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M
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classic
John Mark Ainsley
ARTIST MUSICS
2
Great parent, hail!, line 327  With themes like these, ye Sons of Art
Great parent, hail!, Z. 327  With themes like these, ye Sons of Art
 
1:35
5
The Summer's absence unconcerned we bear, line 337  And when late from your throne Heaven's call you attend
The Summer's absence unconcerned we bear, Z. 337  And when late from your throne Heaven's call you attend
 
2:16
11
Welcome, Viceregent of the mighty King, line 340  Symphony / Chorus. Welcome, Viceregent of the mighty King
Welcome, Viceregent of the mighty King, Z. 340  Symphony / Chorus. Welcome, Viceregent of the mighty King
3:11
12
Welcome, Viceregent of the mighty King, line 340  Duet, Ritornello. Ah! Mighty Sir, if you to such long absence are inclined
Welcome, Viceregent of the mighty King, Z. 340  Duet, Ritornello. Ah! Mighty Sir, if you to such long absence are inclined
1:24
14
Welcome, Viceregent of the mighty King, line 340  Solo & Chorus. Your influous approach our pensive hope recalls
Welcome, Viceregent of the mighty King, Z. 340  Solo & Chorus. Your influous approach our pensive hope recalls
1:25
17
Welcome, Viceregent of the mighty King, line 340  Solo, Chorus, Ritornello, Chorus. Music the food of love
Welcome, Viceregent of the mighty King, Z. 340  Solo, Chorus, Ritornello, Chorus. Music the food of love
3:43
18
Why, why are all the muses mute?, line 343  Solo, Chorus. Why, why are all the Muses mute?
Why, why are all the muses mute?, Z. 343  Solo, Chorus. Why, why are all the Muses mute?
 
4:39
19
Why, why are all the muses mute?, line 343  Solo, Chorus. When should each soul exalted be
Why, why are all the muses mute?, Z. 343  Solo, Chorus. When should each soul exalted be
 
2:30
20
Why, why are all the muses mute?, line 343  Solo, Ritornello. Britain, thou now art great, art great indeed!
Why, why are all the muses mute?, Z. 343  Solo, Ritornello. Britain, thou now art great, art great indeed!
 
3:39
21
Why, why are all the muses mute?, line 343  Trio, Chorus. Look up, and to our Isle returning see
Why, why are all the muses mute?, Z. 343  Trio, Chorus. Look up, and to our Isle returning see
 
2:12
22
Why, why are all the muses mute?, line 343  Solo, Duet. Accurs'd rebellion reared his head
Why, why are all the muses mute?, Z. 343  Solo, Duet. Accurs'd rebellion reared his head
 
3:5
23
Why, why are all the muses mute?, line 343  Ritornello, Duet. Caeser for milder virtues honour'd more
Why, why are all the muses mute?, Z. 343  Ritornello, Duet. Caeser for milder virtues honour'd more
 
2:41
24
Why, why are all the muses mute?, line 343  Solo, Chorus. The many-headed beast is quelled at home
Why, why are all the muses mute?, Z. 343  Solo, Chorus. The many-headed beast is quelled at home
 
2:13
26
Why, why are all the muses mute?, line 343  Solo, Ritornello, Chorus. O how blest is the Isle to which Caeser is given
Why, why are all the muses mute?, Z. 343  Solo, Ritornello, Chorus. O how blest is the Isle to which Caeser is given
 
