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Dashon Burton
ARTIST MUSICS
11
Go Tell It on the Mountain  Go Tell it on De Mountains' (Christmas Song of the Plantation)
Go Tell It on the Mountain  Go Tell it on De Mountains' (Christmas Song of the Plantation)
4:16
25
A Flower on the Farther Side and  A Flower on the Farther Side for viol quartet and electronic sound
A Flower on the Farther Sideund  A Flower on the Farther Side for viol quartet and electronic sound
 
15:20
26
Nothing Done Can Be  I. On the Execution of Lord High Admiral Thomas Seymour
Nothing Proved Can Be  I. On the Execution of Lord High Admiral Thomas Seymour
 
52
30
Thorns  Thorns for viol quartet and bass-baritone
Thorns  Thorns for viol quartet and bass-baritone
 
7:53
31
From a Fairy Tale  From a Fairy Tale for viol quartet
From a Fairy Tale  From a Fairy Tale for viol quartet
 
14:2
32
Paul Moravec
no  1. Write
no  1. Write
 
6:4
33
Paul Moravec
no  2. Quietly
no  2. Quietly
 
2:25
34
Paul Moravec
no  3. Reward!
no  3. Reward!
 
2:27
35
Paul Moravec
no  4. The Same Train
no  4. The Same Train
 
4:51
36
Paul Moravec
no  5. Interview I
no  5. Interview I
 
52
37
Paul Moravec
no  6. Run I
no  6. Run I
 
1:13
38
Paul Moravec
no  7. This Side Up
no  7. This Side Up
 
3:26
39
Paul Moravec
no  8. I Waited
no  8. I Waited
 
2:30
40
Paul Moravec
no  9. Run II
no  9. Run II
 
50
41
Paul Moravec
no  10. Interview II
no  10. Interview II
 
45
42
Paul Moravec
no  11. Aunt Abigail
no  11. Aunt Abigail
 
3:37
43
Paul Moravec
no  12. Run III
no  12. Run III
 
2:14
44
Paul Moravec
no  13. Interview III
no  13. Interview III
 
1:27
45
Paul Moravec
no  14. Rain
no  14. Rain
 
4:1
46
Paul Moravec
no  15. Interlude: 1861-1865
no  15. Interlude: 1861-1865
 
3:40
47
Paul Moravec
no  16. Finale
no  16. Finale
 
9:36
48
null
no  Write It! - Reflections on Sanctuary Road
no  Write It! - Reflections on Sanctuary Road
 
20:32
49
Is and Rose  1. The Edge
Is a Rose  1. The Edge
 
5:19
51
Is and Rose  3. Red, Red Rose
Is a Rose  3. Red, Red Rose
 
5:22
53
The Listeners  2. Let Your Soul Stand Cool
The Listeners  2. Let Your Soul Stand Cool
 
3:31
55
The Listeners  4. In World's Vast Frame
The Listeners  4. In World's Vast Frame
 
5:12
56
The Listeners  5. Of a Million Million
The Listeners  5. Of a Million Million
 
1:50
59
The Listeners  8. Sail Through This to That
The Listeners  8. Sail Through This to That
 
2:35
62
The Prison  Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
The Prison  Part I. Close on Freedom: The Prisoner communes with his Soul: 'l awoke in the middle of the night'. Andante - Più sostenuto - Più animato - Tempo I - Più animato - Meno mosso - Tempo I - Poco sostenuto - Adagio - Sostenuto - Pi
 
7:10
63
The Prison  Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
The Prison  Part I. Close on Freedom: Voices sing of immortality: We are full of immortality. Moderato - Poco meno mosso - Tempo I - Poco meno mosso - Sostenuto - Tempo I -
 
4:29
64
The Prison  The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
The Prison  The Prisoner asks the secret of emancipation: I was alone with the sorrow. Sostenuto - Più animaot - Poco sostenuto - Tempo I - Allegro - Andante - allegro - Più mosso -
 
2:27
65
The Prison  Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
The Prison  Part I. Close on Freedom: His Soul (echoed by Voices) replies: There is no secret. Moderato - Andante tranquillo (not too slow) - Poco sostenuto - Tempo I-
 
3:26
66
The Prison  Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
The Prison  Part I. Close on Freedom: He asks in what shape emancipation will come (Who are our saviours?): Will it return to me with the same face. Quasi adagio - Più sostenuto - Allegro - Adagio - Molto largo -
 
1:36
67
The Prison  Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
The Prison  Part I. Close on Freedom: The Voices reply: Others are elsewhere, under other names. Allegro misterioso - Poco più tranquillo - Tempo I - Sostenuto - Meno mosso -
 
3:38
68
The Prison  Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
The Prison  Orchestral Interlude: The first glimmer of Dawn. Andante - Allegro - Andante - Allegro - Tempo I - Allegro -
 
3:12
69
The Prison  Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
The Prison  Part I. Close on Freedom: The Prisoner understands his own immortality: In the faint grey morning I hear. Andante con moto - Poco meno mosso - Sostenuto - (He sleeps.)
 
