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1

Maria Calla's Masterclass at Juilliard, March 1972 Mozart. Don Giovanni. Act 2. Non mi dir. Kyu Do Park

Maria Callas Masterclass at Juilliard, March 1972 Mozart. Don Giovanni. Act 2. Non mi dir. Kyu Do Park

Maria Callas at Juillard: The Masterclasses

23:51

2

Maria Calla's Masterclass at Juilliard, February 1972 Beethoven. Fidelio. Act 2. Abscheulicher! Pamela Hebert

Maria Callas Masterclass at Juilliard, February 1972 Beethoven. Fidelio. Act 2. Abscheulicher! Pamela Hebert

Maria Callas at Juillard: The Masterclasses

17:7

3

Maria Calla's Masterclass at Juilliard, November 1971 Cherubini. Medea. Act 1. Dei tuoi figli. Luba Tcheresky

Maria Callas Masterclass at Juilliard, November 1971 Cherubini. Medea. Act 1. Dei tuoi figli. Luba Tcheresky

Maria Callas at Juillard: The Masterclasses

15:44

4

Maria Calla's Masterclass at Juilliard, March 1971 Bellini. Norma. Act 1. Casta diva. Pamela Hebert

Maria Callas Masterclass at Juilliard, March 1971 Bellini. Norma. Act 1. Casta diva. Pamela Hebert

Maria Callas at Juillard: The Masterclasses

10:10

5

Maria Calla's Masterclass at Juilliard, November 1971 Rossini. Il barbiere di Siviglia. Act 1. Una voce poco fa. Syble Young

Maria Callas Masterclass at Juilliard, November 1971 Rossini. Il barbiere di Siviglia. Act 1. Una voce poco fa. Syble Young

Maria Callas at Juillard: The Masterclasses

15:56

6

Maria Calla's Masterclass at Juilliard, February 1972 Verdi. Rigoletto. Act 2. Cortigiani, vil razza dannata. Sung Kil Kim

Maria Callas Masterclass at Juilliard, February 1972 Verdi. Rigoletto. Act 2. Cortigiani, vil razza dannata. Sung Kil Kim

Maria Callas at Juillard: The Masterclasses

13:54

7

Maria Calla's Masterclass at Juilliard, February 1972 Verdi. Don Carlo. Act 2. Nei giardin del bello (Canzone del velo). Sheila Nadler

Maria Callas Masterclass at Juilliard, February 1972 Verdi. Don Carlo. Act 2. Nei giardin del bello (Canzone del velo). Sheila Nadler

Maria Callas at Juillard: The Masterclasses

14:37

8

Maria Calla's Masterclass at Juilliard, November 1971 Massenet. Werther. Act 3. Qui m'aurait dit ... Des cris joyeux (Air des lettres). Anita Terzian

Maria Callas Masterclass at Juilliard, November 1971 Massenet. Werther. Act 3. Qui m'aurait dit ... Des cris joyeux (Air des lettres). Anita Terzian

Maria Callas at Juillard: The Masterclasses

22:37

9

Maria Calla's Masterclass at Juilliard, February 1972 Puccini. La Bohème. Act 1. Sì, mi chiamano Mimì. Kyu Do Park

Maria Callas Masterclass at Juilliard, February 1972 Puccini. La Bohème. Act 1. Sì, mi chiamano Mimì. Kyu Do Park

Maria Callas at Juillard: The Masterclasses

14:1

10

Maria Calla's Masterclass at Juilliard, February 1972 Puccini. Madama Butterfly. Act 2. Che tua madre. Akiko Ikuo Hayashi

Maria Callas Masterclass at Juilliard, February 1972 Puccini. Madama Butterfly. Act 2. Che tua madre. Akiko Ikuo Hayashi

Maria Callas at Juillard: The Masterclasses

10:47

11

Maria Calla's Masterclass at Juilliard, March 1972 Callas' Farewell to the Students