5:20
28
Spanish time  Señor Torquemada, horloger de Tolède (Scenes I & II)
L' heure espagnole  Señor Torquemada, horloger de Tolède (Scenes I & II)
2:3
30
Spanish time  Il reste, voilà bien ma chance! (Scenes III-VI)
L' heure espagnole  Il reste, voilà bien ma chance! (Scenes III-VI)
2:44
31
Spanish time  'Il était temps, voici Gonzalve!' (Scène IV)
L' heure espagnole  'Il était temps, voici Gonzalve!' (Scène IV)
3:21
32
Spanish time  'C'est fait, l'horloge est à sa place' (Scène V)
L' heure espagnole  'C'est fait, l'horloge est à sa place' (Scène V)
1:50
33
Spanish time  'Maintenant pas de temps à perdre!' (Scène VI)
L' heure espagnole  'Maintenant pas de temps à perdre!' (Scène VI)
1:50
34
Spanish time  Salut à la belle horlogère! (Scenes VII-X)
L' heure espagnole  Salut à la belle horlogère! (Scenes VII-X)
2:3
35
Spanish time  'Voilà! . Et maintenant à l'autre!' (Scène VIII)
L' heure espagnole  'Voilà! . Et maintenant à l'autre!' (Scène VIII)
1:35
36
Spanish time  'Evidemment, elle me congédie' (Scène IX)
L' heure espagnole  'Evidemment, elle me congédie' (Scène IX)
2:19
37
Spanish time  'Voilà ce que j'appelle une femme charmante' (Scène X)
L' heure espagnole  'Voilà ce que j'appelle une femme charmante' (Scène X)
2:13
38
Spanish time  Monsieur! ah! Monsieur! (Scenes XI-XVI)
L' heure espagnole  Monsieur! ah! Monsieur! (Scenes XI-XVI)
35
39
Spanish time  'Enfin, il part!' (Scène XII)
L' heure espagnole  'Enfin, il part!' (Scène XII)
3:20
40
Spanish time  'Voilà l'objet!' (Scène XIII)
L' heure espagnole  'Voilà l'objet!' (Scène XIII)
1:11
41
Spanish time  'Ah! vous, n'est-ce pas, preste! leste!' (Scène XIV)
L' heure espagnole  'Ah! vous, n'est-ce pas, preste! leste!' (Scène XIV)
1:48
42
Spanish time  'En dépit de cette inhumaine' (Scène XV)
L' heure espagnole  'En dépit de cette inhumaine' (Scène XV)
1:38
43
Spanish time  'Voilà ce que j'appelle une femme charmante'(ScèneXVI)
L' heure espagnole  'Voilà ce que j'appelle une femme charmante'(ScèneXVI)
2:54
44
Spanish time  Oh! la pitoyable aventure! (Scenes XVII-XIX)
L' heure espagnole  Oh! la pitoyable aventure! (Scenes XVII-XIX)
3:10
45
Spanish time  Voilà! . Et maintenant, Senora, je suis prêt (Scène XVIII)
L' heure espagnole  Voilà! . Et maintenant, Senora, je suis prêt (Scène XVIII)
1:36
46
Spanish time  'Mon oeil anxieux interroge' (Scène XIX)
L' heure espagnole  'Mon oeil anxieux interroge' (Scène XIX)
2:28
47
Spanish time  Adieu, cellule, adieu, donjon!
L' heure espagnole  Adieu, cellule, adieu, donjon!
1:30
48
Spanish time  Il n'est pour l'horloger (Scenes XX-XXI)
L' heure espagnole  Il n'est pour l'horloger (Scenes XX-XXI)
2:32
49
Spanish time  'Pardieu, déménageur, vous venez à propos!' (ScèneXXI)
L' heure espagnole  'Pardieu, déménageur, vous venez à propos!' (ScèneXXI)
1:42
50
Spanish time  Un financier . Et un poète
L' heure espagnole  Un financier . Et un poète
3:35
57
Blake Songs (10th  No. 1, "Infant Joy": "I have no name"
Blake Songs (10  No. 1, "Infant Joy": "I have no name"
1:25
58
Blake Songs (10th  No. 2, "A Poison Tree": "I was angry with my friend"
Blake Songs (10  No. 2, "A Poison Tree": "I was angry with my friend"
2:22
59
Blake Songs (10th  No. 3, "The Piper": "Piping down the valleys wild"
Blake Songs (10  No. 3, "The Piper": "Piping down the valleys wild"
2:7
60
Blake Songs (10th  No. 4, "London": "I wander thro' each charter'd street"
Blake Songs (10  No. 4, "London": "I wander thro' each charter'd street"
1:50
61
Blake Songs (10th  No. 5, "The Lamb": "Little Lamb who made thee"
Blake Songs (10  No. 5, "The Lamb": "Little Lamb who made thee"
2:42
62
