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classic
Ronald Stevenson
ARTIST MUSICS
14
Vagabundae Voices  I. Maestoso. Allegro Ardente
Voces Vagabundae  I. Maestoso. Allegro Ardente
 
 
8:18
16
Vagabundae Voices  III. Adagietto Cantabilissimo (Attacca)
Voces Vagabundae  III. Adagietto Cantabilissimo (Attacca)
 
 
7:44
31
Passacaglia on DSCH for piano  Pars Prima. Pibroch (Lament for Children)
Passacaglia on DSCH for piano  Pars Prima. Pibroch (Lament for Children)
2:9
32
Passacaglia on DSCH for piano  Pars Prima. Episode 2: arabesque variations
Passacaglia on DSCH for piano  Pars Prima. Episode 2: arabesque variations
2:35
37
Passacaglia on DSCH for piano  Pars Altera. Glimpse of a war vision
Passacaglia on DSCH for piano  Pars Altera. Glimpse of a war vision
35
38
Passacaglia on DSCH for piano  Pars Altera. [Track name not indicated]
Passacaglia on DSCH for piano  Pars Altera. [Track name not indicated]
32
39
Passacaglia on DSCH for piano  Pars Altera. Variations on 'Peace, Bread and the Land' (1917)
Passacaglia on DSCH for piano  Pars Altera. Variations on 'Peace, Bread and the Land' (1917)
2:6
41
Passacaglia on DSCH for piano  Pars Altera. Episode 3: volante scherzoso
Passacaglia on DSCH for piano  Pars Altera. Episode 3: volante scherzoso
57
43
Passacaglia on DSCH for piano  Pars Altera. Pedal Point: 'To emergent Africa'
Passacaglia on DSCH for piano  Pars Altera. Pedal Point: 'To emergent Africa'
1:45
44
Passacaglia on DSCH for piano  Pars Altera. Central Episode: etudes
Passacaglia on DSCH for piano  Pars Altera. Central Episode: etudes
5:7
45
Passacaglia on DSCH for piano  Pars Altera. Central Episode: etudes
Passacaglia on DSCH for piano  Pars Altera. Central Episode: etudes
2:42
46
Passacaglia on DSCH for piano  Pars Tertia. Adagio. Tribute to Bach
Passacaglia on DSCH for piano  Pars Tertia. Adagio. Tribute to Bach
1:15
47
Passacaglia on DSCH for piano  Pars Tertia. Triple Fugue over ground bass. Subject 1. andamento
Passacaglia on DSCH for piano  Pars Tertia. Triple Fugue over ground bass. Subject 1. andamento
5:4
48
Passacaglia on DSCH for piano  Pars Tertia. Triple Fugue over ground bass. Subject 2. BACH
Passacaglia on DSCH for piano  Pars Tertia. Triple Fugue over ground bass. Subject 2. BACH
6:8
49
Passacaglia on DSCH for piano  Pars Tertia. Triple Fugue over ground bass. Subject 3. Dies Irae
Passacaglia on DSCH for piano  Pars Tertia. Triple Fugue over ground bass. Subject 3. Dies Irae
5:15
50
Passacaglia on DSCH for piano  Pars Tertia. Final Variation on theme derived from ground (adagissimo barocco)
Passacaglia on DSCH for piano  Pars Tertia. Final Variation on theme derived from ground (adagissimo barocco)
10:
62
Sonatina Serenissima  No. 1. Barcarolletta
Sonatina Serenissima  No. 1. Barcarolletta
 
1:41
68
Come, sweet death (after Bach's BWV 478)  Komm, süsser Tod, BWV 478 (after Bach)
Komm, süsser Tod (after Bach's BWV 478)  Komm, süsser Tod, BWV 478 (after Bach)
4:
70
The Art Nouveau of applied edge  Vol. 1. No. 1. Elëanore (after Coleridge-Taylor). Moderato, appassionato
L'Art nouveau du chant appliqué  Vol. 1. No. 1. Elëanore (after Coleridge-Taylor). Moderato, appassionato
 
3:18
71
The Art Nouveau of applied edge  Vol. 1. No. 2. So we'll go no more a-roving (after Valérie White). Andantino
L'Art nouveau du chant appliqué  Vol. 1. No. 2. So we'll go no more a-roving (after Valérie White). Andantino
 
4:35
72
The Art Nouveau of applied edge  Vol. 1. No. 3. Plus blanche que la plus blanche hermine (after Meyerbeer). Andantino grazioso
L'Art nouveau du chant appliqué  Vol. 1. No. 3. Plus blanche que la plus blanche hermine (after Meyerbeer). Andantino grazioso
 
5:37
73
The Art Nouveau of applied edge  Vol. 1. No. 4. In the silent night (after Rachmaninov). Lento
L'Art nouveau du chant appliqué  Vol. 1. No. 4. In the silent night (after Rachmaninov). Lento
 
3:14
74
The Art Nouveau of applied edge  Vol. 1. No. 5. Go not, happy day (after Bridge). Allegrissimo con gioia sfiatata e con freschezza primevale
L'Art nouveau du chant appliqué  Vol. 1. No. 5. Go not, happy day (after Bridge). Allegrissimo con gioia sfiatata e con freschezza primevale
 
1:54
75
The Art Nouveau of applied edge  Vol. 2. No. 1. Fly home little heart (after Novello). Andante comodo
L'Art nouveau du chant appliqué  Vol. 2. No. 1. Fly home little heart (after Novello). Andante comodo
 
2:31
76
The Art Nouveau of applied edge  Vol. 2. No. 2. We'll gather lilacs (after Novello). Andante comodo
L'Art nouveau du chant appliqué  Vol. 2. No. 2. We'll gather lilacs (after Novello). Andante comodo
 
3:23
77
The Art Nouveau of applied edge  Vol. 2. No. 3. Demande et réponse (after Coleridge-Taylor). Andante
L'Art nouveau du chant appliqué  Vol. 2. No. 3. Demande et réponse (after Coleridge-Taylor). Andante
 
1:13
78
The Art Nouveau of applied edge  Vol. 2. No. 4. Wil you remember? (after Romberg). Tempo di valse
L'Art nouveau du chant appliqué  Vol. 2. No. 4. Wil you remember? (after Romberg). Tempo di valse
 
1:7
79
Scottish Ballads (2) for piano  Scottish Balad No. 1 "Lord Randal"
Scottish Ballads (2) for piano  Scottish Balad No. 1 "Lord Randal"
 
3:9
85
Thoughts on Preludes by Chopin  No. 5. Allegro agitato, con urgenza
Pénsées sur des Préludes de Chopin  No. 5. Allegro agitato, con urgenza
 
1:41
89
Counterpoint Studies (3) on Chopin Waltzes  No. 1. Waltz in A flat, op. 34/1 for right hand alone
Contrapuntal Studies (3) on Chopin Waltzes  No. 1. Waltz in A flat, op. 34/1 for right hand alone
 
3:58
90
Counterpoint Studies (3) on Chopin Waltzes  No. 2. Waltz in A, op. 42 for left hand alone
Contrapuntal Studies (3) on Chopin Waltzes  No. 2. Waltz in A, op. 42 for left hand alone
 
5:34
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