Maria Callas Masterclass at Juilliard, March 1972 Callas' Farewell to the Students

Maria Callas at Juillard: The Masterclasses

1:49

12

Maurice Jarre Interview

Maurice Jarre Interview

Ghost [Silver Screen Edition]

9:55

13

Chronicle of the event

Chronicle of the event

Paganini Historical Documents: Barucaba'

4:26

14

What the Edinburgh Festival Has Meant to Me, spoken comment by Kathleen Ferrier

What the Edinburgh Festival Has Meant to Me, spoken commentary by Kathleen Ferrier

Kathleen Ferrier sings Schubert, Brahms, Schumann

2:52

15

Sofia, Central Prison July 22, 1942 / Dad! / Dear mom, dad and little sister! / My dear father!, letter excerpts

Sofia, Zentralgefängnis 22. Juli 1942 / Papa! / Liebe Mama, Papa und Schwesterchen! / Mein verehrter Vater!, letter excerpts

Luigi Nono: Il canto sospeso; Gustav Mahler: Kindertotenlieder

3:50

16

My dear parents! / The gates open / Farewell, mother / Dear uncle! / After a few hours / My dear comrade!, letter

Meine lieben Eltern! / Die Tore öffnen sich / Leb wohl, Mutter / Lieber Onkel! / Nach wenigen Stunden / Mein lieber Kamerad!, letter

Luigi Nono: Il canto sospeso; Gustav Mahler: Kindertotenlieder

5:18

17

Provence (text for Quintet with Voice by Wolpe)

Provence (text for Quintet with Voice by Wolpe)

Wolpe: Quintet with Voice; Piece in 3 Parts; Suite im Hexachord

2:56

18

Intro by Frank Zappa to the Yellow Shark concert

Intro by Frank Zappa to the Yellow Shark concert

Zappa: The Yellow Shark

1:43

19

The Message of Advent

The Message of Advent

Advent Carols from St. John's

52

20

First Lesson—Genesis 3:8-15

First Lesson - Genesis 3:8-15

Advent Carols from St. John's

1:23

21

The Word of God

The Word of God

Advent Carols from St. John's

1:9

22

Second Lesson—Genesis 22:15-18

Second Lesson - Genesis 22:15-18

Advent Carols from St. John's

1:46

23

The Ministry of the Church

The Ministry of the Church

Advent Carols from St. John's

1:3

24

The Preparation for the Advent of Christ

The Preparation for the Advent of Christ

Advent Carols from St. John's

1:29

25

Third Lesson—Isaiah 9:2-7

Third Lesson - Isaiah 9:2-7

Advent Carols from St. John's

1:8

26

Fourth Lesson—Isaiah 11:1-9

Fourth Lesson - Isaiah 11:1-9

Advent Carols from St. John's

1:49

27

The Christmas Sentence and Collect

The Christmas Sentence and Collect

Advent Carols from St. John's

46

28

The College Prayer & Grace

The College Prayer & Grace

Advent Carols from St. John's

46

29

Furtwangler parle de la Neuvième Symphony

Furtwängler parle de la Neuvième Symphonie

Beethoven: Symhony No. 9

2:49

30

A Talking Portrait: Bruno Walter in Conversation

A Talking Portrait: Bruno Walter in Conversation

Bruno Walter Conducts and Talks About Mahler Symphony No. 9

15:58

31

A Working Portrait: Recording the Mahler Ninth Symphony

A Working Portrait: Recording the Mahler Ninth Symphony

Bruno Walter Conducts and Talks About Mahler Symphony No. 9

21:27

32

P.D.Q. Bach: Two Pianos Are Better Than One

3:38

33

P.D.Q. Bach: Two Pianos Are Better Than One

31

34

P.D.Q. Bach: Two Pianos Are Better Than One

43

35

P.D.Q. Bach: Two Pianos Are Better Than One

52

36

Closing announcement

Closing announcement

P.D.Q. Bach: Two Pianos Are Better Than One

18

37

Scripture Reading Epistle: "So schreibt der heilig Propheten Jesajas"

