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1
John Eccles
John Eccles
Sole
Act 2 Scene 2: Aria: Come Zephyrs, come, while Cupid sings
Semele
Act 2 Scene 2: Aria: Come Zephyrs, come, while Cupid sings
John Eccles: Semele
1:24
2
John Eccles
John Eccles
Sole
Act 2 Scene 2: Dance of the Zephyrs
Semele
Act 2 Scene 2: Dance of the Zephyrs
John Eccles: Semele
56
3
John Eccles
John Eccles
Sole
Act 2 Scene 2: Aria: O Sleep, why dost thou leave me?
Semele
Act 2 Scene 2: Aria: O Sleep, why dost thou leave me?
John Eccles: Semele
53
4
John Eccles
John Eccles
Sole
Act 2 Scene 3: Aria: Sleep forsaking
Semele
Act 2 Scene 3: Aria: Sleep forsaking
John Eccles: Semele
1:42
5
John Eccles
John Eccles
Sole
Act 2 Scene 3: Recitative: Let me not another Moment
Semele
Act 2 Scene 3: Recitative: Let me not another Moment
John Eccles: Semele
18
6
John Eccles
John Eccles
Sole
Act 2 Scene 3: Aria: Lay thy Doubts and Fears aside
Semele
Act 2 Scene 3: Aria: Lay thy Doubts and Fears aside
John Eccles: Semele
3:11
7
John Eccles
John Eccles
Sole
Act 2 Scene 3: Recitative: Nor was I absent
Semele
Act 2 Scene 3: Recitative: Nor was I absent
John Eccles: Semele
20
8
John Eccles
John Eccles
Sole
Act 2 Scene 3: Aria: If cheerful Hopes
Semele
Act 2 Scene 3: Aria: If cheerful Hopes
John Eccles: Semele
1:27
9
John Eccles
John Eccles
Sole
Act 2 Scene 3: Duet: If this be Love, not you alone
Semele
Act 2 Scene 3: Duet: If this be Love, not you alone
John Eccles: Semele
1:34
10
John Eccles
John Eccles
Sole
Act 2 Scene 3: Recitative: Ah me! Why sighs my Semele?
Semele
Act 2 Scene 3: Recitative: Ah me! Why sighs my Semele?
John Eccles: Semele
1:12
11
John Eccles
John Eccles
Sole
Act 2 Scene 3: Aria: With my Frailty don’t upbraid me
Semele
Act 2 Scene 3: Aria: With my Frailty don’t upbraid me
John Eccles: Semele
2:25
12
John Eccles
John Eccles
Sole
Act 2 Scene 3: Recitative: Thy Sex of Jove's the Masterpiece
Semele
Act 2 Scene 3: Recitative: Thy Sex of Jove's the Masterpiece
John Eccles: Semele
1:40
13
John Eccles
John Eccles
Sole
Act 2 Scene 3: Aria: Thy needless Fears remove
Semele
Act 2 Scene 3: Aria: Thy needless Fears remove
John Eccles: Semele
1:20
14
John Eccles
John Eccles
Sole
Act 2 Scene 3: Recitative: By my Command
Semele
Act 2 Scene 3: Recitative: By my Command
John Eccles: Semele
1:7
15
John Eccles
John Eccles
Sole
Act 2 Scene 4: Symphony
Semele
Act 2 Scene 4: Symphony
John Eccles: Semele
1:45
16
John Eccles
John Eccles
Sole
Act 3 Scene 1: Symphony
Semele
Act 3 Scene 1: Symphony
John Eccles: Semele
1:8
17
John Eccles
John Eccles
Sole
Act 3 Scene 1: Recitative: Somnus, awake
Semele
Act 3 Scene 1: Recitative: Somnus, awake
John Eccles: Semele
38
18
John Eccles
John Eccles
Sole
Act 3 Scene 1: Aria: Leave me, loathsome Light
Semele
Act 3 Scene 1: Aria: Leave me, loathsome Light
John Eccles: Semele
2:56
19
John Eccles
John Eccles
Sole
Act 3 Scene 1: Recitative: Dull God, can’st thou attend the Waters fall
Semele
Act 3 Scene 1: Recitative: Dull God, can’st thou attend the Waters fall
John Eccles: Semele
27
20
John Eccles
John Eccles
Sole
