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classic
Marga Höffgen
ARTIST MUSICS
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Cantata no. 41, "Jesu, now be praised", BWV 41  No. 2. Aria. Laß uns, o höchster Gott, das Jahr vollbringen
Cantata No. 41, "Jesu, nun sei gepreiset", BWV 41  No. 2. Aria. Laß uns, o höchster Gott, das Jahr vollbringen
7:40
9
Cantata no. 41, "Jesu, now be praised", BWV 41  No. 3. Recitative. Ach! deine Hand, dein Segen
Cantata No. 41, "Jesu, nun sei gepreiset", BWV 41  No. 3. Recitative. Ach! deine Hand, dein Segen
1:22
11
Cantata no. 41, "Jesu, now be praised", BWV 41  No. 5. Recitative e Coro. Doch weil der Feind bei Tag und Nacht
Cantata No. 41, "Jesu, nun sei gepreiset", BWV 41  No. 5. Recitative e Coro. Doch weil der Feind bei Tag und Nacht
1:
22
Cantata no. 96, "Lord Christ, the Son of God", BWV 96  No. 3. Aria. Ach, ziehe die Seele mit Seilen der Liebe
Cantata No. 96, "Herr Christ, der einge Gottessohn", BWV 96  No. 3. Aria. Ach, ziehe die Seele mit Seilen der Liebe
9:8
23
Cantata no. 96, "Lord Christ, the Son of God", BWV 96  No. 4. Recitativo. Ach, führe mich, o Gott, zum rechten Wege
Cantata No. 96, "Herr Christ, der einge Gottessohn", BWV 96  No. 4. Recitativo. Ach, führe mich, o Gott, zum rechten Wege
54
39
Mass in B flat minor, BWV 232  "Credo in unum Deun, Patrem omnipotentem"
Mass in B minor, BWV 232  "Credo in unum Deun, Patrem omnipotentem"
2:8
50
Mass in B flat minor, BWV 232  "Osanna in excelsis" (repetatur)
Mass in B minor, BWV 232  "Osanna in excelsis" (repetatur)
3:8
53
Symphony no. 9 in D minor, Op. 125 "Chorale"  1. Allegro ma non troppo, un poco maestoso
Symphony No. 9 in D minor, Op. 125 "Choral"  1. Allegro ma non troppo, un poco maestoso
15:8
55
Symphony no. 9 in D minor, Op. 125 "Chorale"  3. Adagio molto e cantabile - Allegro moderato
Symphony No. 9 in D minor, Op. 125 "Choral"  3. Adagio molto e cantabile - Allegro moderato
16:4
56
Symphony no. 9 in D minor, Op. 125 "Chorale"  4. Presto - Recitativo - Allegro assai - Allegro assai vivace - Alla Marcia - Andante maestoso - Al
Symphony No. 9 in D minor, Op. 125 "Choral"  4. Presto - Recitativo - Allegro assai - Allegro assai vivace - Alla Marcia - Andante maestoso - Al
24:10
63
An Introduction to Wagner's "The Ring of the Nibelung"  Of all great musical compositions... [Examples 1-4]
An Introduction to Wagner's "Der Ring des Nibelungen"  Of all great musical compositions... [Examples 1-4]
 
3:37
65
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to the Nature Motive... [Examples 6, 12-16]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to the Nature Motive... [Examples 6, 12-16]
 
3:22
66
An Introduction to Wagner's "The Ring of the Nibelung"  A number of further motives... [Examples 5, 17-21]
An Introduction to Wagner's "Der Ring des Nibelungen"  A number of further motives... [Examples 5, 17-21]
 
3:17
67
An Introduction to Wagner's "The Ring of the Nibelung"  A second, much smaller family... [Examples 22-25]
An Introduction to Wagner's "Der Ring des Nibelungen"  A second, much smaller family... [Examples 22-25]
 
2:35
69
An Introduction to Wagner's "The Ring of the Nibelung"  The cause of the deterioration... [Examples 39-44]
An Introduction to Wagner's "Der Ring des Nibelungen"  The cause of the deterioration... [Examples 39-44]
 