Scripture Reading Epistle: "So schreibt der heilig Propheten Jesajas"

Praetorius: Mass for Christmas Morning

2:1

38

Scripture Reading Gospel: "So schreibt der heilige Lukas"

Scripture Reading Gospel: "So schreibt der heilige Lukas"

Praetorius: Mass for Christmas Morning

3:50

39

Lutheran service The Lord's Prayer: "Vater unser, der du bist im Himmel" / Words of Institution: "Unser Herr Jesus C

Luthern Service The Lord's Prayer: "Vater unser, der du bist im Himmel" / Words of Institution: "Unser Herr Jesus C

Praetorius: Mass for Christmas Morning

2:35

40

John Cage at Summerstage Introductory remarks and announcements

John Cage at Summerstage Introductory remarks and announcements

John Cage at Summerstage

1:28

41

John Cage at Summerstage La Barbara announces Cage's 80th birthday

John Cage at Summerstage La Barbara announces Cage's 80th birthday

John Cage at Summerstage

40

42

John Cage at Summerstage La Barbara announces Four6 premiere

John Cage at Summerstage La Barbara announces Four6 premiere

John Cage at Summerstage

32

43

Love of the horn

Love of the horn

Shared Reflection

59

44

He Choosing the Horn

On Choosing the Horn

Shared Reflection

2:26

45

The Legacy

The Legacy

Shared Reflection

3:10

46

So That Each Person Is In Charge of Himself, John Cage in conversation with Wim Merton

So That Each Person Is In Charge of Himself, John Cage in conversation with Wim Mertons

Glenn Branca: Indeterminate Activity of Resultant Masses

18:47

47

Orchestral Excerpts for Tuba, spoken commentary Introduction

Orchestral Excerpts for Tuba, spoken commentary Introduction

Orchestral Excerpts for Tuba

3:16

48

Discussion of the stereophonic recording of the cannon shots in Tchaikovsky's "1812 Festival Overture"

Discussion of the stereophonic recording of the cannon shots in Tchaikovsky's "1812 Festival Overture"

Tchaikovsky: 1812 Festival Overture; Capriccio Italien; Beethoven: Wellington's Victory

12:7

49

Discussion of the stereophonic recording of the cannon and musket shots in Beethoven's "Wellington's Victory"

Discussion of the stereophonic recording of the cannon and musket shots in Beethoven's "Wellington's Victory"

Tchaikovsky: 1812 Festival Overture; Capriccio Italien; Beethoven: Wellington's Victory

9:15

50

Commentary by William Bolcom on Capriccio for Cello and Piano & Dark Music for Cello and Timpani

Commentary by William Bolcom on Capriccio for Violoncello and Piano & Dark Music for Cello and Timpani

1:16

51

Commentary by David Maves on Fantasy for Cello and Percussion

Commentary by David Maves on Fantasy for Cello and Percussion

1:

52

Commentary by David Ott on Wencesla's Suite for Cello and Piano

Commentary by David Ott on Wenceslas Suite for Cello and Piano

1:3

53

Thoughts Aloud about Bach's Solo Sonatas Introduction

Thoughts Aloud about Bach's Solo Sonatas Introduction

Bach: Sonatas & Partitas for Violin

3:8

54

Thoughts Aloud about Bach's Solo Sonatas Why violin alone?

Thoughts Aloud about Bach's Solo Sonatas Why violin alone?

