×
M
O
B
classic
John Mark Ainsley
ARTIST MUSICS
25
Welcome, glorious morn, line 338  Welcome as when three happy Kingdoms strove
Welcome, glorious morn, Z. 338  Welcome as when three happy Kingdoms strove
 
2:38
26
Welcome, glorious morn, line 338  The mighty Goddess of this wealthy Isle
Welcome, glorious morn, Z. 338  The mighty Goddess of this wealthy Isle
 
1:32
28
Welcome, glorious morn, line 338  And lo! a sacred Fury swell'd her Breast
Welcome, glorious morn, Z. 338  And lo! a sacred Fury swell'd her Breast
 
3:16
29
Welcome, glorious morn, line 338  My Pray'rs heard, Heav'n has at last bestow'd
Welcome, glorious morn, Z. 338  My Pray'rs heard, Heav'n has at last bestow'd
 
3:55
30
Welcome, glorious morn, line 338  He to the Field by Honour call'd shall go
Welcome, glorious morn, Z. 338  He to the Field by Honour call'd shall go
 
1:43
31
Welcome, glorious morn, line 338  Whilst undistrub'd his happy Consort reigns
Welcome, glorious morn, Z. 338  Whilst undistrub'd his happy Consort reigns
 
1:46
32
Welcome, glorious morn, line 338  Sound, all ye Spheres; confirm the Omen, Heav'n
Welcome, glorious morn, Z. 338  Sound, all ye Spheres; confirm the Omen, Heav'n
 
2:28
34
Great parent, hail!, line 327  Great Parent, Hail! all Hail to Thee
Great parent, hail!, Z. 327  Great Parent, Hail! all Hail to Thee
 
2:15
42
Great parent, hail!, line 327  With themes like these, ye Sons of Art
Great parent, hail!, Z. 327  With themes like these, ye Sons of Art
 
1:35
45
The Summer's absence unconcerned we bear, line 337  And when late from your throne Heaven's call you attend
The Summer's absence unconcerned we bear, Z. 337  And when late from your throne Heaven's call you attend
 
2:16
51
Welcome, Viceregent of the mighty King, line 340  Symphony / Chorus. Welcome, Viceregent of the mighty King
Welcome, Viceregent of the mighty King, Z. 340  Symphony / Chorus. Welcome, Viceregent of the mighty King
3:11
52
Welcome, Viceregent of the mighty King, line 340  Duet, Ritornello. Ah! Mighty Sir, if you to such long absence are inclined
Welcome, Viceregent of the mighty King, Z. 340  Duet, Ritornello. Ah! Mighty Sir, if you to such long absence are inclined
1:24
54
Welcome, Viceregent of the mighty King, line 340  Solo & Chorus. Your influous approach our pensive hope recalls
Welcome, Viceregent of the mighty King, Z. 340  Solo & Chorus. Your influous approach our pensive hope recalls
1:25
57
Welcome, Viceregent of the mighty King, line 340  Solo, Chorus, Ritornello, Chorus. Music the food of love
Welcome, Viceregent of the mighty King, Z. 340  Solo, Chorus, Ritornello, Chorus. Music the food of love
3:43
58
Why, why are all the muses mute?, line 343  Solo, Chorus. Why, why are all the Muses mute?
Why, why are all the muses mute?, Z. 343  Solo, Chorus. Why, why are all the Muses mute?
 
4:39
59
Why, why are all the muses mute?, line 343  Solo, Chorus. When should each soul exalted be
Why, why are all the muses mute?, Z. 343  Solo, Chorus. When should each soul exalted be
 
2:30
60
Why, why are all the muses mute?, line 343  Solo, Ritornello. Britain, thou now art great, art great indeed!
Why, why are all the muses mute?, Z. 343  Solo, Ritornello. Britain, thou now art great, art great indeed!
 
3:39
61
Why, why are all the muses mute?, line 343  Trio, Chorus. Look up, and to our Isle returning see
Why, why are all the muses mute?, Z. 343  Trio, Chorus. Look up, and to our Isle returning see
 
2:12
62
Why, why are all the muses mute?, line 343  Solo, Duet. Accurs'd rebellion reared his head
Why, why are all the muses mute?, Z. 343  Solo, Duet. Accurs'd rebellion reared his head
 
3:5
63
Why, why are all the muses mute?, line 343  Ritornello, Duet. Caeser for milder virtues honour'd more
Why, why are all the muses mute?, Z. 343  Ritornello, Duet. Caeser for milder virtues honour'd more
 
2:41
64
Why, why are all the muses mute?, line 343  Solo, Chorus. The many-headed beast is quelled at home
Why, why are all the muses mute?, Z. 343  Solo, Chorus. The many-headed beast is quelled at home
 