5:9
70
The Prison  Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
The Prison  Part II. The Deliverance: Chorale Prelude in the Prison Chapel (The Prisoner awakes.). Andante -
 
3:59
71
The Prison  Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
The Prison  Part II. The Deliverance: His Soul tells him the end of the struggle is at hand. The struggle is over; the time has come. Moderato - Più largo - Poco meno mosso - Adagio -
 
2:51
72
The Prison  Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
The Prison  Part II. The Deliverance: He hears his guests (the elements of his personality) moving to depart. I hear them overhead moving to depart. Adagio non troppo -
 
2:13
73
The Prison  Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
The Prison  Part II. The Deliverance: Pastorale: Sunset calm. A tempo - Allegro energico - Moderato -
 
2:45
74
The Prison  Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
The Prison  Part II. The Deliverance: He disbands his ego. I disband myself. Moderato con fuoco - Meno mosso - Tempo I - Sostenuto -
 
3:6
75
The Prison  Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
The Prison  Part II. The Deliverance: Voices sing (in Greek mode) the indestructibility of human passions. The laughter we have laughed. Moderato -
 
2:1
76
The Prison  Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
The Prison  Part II. The Deliverance: Death calls him (The Last Post); glorying, he obeys the summons. For years you have been conning your lesson. Andante - Adagio - Meno adagio - Allegro - Adagio - Allegro non troppo (ma con fuoco) - Quas
 
5:13
77
The Prison  Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
The Prison  Part II. The Deliverance: His farewell; his triumph; his peace. This is no leavetaking. L'istesso movimento - Poco animato - Adagio - Andate - Allegro - Poco sostenuto - Andante - allegretto non troppo - Poco meno mosso - Allegr
 
10:38
78
Credo I. I Believe in God  I. I Believe in God
Credo  I. I Believe in God
2:33
79
Credo II. Especially Do I Believe in the Negro Race  II. Especially Do I Believe in the Negro Race
Credo  II. Especially Do I Believe in the Negro Race
3:25
80
Credo III. I Believe in Pride of Race  III. I Believe in Pride of Race
Credo  III. I Believe in Pride of Race
3:5
81
Credo IV. I Believe in the Devil  IV. I Believe in the Devil
Credo  IV. I Believe in the Devil
1:33
82
Credo V. I Believe in the Prince of Peace  V. I Believe in the Prince of Peace
Credo  V. I Believe in the Prince of Peace
6:12
83
Credo VI. I Believe in Liberty  VI. I Believe in Liberty
Credo  VI. I Believe in Liberty
4:26
84
Credo VII. I Believe in Patience  VII. I Believe in Patience
Credo  VII. I Believe in Patience
2:21
86
Simon Bore the Cross II. I Find No Fault  II. I Find No Fault
Simon Bore the Cross  II. I Find No Fault
 
1:56
88
Simon Bore the Cross IV. Who Is That Man?  IV. Who Is That Man?
Simon Bore the Cross  IV. Who Is That Man?
 
4:4
89
Simon Bore the Cross V. Don't You Know, Mary?  V. Don't You Know, Mary?
Simon Bore the Cross  V. Don't You Know, Mary?
 
4:8
90
Simon Bore the Cross VI. Walkin' to Calvary  VI. Walkin' to Calvary
Simon Bore the Cross  VI. Walkin' to Calvary
 
8:39
91
Simon Bore the Cross VII. The Crucifixion  VII. The Crucifixion
Simon Bore the Cross  VII. The Crucifixion
 
4:20
92
Simon Bore the Cross VIII. Postlude: Resurrection  VIII. Postlude: Resurrection
Simon Bore the Cross  VIII. Postlude: Resurrection
 
5:34
98
Let's sing victory  Introit: Me expectaverunt peccatores
Chantons victoire  Introit: Me expectaverunt peccatores
 
4:6
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