Act 3 Scene 1: Duet: Only Love on Sleep has Pow'r
Semele
Act 3 Scene 1: Duet: Only Love on Sleep has Pow'r
John Eccles: Semele
2:17
21
John Eccles
John Eccles
Sole
Act 3 Scene 1: Recitative: Somnus, arise
Semele
Act 3 Scene 1: Recitative: Somnus, arise
John Eccles: Semele
29
22
John Eccles
John Eccles
Sole
Act 3 Scene 1: Aria: More sweet is that Name
Semele
Act 3 Scene 1: Aria: More sweet is that Name
John Eccles: Semele
2:0
23
John Eccles
John Eccles
Sole
Act 3 Scene 1: Recitative: My Will obey
Semele
Act 3 Scene 1: Recitative: My Will obey
John Eccles: Semele
1:47
24
John Eccles
John Eccles
Sole
Act 3 Scene 1: Duet: Away let us haste
Semele
Act 3 Scene 1: Duet: Away let us haste
John Eccles: Semele
1:18
25
John Eccles
John Eccles
Sole
Act 3 Scene 2: Aria: I Love and am lov'd
Semele
Act 3 Scene 2: Aria: I Love and am lov'd
John Eccles: Semele
2:33
26
John Eccles
John Eccles
Sole
Act 3 Scene 3: Recitative: Thus shaped like Ino
Semele
Act 3 Scene 3: Recitative: Thus shaped like Ino
John Eccles: Semele
1:2
27
John Eccles
John Eccles
Sole
Act 3 Scene 3: Aria: Behold in this Mirrour
Semele
Act 3 Scene 3: Aria: Behold in this Mirrour
John Eccles: Semele
1:11
28
John Eccles
John Eccles
Sole
Act 3 Scene 3: Recitative: O Ecstasy of Happiness!
Semele
Act 3 Scene 3: Recitative: O Ecstasy of Happiness!
John Eccles: Semele
54
29
John Eccles
John Eccles
Sole
Act 3 Scene 3: Aria: Ah charming all o'er!
Semele
Act 3 Scene 3: Aria: Ah charming all o'er!
John Eccles: Semele
36
30
John Eccles
John Eccles
Sole
Act 3 Scene 3: Recitative: Be wise as you are beautiful
Semele
Act 3 Scene 3: Recitative: Be wise as you are beautiful
John Eccles: Semele
23
31
John Eccles
John Eccles
Sole
Act 3 Scene 3: Aria: Unknowing your Intent
Semele
Act 3 Scene 3: Aria: Unknowing your Intent
John Eccles: Semele
1:47
32
John Eccles
John Eccles
Sole
Act 3 Scene 3: Recitative: But how shall I attain to Immortality?
Semele
Act 3 Scene 3: Recitative: But how shall I attain to Immortality?
John Eccles: Semele
1:23
33
John Eccles
John Eccles
Sole
Act 3 Scene 3: Aria: Thus let my Thanks be paid
Semele
Act 3 Scene 3: Aria: Thus let my Thanks be paid
John Eccles: Semele
1:22
34
John Eccles
John Eccles
Sole
Act 3 Scene 3: Recitative: Rich Odours fill the fragrant Air
Semele
Act 3 Scene 3: Recitative: Rich Odours fill the fragrant Air
John Eccles: Semele
37
35
John Eccles
John Eccles
Sole
Act 3 Scene 4: Aria: Come to my Arms, my lovely Fair
Semele
Act 3 Scene 4: Aria: Come to my Arms, my lovely Fair
John Eccles: Semele
2:50
36
John Eccles
John Eccles
Sole
Act 3 Scene 4: Aria: Tho' 'tis easie to please you
Semele
Act 3 Scene 4: Aria: Tho' 'tis easie to please you
John Eccles: Semele
57
37
John Eccles
John Eccles
Sole
Act 3 Scene 4: Aria: When I languish with Anguish
Semele
Act 3 Scene 4: Aria: When I languish with Anguish
John Eccles: Semele
42
38
John Eccles
John Eccles
Sole
Act 3 Scene 4: Duet: I dare not / Ah fear not
Semele
Act 3 Scene 4: Duet: I dare not / Ah fear not
John Eccles: Semele
44
39
John Eccles
John Eccles
Sole
Act 3 Scene 4: Recitative: Oh Semele, why art thou thus insensible?