Bach: Sonatas & Partitas for Violin

5:41

55

Thoughts Aloud about Bach's Solo Sonatas Adagio - Sonata no. 1

Thoughts Aloud about Bach's Solo Sonatas Adagio - Sonata no. 1

Bach: Sonatas & Partitas for Violin

5:40

56

Thoughts Aloud about Bach's Solo Sonatas Fugues

Thoughts Aloud about Bach's Solo Sonatas Fugues

Bach: Sonatas & Partitas for Violin

7:8

57

Thoughts Aloud about Bach's Solo Sonatas Siciliana

Thoughts Aloud about Bach's Solo Sonatas Siciliana

Bach: Sonatas & Partitas for Violin

5:18

58

Thoughts Aloud about Bach's Solo Sonatas Presto

Thoughts Aloud about Bach's Solo Sonatas Presto

Bach: Sonatas & Partitas for Violin

3:46

59

Thoughts Aloud about Bach's Solo Sonatas Andante

Thoughts Aloud about Bach's Solo Sonatas Andante

Bach: Sonatas & Partitas for Violin

6:9

60

Thoughts Aloud about Bach's Solo Sonatas Tempo di Borea

Thoughts Aloud about Bach's Solo Sonatas Tempo di Borea

Bach: Sonatas & Partitas for Violin

2:1

61

Thoughts Aloud about Bach's Solo Sonatas Allemanda

Thoughts Aloud about Bach's Solo Sonatas Allemanda

Bach: Sonatas & Partitas for Violin

3:10

62

Thoughts Aloud about Bach's Solo Sonatas Conclusion

Thoughts Aloud about Bach's Solo Sonatas Conclusion

Bach: Sonatas & Partitas for Violin

5:34

63

Elliott Carter and Charles Rosen in conversation

Elliott Carter and Charles Rosen in conversation

Elliott Carter: The Complete music for Piano

6:38

64

Reflections by Esa-Pekka Salonen on his composition MIMO II for Oboe and Orchestra

Reflections by Esa-Pekka Salonen on his composition MIMO II for Oboe and Orchestra

2:11

65

Reflections by Daniel Börtz on his Oboe Concerto

Reflections by Daniel Börtz on his Oboe Concerto

3:

66

Reflections by Ole Schmidt on his Oboe Concerto

Reflections by Ole Schmidt on his Oboe Concerto

2:50

67

Ghosts opening remarks by Ralph Sauer

Spoken opening remarks by Ralph Sauer

Orchestral Excerpts for Trombone, Vol. 2

1:6

68

Orchestral Excerpts for Bassoon, commentary, Vol. 2 Introduction to Orchestral Excerpts for Basson, Vol. 2

Orchestral Excerpts for Bassoon, commentary, Vol. 2 Introduction to Orchestral Excerpts for Basson, Vol. 2

Orchestral Excerpts for Bassoon, Vol. 2

54

69

Orchestral Excerpts for Bassoon, commentary, Vol. 2 Double Tonguing with musical examples

Orchestral Excerpts for Bassoon, commentary, Vol. 2 Double Tonguing with musical examples

Orchestral Excerpts for Bassoon, Vol. 2

3:27

70

A Victorian Christmas Revels

3:21

71

Alexander Schneider speaks about the Budapest String Quartet's early years

Alexander Schneider speaks about the Budapest String Quartet's early years

Beethoven: The Middle Quartets

6:2

72

Conlon Nancarrow speaks with Charles Amirkhanian Making the hole-punching machine

Conlon Nancarrow speaks with Charles Amirkhanian Making the hole-punching machine

Conlon Nancarrow: Lost Works, Last Works

6:13

73

Conlon Nancarrow speaks with Charles Amirkhanian How long does it take to to punch a roll?

Conlon Nancarrow speaks with Charles Amirkhanian How long does it take to to punch a roll?