2:13
66
Why, why are all the muses mute?, line 343  Solo, Ritornello, Chorus. O how blest is the Isle to which Caeser is given
Why, why are all the muses mute?, Z. 343  Solo, Ritornello, Chorus. O how blest is the Isle to which Caeser is given
 
5:20
68
Spanish time  Señor Torquemada, horloger de Tolède (Scenes I & II)
L' heure espagnole  Señor Torquemada, horloger de Tolède (Scenes I & II)
2:3
70
Spanish time  Il reste, voilà bien ma chance! (Scenes III-VI)
L' heure espagnole  Il reste, voilà bien ma chance! (Scenes III-VI)
2:44
71
Spanish time  'Il était temps, voici Gonzalve!' (Scène IV)
L' heure espagnole  'Il était temps, voici Gonzalve!' (Scène IV)
3:21
72
Spanish time  'C'est fait, l'horloge est à sa place' (Scène V)
L' heure espagnole  'C'est fait, l'horloge est à sa place' (Scène V)
1:50
73
Spanish time  'Maintenant pas de temps à perdre!' (Scène VI)
L' heure espagnole  'Maintenant pas de temps à perdre!' (Scène VI)
1:50
74
Spanish time  Salut à la belle horlogère! (Scenes VII-X)
L' heure espagnole  Salut à la belle horlogère! (Scenes VII-X)
2:3
75
Spanish time  'Voilà! . Et maintenant à l'autre!' (Scène VIII)
L' heure espagnole  'Voilà! . Et maintenant à l'autre!' (Scène VIII)
1:35
76
Spanish time  'Evidemment, elle me congédie' (Scène IX)
L' heure espagnole  'Evidemment, elle me congédie' (Scène IX)
2:19
77
Spanish time  'Voilà ce que j'appelle une femme charmante' (Scène X)
L' heure espagnole  'Voilà ce que j'appelle une femme charmante' (Scène X)
2:13
78
Spanish time  Monsieur! ah! Monsieur! (Scenes XI-XVI)
L' heure espagnole  Monsieur! ah! Monsieur! (Scenes XI-XVI)
35
79
Spanish time  'Enfin, il part!' (Scène XII)
L' heure espagnole  'Enfin, il part!' (Scène XII)
3:20
80
Spanish time  'Voilà l'objet!' (Scène XIII)
L' heure espagnole  'Voilà l'objet!' (Scène XIII)
1:11
81
Spanish time  'Ah! vous, n'est-ce pas, preste! leste!' (Scène XIV)
L' heure espagnole  'Ah! vous, n'est-ce pas, preste! leste!' (Scène XIV)
1:48
82
Spanish time  'En dépit de cette inhumaine' (Scène XV)
L' heure espagnole  'En dépit de cette inhumaine' (Scène XV)
1:38
83
Spanish time  'Voilà ce que j'appelle une femme charmante'(ScèneXVI)
L' heure espagnole  'Voilà ce que j'appelle une femme charmante'(ScèneXVI)
2:54
84
Spanish time  Oh! la pitoyable aventure! (Scenes XVII-XIX)
L' heure espagnole  Oh! la pitoyable aventure! (Scenes XVII-XIX)
3:10
85
Spanish time  Voilà! . Et maintenant, Senora, je suis prêt (Scène XVIII)
L' heure espagnole  Voilà! . Et maintenant, Senora, je suis prêt (Scène XVIII)
1:36
86
Spanish time  'Mon oeil anxieux interroge' (Scène XIX)
L' heure espagnole  'Mon oeil anxieux interroge' (Scène XIX)
2:28
87
Spanish time  Adieu, cellule, adieu, donjon!
L' heure espagnole  Adieu, cellule, adieu, donjon!
1:30
88
Spanish time  Il n'est pour l'horloger (Scenes XX-XXI)
L' heure espagnole  Il n'est pour l'horloger (Scenes XX-XXI)
2:32
89
Spanish time  'Pardieu, déménageur, vous venez à propos!' (ScèneXXI)
L' heure espagnole  'Pardieu, déménageur, vous venez à propos!' (ScèneXXI)
1:42
90
Spanish time  Un financier . Et un poète
L' heure espagnole  Un financier . Et un poète
3:35
97
Blake Songs (10th  No. 1, "Infant Joy": "I have no name"
Blake Songs (10  No. 1, "Infant Joy": "I have no name"
1:25
98
Blake Songs (10th  No. 2, "A Poison Tree": "I was angry with my friend"
Blake Songs (10  No. 2, "A Poison Tree": "I was angry with my friend"
2:22
99
Blake Songs (10th  No. 3, "The Piper": "Piping down the valleys wild"
Blake Songs (10  No. 3, "The Piper": "Piping down the valleys wild"
2:7
100
Blake Songs (10th  No. 4, "London": "I wander thro' each charter'd street"
Blake Songs (10  No. 4, "London": "I wander thro' each charter'd street"
1:50
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