Semele
Act 3 Scene 4: Recitative: Oh Semele, why art thou thus insensible?
John Eccles: Semele
15
40
John Eccles
John Eccles
Sole
Act 3 Scene 4: Aria: I ever am granting
Semele
Act 3 Scene 4: Aria: I ever am granting
John Eccles: Semele
31
41
John Eccles
John Eccles
Sole
Act 3 Scene 4: Aria: Speak, speak your Desire
Semele
Act 3 Scene 4: Aria: Speak, speak your Desire
John Eccles: Semele
37
42
John Eccles
John Eccles
Sole
Act 3 Scene 4: Recitative: Swear by the Stygian Lake
Semele
Act 3 Scene 4: Recitative: Swear by the Stygian Lake
John Eccles: Semele
25
43
John Eccles
John Eccles
Sole
Act 3 Scene 4: Aria: Then cast off this human Shape which you wear
Semele
Act 3 Scene 4: Aria: Then cast off this human Shape which you wear
John Eccles: Semele
1:30
44
John Eccles
John Eccles
Sole
Act 3 Scene 4: Aria: Ah! take heed what you press
Semele
Act 3 Scene 4: Aria: Ah! take heed what you press
John Eccles: Semele
1:39
45
John Eccles
John Eccles
Sole
Act 3 Scene 4: Aria: I'll be pleas'd with no less
Semele
Act 3 Scene 4: Aria: I'll be pleas'd with no less
John Eccles: Semele
36
46
John Eccles
John Eccles
Sole
Act 3 Scene 5: Recitative and Arioso: Ah! Whither is she gone!
Semele
Act 3 Scene 5: Recitative and Arioso: Ah! Whither is she gone!
John Eccles: Semele
2:2
47
John Eccles
John Eccles
Sole
Act 3 Scene 6: Aria: Above measure is the Pleasure
Semele
Act 3 Scene 6: Aria: Above measure is the Pleasure
John Eccles: Semele
2:8
48
John Eccles
John Eccles
Sole
Act 3 Scene 7: Symphony 1
Semele
Act 3 Scene 7: Symphony 1
John Eccles: Semele
1:39
49
John Eccles
John Eccles
Sole
Act 3 Scene 7: Recitative: Ah me! too late I now repent
Semele
Act 3 Scene 7: Recitative: Ah me! too late I now repent
John Eccles: Semele
49
50
John Eccles
John Eccles
Sole
Act 3 Scene 7: Symphony 2
Semele
Act 3 Scene 7: Symphony 2
John Eccles: Semele
14
51
John Eccles
John Eccles
Sole
Act 3 Scene 8: Recitative: Of my ill-boding Dream
Semele
Act 3 Scene 8: Recitative: Of my ill-boding Dream
John Eccles: Semele
1:56
52
John Eccles
John Eccles
Sole
Act 3 Scene 9: Aria: Apollo comes to relieve your Care
Semele
Act 3 Scene 9: Aria: Apollo comes to relieve your Care
John Eccles: Semele
58
53
John Eccles
John Eccles
Sole
Act 3 Scene 9: Aria: From Tyrannous Love
Semele
Act 3 Scene 9: Aria: From Tyrannous Love
John Eccles: Semele
59
54
John Eccles
John Eccles
Sole
Act 3 Scene 9: Aria: Then Mortals be merry
Semele
Act 3 Scene 9: Aria: Then Mortals be merry
John Eccles: Semele
58
55
John Eccles
John Eccles
Sole
Act 3 Scene 9: Chorus: Then Mortals be merry
Semele
Act 3 Scene 9: Chorus: Then Mortals be merry
John Eccles: Semele
1:43
56
Agostino Steffani
Agostino Steffani
The Triumphs of Fate
E l'honor stella tiranna
I Trionfi del Fato
