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classic
City of London Sinfonia
ARTIST MUSICS
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The Beggar's Opera  Act 3. No. 38. Ungrateful Macheath! - / My love is all madness and folly -
The Beggar's Opera  Act 3. No. 38. Ungrateful Macheath! - / My love is all madness and folly -
 
1:6
2
The Beggar's Opera  Act 3. No. 39. Thus Gamesters united in friendship are found -
The Beggar's Opera  Act 3. No. 39. Thus Gamesters united in friendship are found -
 
1:43
3
The Beggar's Opera  Act 3. No. 40. Our scene doth represent a Gaming House - / The modes of the Court so common are gro
The Beggar's Opera  Act 3. No. 40. Our scene doth represent a Gaming House - / The modes of the Court so common are gro
 
2:43
4
The Beggar's Opera  Act 3. The Coronation account, brother Peachum - / No. 41. Keep a watchful eye on Polly - / What Gu
The Beggar's Opera  Act 3. The Coronation account, brother Peachum - / No. 41. Keep a watchful eye on Polly - / What Gu
 
2:14
5
The Beggar's Opera  Act 3. No. 42. In the days of my youth I could bill like a dove -
The Beggar's Opera  Act 3. No. 42. In the days of my youth I could bill like a dove -
 
2:21
6
The Beggar's Opera  Act 3. No. 43a. In the days of my youth I could bill like a dove -
The Beggar's Opera  Act 3. No. 43a. In the days of my youth I could bill like a dove -
 
39
7
The Beggar's Opera  Act 3. No. 43b. Jealousy, rage, love and fear - / I'm like a Skiff on the Ocean tossed -
The Beggar's Opera  Act 3. No. 43b. Jealousy, rage, love and fear - / I'm like a Skiff on the Ocean tossed -
 
1:7
8
The Beggar's Opera  Act 3. I have the Rat's-bane ready -
The Beggar's Opera  Act 3. I have the Rat's-bane ready -
 
2:12
9
The Beggar's Opera  Act 3. No. 44. A curse attends a woman's love -
The Beggar's Opera  Act 3. No. 44. A curse attends a woman's love -
 
1:38
10
The Beggar's Opera  Act 3. When I was forced from him - / No. 45. But perhaps he hath a heart not capable of it - / Amo
The Beggar's Opera  Act 3. When I was forced from him - / No. 45. But perhaps he hath a heart not capable of it - / Amo
 
1:2
11
The Beggar's Opera  Act 3. No. 46. Come, sweet lass -
The Beggar's Opera  Act 3. No. 46. Come, sweet lass -
 
1:55
12
The Beggar's Opera  Act 3. No. 47. Now every glimmering of happiness is lost -
The Beggar's Opera  Act 3. No. 47. Now every glimmering of happiness is lost -
 
1:45
13
The Beggar's Opera  Act 3. No. 48. Which way shall I turn me, how can I decide? -
The Beggar's Opera  Act 3. No. 48. Which way shall I turn me, how can I decide? -
 
40
14
The Beggar's Opera  Act 3. Dear, dear Sir, sink the material evidence - / No. 49. Polly upon her knees begs it of you -
The Beggar's Opera  Act 3. Dear, dear Sir, sink the material evidence - / No. 49. Polly upon her knees begs it of you -
 
1:53
15
The Beggar's Opera  Act 3. No. 50. How then can you be a tyrant to me - / When he holds up his hand arraigned for his l
The Beggar's Opera  Act 3. No. 50. How then can you be a tyrant to me - / When he holds up his hand arraigned for his l
 
2:
16
The Beggar's Opera  Act 3. No. 51. Ourselves, like the Great, to secure a retreat -
The Beggar's Opera  Act 3. No. 51. Ourselves, like the Great, to secure a retreat -
 
44
17
The Beggar's Opera  Act 3. We are ready, Sir,... - / No. 52. ...to conduct you to the Old Bailey! - / The Charge is pre
The Beggar's Opera  Act 3. We are ready, Sir,... - / No. 52. ...to conduct you to the Old Bailey! - / The Charge is pre
 
1:54
18
The Beggar's Opera  Act 3. No. 53. Scena. O cruel, cruel case! -
The Beggar's Opera  Act 3. No. 53. Scena. O cruel, cruel case! -
 