Conlon Nancarrow: Lost Works, Last Works

58

74

Conlon Nancarrow speaks with Charles Amirkhanian Terraced dynamics

Conlon Nancarrow speaks with Charles Amirkhanian Terraced dynamics

Conlon Nancarrow: Lost Works, Last Works

5:28

75

Conlon Nancarrow speaks with Charles Amirkhanian Ethnic music connections

Conlon Nancarrow speaks with Charles Amirkhanian Ethnic music connections

Conlon Nancarrow: Lost Works, Last Works

3:20

76

Conlon Nancarrow speaks with Charles Amirkhanian Favorite jazz artists

Conlon Nancarrow speaks with Charles Amirkhanian Favorite jazz artists

Conlon Nancarrow: Lost Works, Last Works

32

77

Conlon Nancarrow speaks with Charles Amirkhanian Canons

Conlon Nancarrow speaks with Charles Amirkhanian Canons

Conlon Nancarrow: Lost Works, Last Works

1:44

78

Conlon Nancarrow speaks with Charles Amirkhanian Musical activity in Mexico

Conlon Nancarrow speaks with Charles Amirkhanian Musical activity in Mexico

Conlon Nancarrow: Lost Works, Last Works

8:53

79

Conlon Nancarrow speaks with Charles Amirkhanian Diego Rivera

Conlon Nancarrow speaks with Charles Amirkhanian Diego Rivera

Conlon Nancarrow: Lost Works, Last Works

3:50

80

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 1]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 1]

Cozzolani: Vespro della Beata Vergine

55

81

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 2]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 2]

Cozzolani: Vespro della Beata Vergine

34

82

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 3]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 3]

Cozzolani: Vespro della Beata Vergine

59

83

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 4]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 4]

Cozzolani: Vespro della Beata Vergine

1:44

84

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 5]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 5]

Cozzolani: Vespro della Beata Vergine

33

85

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 6]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 6]

Cozzolani: Vespro della Beata Vergine

1:51

86

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 7]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 7]

Cozzolani: Vespro della Beata Vergine

3:14

87

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 8]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 8]

Cozzolani: Vespro della Beata Vergine

2:25

88

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 9]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 9]

Cozzolani: Vespro della Beata Vergine

2:13

89

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 10]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 10]

Cozzolani: Vespro della Beata Vergine

1:36

90

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 11]

Salmi Bizarri: Cozzolani and the Music of Milanese Convents [Part 11]

Cozzolani: Vespro della Beata Vergine

1:18

91

Interview with John Harbison (1997-1998) about String Quartet No. 3

Interview with John Harbison (1997-1998) about String Quartet No. 3

Harbison: The Rewaking

10:29

92

Interview with John Harbison (1997-1998) about Fantasia on a Ground

Interview with John Harbison (1997-1998) about Fantasia on a Ground

Harbison: The Rewaking

4:51

93

Interview with John Harbison (1997-1998) about Fantasia on a Ground

Interview with John Harbison (1997-1998) about Fantasia on a Ground

Harbison: The Rewaking

1:57

94

Interview with John Harbison (1997-1998) further thoughts on Fantasia on a Ground

Interview with John Harbison (1997-1998) further thoughts on Fantasia on a Ground

Harbison: The Rewaking

1:35

95

Interview with John Harbison (1997-1998) Introduction

Interview with John Harbison (1997-1998) Introduction

Harbison: The Rewaking

1:20

96

Interview with John Harbison (1997-1998) Movement 1: The Woodthrush

Interview with John Harbison (1997-1998) Movement 1: The Woodthrush

Harbison: The Rewaking

3:37

97

Interview with John Harbison (1997-1998) Movement 2: To a Woodpecker

Interview with John Harbison (1997-1998) Movement 2: To a Woodpecker

Harbison: The Rewaking

2:10

98

Interview with John Harbison (1997-1998) Movement 3: The Lady Speaks

Interview with John Harbison (1997-1998) Movement 3: The Lady Speaks

Harbison: The Rewaking

3:2

99

Interview with John Harbison (1997-1998) Movement 4: The Rewaking

Interview with John Harbison (1997-1998) Movement 4: The Rewaking

Harbison: The Rewaking

4:27

100

Interview with John Harbison (1997-1998) further thoughts on The Rewaking

Interview with John Harbison (1997-1998) further thoughts on The Rewaking

Harbison: The Rewaking

3:16

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