Blake Songs (10th  No. 6, "The Shepherd": "How sweet is the Shepherds sweet lot!"
Blake Songs (10  No. 6, "The Shepherd": "How sweet is the Shepherds sweet lot!"
1:4
63
Blake Songs (10th  No. 7, "Ah! Sunflower! weary of time"
Blake Songs (10  No. 7, "Ah! Sunflower! weary of time"
1:25
64
Blake Songs (10th  No. 8, "Cruelty has a human heart"
Blake Songs (10  No. 8, "Cruelty has a human heart"
1:52
65
Blake Songs (10th  No. 9, "The Divine Image": "To Mercy, Pity, Peace and Love"
Blake Songs (10  No. 9, "The Divine Image": "To Mercy, Pity, Peace and Love"
2:18
66
Blake Songs (10th  No. 10, "Eternity": "He who bends to himself a joy"
Blake Songs (10  No. 10, "Eternity": "He who bends to himself a joy"
1:45
71
Along the Field  The Sigh That Heaves the Grasses
Along the Field  The Sigh That Heaves the Grasses
2:15
75
On Wenlock Edge  No. 1, "On Wenlock Edge the wood's in trouble"
On Wenlock Edge  No. 1, "On Wenlock Edge the wood's in trouble"
3:41
76
On Wenlock Edge  No. 2, "From far, from eve and morning"
On Wenlock Edge  No. 2, "From far, from eve and morning"
2:16
78
On Wenlock Edge  No. 4, "Oh, when I was in love with you"
On Wenlock Edge  No. 4, "Oh, when I was in love with you"
50
79
On Wenlock Edge  No. 5, "Bredon Hill": "IN summertime on Bredon"
On Wenlock Edge  No. 5, "Bredon Hill": "IN summertime on Bredon"
7:39
80
On Wenlock Edge  No. 6, "Clun": "In valleys of springs of rivers"
On Wenlock Edge  No. 6, "Clun": "In valleys of springs of rivers"
3:49
81
Anon in Love  Fain would I change that note
Anon in Love  Fain would I change that note
3:23
83
Anon in Love  Lady, when I behold the roses
Anon in Love  Lady, when I behold the roses
1:52
85
Anon in Love  I gave her cakes and I gave her ale
Anon in Love  I gave her cakes and I gave her ale
1:34
87
Lamentations (6) "Lamentations Jeremiae prophetae", ZWV 53  Lamentation 1. Incipit lamentatio Jeremiae prophetae
Lamentationes (6) "Lamentationes Jeremiæ prophetæ", ZWV 53  Lamentation 1. Incipit lamentatio Jeremiae prophetae
4:48
89
Lamentations (6) "Lamentations Jeremiae prophetae", ZWV 53  Lamentation 1. Facti sunt hostes eius in capite, inimici eius locupletati sunt
Lamentationes (6) "Lamentationes Jeremiæ prophetæ", ZWV 53  Lamentation 1. Facti sunt hostes eius in capite, inimici eius locupletati sunt
2:4
90
Lamentations (6) "Lamentations Jeremiae prophetae", ZWV 53  Lamentation 1. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum.
Lamentationes (6) "Lamentationes Jeremiæ prophetæ", ZWV 53  Lamentation 1. Jerusalem, Jerusalem, convertere ad Dominum Deum tuum.
3:36
91
Lamentations (6) "Lamentations Jeremiae prophetae", ZWV 53  Lamentation 2. Et egressus est a filia Sion omnis decor eius:
Lamentationes (6) "Lamentationes Jeremiæ prophetæ", ZWV 53  Lamentation 2. Et egressus est a filia Sion omnis decor eius:
1:13
92
Lamentations (6) "Lamentations Jeremiae prophetae", ZWV 53  Lamentation 2. Recordata est Jerusalem dierum afflictionis suae
Lamentationes (6) "Lamentationes Jeremiæ prophetæ", ZWV 53  Lamentation 2. Recordata est Jerusalem dierum afflictionis suae
2:49
95
Lamentations (6) "Lamentations Jeremiae prophetae", ZWV 53  Lamentation 1. Cogitavit Dominus dissipare murum filiae Sion
Lamentationes (6) "Lamentationes Jeremiæ prophetæ", ZWV 53  Lamentation 1. Cogitavit Dominus dissipare murum filiae Sion
1:32
99
Lamentations (6) "Lamentations Jeremiae prophetae", ZWV 53  Lamentation 1. Jerusalem, Jerusalem, Convertere ad Dominum Deum tuum
Lamentationes (6) "Lamentationes Jeremiæ prophetæ", ZWV 53  Lamentation 1. Jerusalem, Jerusalem, Convertere ad Dominum Deum tuum
3:43
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