5:10
19
The Beggar's Opera  Act 3. No. 54. Would I might be hanged! -
The Beggar's Opera  Act 3. No. 54. Would I might be hanged! -
 
1:59
20
The Beggar's Opera  Act 3. But surely you won't intend that Macheath shall really by executed? -
The Beggar's Opera  Act 3. But surely you won't intend that Macheath shall really by executed? -
 
1:18
21
The Beggar's Opera  Act 3. No. 55. Thus I stand like a Turk, with his doxies around
The Beggar's Opera  Act 3. No. 55. Thus I stand like a Turk, with his doxies around
 
1:53
40
Requiem  1. Requiem aeternum. Entréme dónde no supe
Requiem  1. Requiem aeternum. Entréme dónde no supe
 
6:57
41
Requiem  1. Requiem aeternum. Requiem aeternum
Requiem  1. Requiem aeternum. Requiem aeternum
 
4:49
42
Requiem  2. Dies irae. Dies irae, dies illa
Requiem  2. Dies irae. Dies irae, dies illa
 
6:3
43
Requiem  2. Dies irae. Rex tremendae majestatis
Requiem  2. Dies irae. Rex tremendae majestatis
 
7:23
44
Requiem  2. Dies irae. Lacrimosa dies illa
Requiem  2. Dies irae. Lacrimosa dies illa
 
3:34
45
Requiem  3. Liber me. En mi yo no vivo ya
Requiem  3. Liber me. En mi yo no vivo ya
 
6:34
46
Requiem  3. Liber me. Lloraré mi muerte ya
Requiem  3. Liber me. Lloraré mi muerte ya
 
1:29
47
Requiem  3. Liber me. Agnus Dei
Requiem  3. Liber me. Agnus Dei
 
6:26
48
Requiem  3. Liber me. Lux asterna luceat eis Domine
Requiem  3. Liber me. Lux asterna luceat eis Domine
 
3:48
49
Requiem  3. Liber me. Requiem aeternam
Requiem  3. Liber me. Requiem aeternam
 
3:46
52
Viola Concert "Ghosts of the Dance"  Third Dance. Vivo - Più mosso - Tempo 1 - Più mosso - Tempo 1 - Più mosso - Moderato - Meno mosso
Viola Concerto "Ghosts of the Dance"  Third Dance. Vivo - Più mosso - Tempo 1 - Più mosso - Tempo 1 - Più mosso - Moderato - Meno mosso
7:11
54
Merciless Beauty  2. Letter to Anna, pregnant. Lento
Merciless Beauty  2. Letter to Anna, pregnant. Lento
4:26
55
Merciless Beauty  3. The Sick Rose. Allegro moderato
Merciless Beauty  3. The Sick Rose. Allegro moderato
1:56
56
Merciless Beauty  4. Tune for an Ice Cream Van. Allegro
Merciless Beauty  4. Tune for an Ice Cream Van. Allegro
2:53
60
Cello Concert  1. Con moto - Più mosso - Più mosso - Meno mosso -
Cello Concerto  1. Con moto - Più mosso - Più mosso - Meno mosso -
5:29
61
Cello Concert  2. Lento e calmo - Più mosso - A tempo 1 - Meno mosso
Cello Concerto  2. Lento e calmo - Più mosso - A tempo 1 - Meno mosso
7:31
62
Cello Concert  3. Vivo - Meno mosso - Lento - Meno mosso - Più mosso - Meno mosso
Cello Concerto  3. Vivo - Meno mosso - Lento - Meno mosso - Più mosso - Meno mosso
9:1
63
Prelude for string orchestra in F Minor, Op. 25  Adagio espressivo. Poco più mosso. Tempo primo
Prelude for string orchestra in F Minor, Op. 25  Adagio espressivo. Poco più mosso. Tempo primo
5:0
64
Romance for string orchestra in E flat, Op. 11  Andante espressivo. Più mosso. Tempo primo
Romance for string orchestra in E flat, Op. 11  Andante espressivo. Più mosso. Tempo primo
7:52
90
Variations on a Theme by Nielsen  Variation 2: Quarter note = Eight note del precedente
Variations on a Theme by Nielsen  Variation 2: Quarter note = Eight note del precedente
 
1:43
98
Variations on a Theme by Nielsen  Finale: Half note = Quarter note del precedente
Variations on a Theme by Nielsen  Finale: Half note = Quarter note del precedente
 
11:4
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