3:30
73
An Introduction to Wagner's "The Ring of the Nibelung"  The basic motive associated with the spear... [Examples 62-68]
An Introduction to Wagner's "Der Ring des Nibelungen"  The basic motive associated with the spear... [Examples 62-68]
 
5:17
74
An Introduction to Wagner's "The Ring of the Nibelung"  Along another, more complex line... [Examples 69-72]
An Introduction to Wagner's "Der Ring des Nibelungen"  Along another, more complex line... [Examples 69-72]
 
2:12
75
An Introduction to Wagner's "The Ring of the Nibelung"  In Act Two of "Walküre"... [Examples 69, 73-75]
An Introduction to Wagner's "Der Ring des Nibelungen"  In Act Two of "Walküre"... [Examples 69, 73-75]
 
2:21
76
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to Act Two of "Walküre"... [Examples 76-79]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to Act Two of "Walküre"... [Examples 76-79]
 
3:54
77
An Introduction to Wagner's "The Ring of the Nibelung"  Love is another of the central symbols... [Examples 80-83]
An Introduction to Wagner's "Der Ring des Nibelungen"  Love is another of the central symbols... [Examples 80-83]
 
3:6
79
An Introduction to Wagner's "The Ring of the Nibelung"  Freia's Motive has two independent segments... [Examples 88-91]
An Introduction to Wagner's "Der Ring des Nibelungen"  Freia's Motive has two independent segments... [Examples 88-91]
 
2:1
81
An Introduction to Wagner's "The Ring of the Nibelung"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
An Introduction to Wagner's "Der Ring des Nibelungen"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
 
5:23
82
An Introduction to Wagner's "The Ring of the Nibelung"  A little later in this interlude... [Examples 99-103]
An Introduction to Wagner's "Der Ring des Nibelungen"  A little later in this interlude... [Examples 99-103]
 
3:7
84
An Introduction to Wagner's "The Ring of the Nibelung"  There are several independent love-themes... [Examples 110-114]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are several independent love-themes... [Examples 110-114]
 
2:55
85
An Introduction to Wagner's "The Ring of the Nibelung"  The characters in whose lives... [Examples 115-120]
An Introduction to Wagner's "Der Ring des Nibelungen"  The characters in whose lives... [Examples 115-120]
 
5:27
89
An Introduction to Wagner's "The Ring of the Nibelung"  Closely associated with Gutrune's Motive... [Examples 136-140]
An Introduction to Wagner's "Der Ring des Nibelungen"  Closely associated with Gutrune's Motive... [Examples 136-140]
 
2:26
91
An Introduction to Wagner's "The Ring of the Nibelung"  Complementary to this symbol... [Examples 147-149]
An Introduction to Wagner's "Der Ring des Nibelungen"  Complementary to this symbol... [Examples 147-149]
 
2:14
93
An Introduction to Wagner's "The Ring of the Nibelung"  One further motive connected... [Examples 158-161]
An Introduction to Wagner's "Der Ring des Nibelungen"  One further motive connected... [Examples 158-161]
 
2:52
94
An Introduction to Wagner's "The Ring of the Nibelung"  There are one or two motives... [Examples 162-168]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are one or two motives... [Examples 162-168]
 
3:48
95
An Introduction to Wagner's "The Ring of the Nibelung"  These motives of Alberich and Mime... [Examples 169-171]
An Introduction to Wagner's "Der Ring des Nibelungen"  These motives of Alberich and Mime... [Examples 169-171]
 
2:7
96
An Introduction to Wagner's "The Ring of the Nibelung"  Quite a number of the subsidiary motives... [Examples 172-176]
An Introduction to Wagner's "Der Ring des Nibelungen"  Quite a number of the subsidiary motives... [Examples 172-176]
 
2:50
97
An Introduction to Wagner's "The Ring of the Nibelung"  Besides this family of motives... [Examples 177-180]
An Introduction to Wagner's "Der Ring des Nibelungen"  Besides this family of motives... [Examples 177-180]
 
2:31
99
An Introduction to Wagner's "The Ring of the Nibelung"  In the final scene of "Götterdämmerung"... [Examples 181-183]
An Introduction to Wagner's "Der Ring des Nibelungen"  In the final scene of "Götterdämmerung"... [Examples 181-183]
 
2:45
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