E l'honor stella tiranna
Queen of Baroque
2:1
57
Leonardo Vinci
Leonardo Vinci
Alexander in India
Quanto invidio la sorte... Chi vive amante
Alessandro nell'Indie
Quanto invidio la sorte... Chi vive amante
Queen of Baroque
4:0
58
George Frederick Handel
George Frederick Handel
Rinaldo
Lascia ch'io pianga mia cruda sorte
Rinaldo
Lascia ch'io pianga mia cruda sorte
Queen of Baroque
4:50
59
Riccardo Broschi
Riccardo Broschi
Artaxerxes
Son qual nave ch'agitata
Artaserse
Son qual nave ch'agitata
Queen of Baroque
7:28
60
Antonio Vivaldi
Antonio Vivaldi
Griselda
Agitata da due venti
Griselda
Agitata da due venti
Queen of Baroque
5:22
61
Agostino Steffani
Agostino Steffani
Niobe Queen of Tepe
Serena, o mio bel sole... Mia fiamma... Mio ardore
Niobe Regina di Tepe
Serena, o mio bel sole... Mia fiamma... Mio ardore
Queen of Baroque
2:18
62
George Frederick Handel
George Frederick Handel
Sersa
Ombra mai fu
Serse
Ombra mai fu
Queen of Baroque
3:23
63
Carl Heinrich Graun
Carl Heinrich Graun
Hadrian in Syria
Deh, tu bel Dio d'amore... Ov'è il mio bene?
Adriano in Siria
Deh, tu bel Dio d'amore... Ov'è il mio bene?
Queen of Baroque
3:40
64
Nicola Porpora
Nicola Porpora
Germanic in Germany
Parto, ti lascio, o cara
Germanico in Germania
Parto, ti lascio, o cara
Queen of Baroque
10:45
65
Agostino Steffani
Agostino Steffani
The Triumphs of Fate
Combatton quest'alma
I Trionfi del Fato
Combatton quest'alma
Queen of Baroque
2:6
66
George Frederick Handel
George Frederick Handel
Rinaldo
Bel piacere è godere fido amor
Rinaldo
Bel piacere è godere fido amor
Queen of Baroque
2:5
67
Jacopo Melani
Jacopo Melani
Ercole in Tebe
Act II. Scene 8: Da torbido menbo
Act II. Scene 8: Da torbido menbo
Ercole in Tebe
Act II. Scene 8: Da torbido menbo
Infinite Refrain: Music of Love's Refuge
3:8
68
Daniele Da Castrovillari
Daniele Da Castrovillari
The Cleopatra
Act III. Scene 11: Dove, m'ascondo
La Cleopatra
Act III. Scene 11: Dove, m'ascondo
Infinite Refrain: Music of Love's Refuge
3:52
69
Francesco Cavalli
Francesco Cavalli
Elagabalus
Act I. Scene 13: Io resto solo?... Misero, cos챙 va
Eliogabalo
Act I. Scene 13: Io resto solo?... Misero, cos챙 va
Infinite Refrain: Music of Love's Refuge
2:43
70
Giovanni Antonio Boretti
Giovanni Antonio Boretti
Ercole in Tebe
Act I. Scene 3: Crudo Amor
Act I. Scene 3: Crudo Amor
Ercole in Tebe
Act I. Scene 3: Crudo Amor
Infinite Refrain: Music of Love's Refuge
1:43
71
Alessandro Stradella
Alessandro Stradella
Il Trespolo tutor
Act III. Scene 5: Recit. Oh quanti soli / Arioso. Cos챙 st횪 / Aria. Oblio, che lento / Recit. Le mie fiamme / Aria. Ah, gl'챔 meglio ridere / Aria. Ahim챔, gl'챔 meglio piangere
Il Trespolo tutore
Act III. Scene 5: Recit. Oh quanti soli / Arioso. Cos챙 st횪 / Aria. