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1
Max von Schillings
Max von Schillings
A Two-way Talk, Op. 8th
Ein Zweigepräch, Op. 8
Max von Schillings: Das Hexenlied & Other Orchestral Works
12:32
2
Max von Schillings
Max von Schillings
Dance of the Flowers
Tanz der Blumen
Max von Schillings: Das Hexenlied & Other Orchestral Works
5:5
3
Max von Schillings
Max von Schillings
The Witches Song, Op. 15
Das Hexenlied, Op. 15
Max von Schillings: Das Hexenlied & Other Orchestral Works
29:2
4
Walter Jurmann
Walter Jurmann
Work(s)
Opening (Medley): Du bist nicht die Erste / Veronika, der Lenz ist da / San Francisco (with Bronisl
Work(s)
Opening (Medley): Du bist nicht die Erste / Veronika, der Lenz ist da / San Francisco (with Bronisl
Walter Jurmann: The Original Motion Picture Scores
3:33
5
Theo Mackeben
Theo Mackeben
Women are not angels
Frauen sind keine Engel
Theo Mackeben: Bal paré; Bel Ami; Das Herz der Königin; Heimat; Tanz auf dem Vulkan [Original Motion Picture Scores]
3:11
6
Helmina von Chezy
Helmina von Chezy
Rosamund (play)
Scene: Oh, sie ist schön!
Rosamunde (play)
Scene: Oh, sie ist schön!
Schubert: Rosamunde
4:55
7
Helmina von Chezy
Helmina von Chezy
Rosamund (play)
Scene: Oh, sie ist schön!
Rosamunde (play)
Scene: Oh, sie ist schön!
Schubert: Rosamunde
3:54
8
Helmina von Chezy
Helmina von Chezy
Rosamund (play)
Scene: O schöne Stunde!
Rosamunde (play)
Scene: O schöne Stunde!
Schubert: Rosamunde
3:5
9
Helmina von Chezy
Helmina von Chezy
Rosamund (play)
Scene: Dem letzten seiner Treuen
Rosamunde (play)
Scene: Dem letzten seiner Treuen
Schubert: Rosamunde
3:15
10
Johann Franz von Herbeck
Johann Franz von Herbeck
Pueri Concinitis
Pueri Concinite
Musik der Wiener Hofkapelle
4:22
11
Jean Gilbert
Jean Gilbert
The Spree still flows through Berlin
Durch Berlin fließt immer noch die Spree
Durch Berlin fließr immer noch die Spree
Durch Berlin fließt immer noch die Spree
Hermann Prey Edition
2:59
12
Walter Kollo
Walter Kollo
The small bench from the "Big Star"
Die kleine Bank am "Großen Stern"
Die kleine Bank vom "Großen Stern"
Die kleine Bank am "Großen Stern"
Hermann Prey Edition
3:4
13
Otto Teich
Otto Teich
In the Grunewald, there is a wood auction in the Grunewald
Im Grunewald, im Grunewald ist Holzaktion
Im Grunewald, im Grunewald ist Holzauktion
Im Grunewald, im Grunewald ist Holzaktion
Hermann Prey Edition
1:46
14
Eugen Philippi / Oskar Klein
Eugen Philippi / Oskar Klein
The Rixdorfer
Der Rixdorfer
Hermann Prey Edition
3:
15
Günther Schwenn
Günther Schwenn
Homesick for the Kurfürstendamm
Heimweeh nach dem Kurfürstendamm
Heimweh nach dem Kurfürstendamm
Heimweeh nach dem Kurfürstendamm
Hermann Prey Edition
3:17
16
Walter Kollo
Walter Kollo
Under Under Over
Solang noch untern Linden
Drunter unter Drüber
Solang noch untern Linden
Hermann Prey Edition
2:5
17
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Introduction
Introduction
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Introduction
Great Composers in Words and Music: Dvorák
7
18
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Bits and pieces are all we may know about the music of Antonín Dvořák
Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Bits and pieces are all we may know about the music of Antonín Dvořák
Great Composers in Words and Music: Dvorák
4:3
19
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The fourth of Dvořák's Ten Biblical Songs, titled 'The Lord is my shepherd' and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible.
Great Composers in Words and Music: Dvorák
2:57
20
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Antonín Leopold Dvořák was born on 8 september 1841 in the village of Nelahozeves, near Kralupy, in Bohemia approximately 28km north of Prague
Great Composers in Words and Music: Dvorák
2:48
21
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote: Seemingly for Dvořák the Organ School was more a means of qualifying for the formal title of musician than the
Great Composers in Words and Music: Dvorák
2:30
22
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition....
Great Composers in Words and Music: Dvorák
1:34
23
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In early 1865, Dvořák started teaching piano to the daughters of a Prague goldsmith: one of the two, Anna Čermáková would later become his wife....
Great Composers in Words and Music: Dvorák
1:24
24
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Before he left the Provisional Theatre orchestra in the summer of 1871, Dvořák was the subject of an announcement in a leading local music journal.
Great Composers in Words and Music: Dvorák
3:56
25
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
It seems that Dvořák's revision of the opera between 1873 and 1874 was but part of a larger stylistic renovation being undertaken by the composer at the time
Great Composers in Words and Music: Dvorák
2:5
26
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In response to Dvořák's multi-composition submission for the 1877 stipendium, Brahms singled out the Moravian Duets for special praise
Great Composers in Words and Music: Dvorák
2:16
27
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic 'tourist nationalism' (to quote a recent historian) listeners in Dvořák's time thought the very opposite, describing the da
Great Composers in Words and Music: Dvorák
2:47
28
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In August 1883, Dvořák received a prestigious invitation: the London Philharmonic Society requested his presence as conductor (of his own orchestral works) in their forthcoming concert season.
Great Composers in Words and Music: Dvorák
1:21
29
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák left Prague for London on 5 March 1884: eight days later he was conducting the Stabat Mater in the Royal Albert Hall.
Great Composers in Words and Music: Dvorák
3:12
30
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
In 1891, the same year Dvořák completed the 'Dumky' Trio, he took up the position of professor of composition and instrumentation at the Prague Conservatory.
Great Composers in Words and Music: Dvorák
3:19
31
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The premiere of the Te Deum within the celebratory concert, which took place on 21 October 1892 at New York's Carnegie Hall, was preceded by a concert address by the American musical patron Thomas Wentworth Higginso
Great Composers in Words and Music: Dvorák
3:11
32
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Following the premiere of his Ninth Symphony, Dvořák may well have looked forward to a prosperous and productive period in New York
Great Composers in Words and Music: Dvorák
3:36
33
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
The next - and, indeed, the penultimate - phase in Dvořák's compositional journey seems to have emerged from his previous interest in music's extra-musical associations: the poetic or pictorial aspect explored in pr
Great Composers in Words and Music: Dvorák
2:58
34
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
During his final years, Dvořák became the recipient of various honours...
During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
During his final years, Dvořák became the recipient of various honours...
Great Composers in Words and Music: Dvorák
3:50
35
Spoken Word
Spoken Word
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Antonín Dvořák, narration with musical examples
Dvořák is said to have departed the theatre early on the evening of 25 March 1904, during the premiere of Armida at the National Theatre in Prague, where the opera was being directed by Robert Polak and conducted by
Great Composers in Words and Music: Dvorák
2:33
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