Coltrane (Alpha Collection)
1:19
84
Spoken Word
Spoken Word
Wilhelm Furtwaenlger On the nature of the symphonic, tempo and the general pause
Wilhelm Furtwänlger On the nature of the symphonic, tempo and the General Pause
Wilhelm Furtwängler speaks about music – Extracts from discussions and radio interviews (Vol. 1)
7:16
85
Spoken Word
Spoken Word
Wilhelm Furtwaenlger talks about acoustics in large and small halls
Wilhelm Furtwänlger talks about acoustics in large and small halls
Wilhelm Furtwängler speaks about music – Extracts from discussions and radio interviews (Vol. 1)
5:1
86
Spoken Word
Spoken Word
Wilhelm Furtwaenlger talks about scoring, instrumental technique, expression, melody and legato
Wilhelm Furtwänlger talks about scoring, instrumental technique, expression, melody and legato
Wilhelm Furtwängler speaks about music – Extracts from discussions and radio interviews (Vol. 1)
10:19
87
Spoken Word
Spoken Word
Wilhelm Furtwaenlger talks about questions of style, performance markings, alternative versions
Wilhelm Furtwänlger talks about questions of style, performance markings, alternative versions
Wilhelm Furtwängler speaks about music – Extracts from discussions and radio interviews (Vol. 1)
4:43
88
Spoken Word
Spoken Word
Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying singers
Wilhelm Furtwänlger talks about a conductor's problems, concert audiences, Bruckner's music, accompanying, singers
Wilhelm Furtwängler speaks about music – Extracts from discussions and radio interviews (Vol. 1)
5:53
89
Spoken Word
Spoken Word
Wilhelm Furtwaenlger talks about music in opera
Wilhelm Furtwänlger talks about music in opera
Wilhelm Furtwängler speaks about music – Extracts from discussions and radio interviews (Vol. 1)
6:5
90
Spoken Word
Spoken Word
Wilhelm Furtwaenlger talks about Verdi's Otello
Wilhelm Furtwänlger talks about Verdi's Otello
Wilhelm Furtwängler speaks about music – Extracts from discussions and radio interviews (Vol. 1)
2:10
91
Spoken Word
Spoken Word
Wilhelm Furtwaenlger talks about Weber's Der Freischütz
Wilhelm Furtwänlger talks about Weber's Der Freischütz
Wilhelm Furtwängler speaks about music – Extracts from discussions and radio interviews (Vol. 1)
2:44
92
Spoken Word
Spoken Word
Commentary Track: Lara Downes with Jacqueline Woodson
Commentary Track: Lara Downes with Jacqueline Woodson
Some of These Days
10:32
93
Spoken Word
Spoken Word
Leonard Bernstein Discusses Stravinsky and the Petrushka Ballet
Leonard Bernstein Discusses Stravinsky and the Petrushka Ballet
Bernstein Conducts Stravinsky
20:40
94
Spoken Word
Spoken Word
After the trumpets,...
Après que les trompettes,...
François Ier, musiques d'un règne, Vol. 1: Messe pour le camp du Drap d’Or, 1520
1:1
95
Spoken Word
Spoken Word
On this twenty-third day...
En ce vingt-troisième jour...
François Ier, musiques d'un règne, Vol. 1: Messe pour le camp du Drap d’Or, 1520
38
96
Spoken Word
Spoken Word
Après la fair,...
Après la messe,...
François Ier, musiques d'un règne, Vol. 1: Messe pour le camp du Drap d’Or, 1520
37
97
Spoken Word
Spoken Word
Interview with Igor Markevich
Introduction
Interview with Igor Markevitch
Introduction
Gounod: Messe solennelle de Sainte Cécile; An Interview with Igor Markevitch (Igor Markevitch – The Deutsche Grammophon Legacy: Volume 19)
1:36
98
Spoken Word
Spoken Word
Interview with Igor Markevich
Ellenville festival
Interview with Igor Markevitch
Ellenville festival
Gounod: Messe solennelle de Sainte Cécile; An Interview with Igor Markevitch (Igor Markevitch – The Deutsche Grammophon Legacy: Volume 19)
1:42
99
Spoken Word
Spoken Word
Interview with Igor Markevich
Rite of Spring
Interview with Igor Markevitch
Rite of Spring
Gounod: Messe solennelle de Sainte Cécile; An Interview with Igor Markevitch (Igor Markevitch – The Deutsche Grammophon Legacy: Volume 19)
2:40
100
Spoken Word
Spoken Word
Interview with Igor Markevich
Composer
Interview with Igor Markevitch
Composer
Gounod: Messe solennelle de Sainte Cécile; An Interview with Igor Markevitch (Igor Markevitch – The Deutsche Grammophon Legacy: Volume 19)
1:50
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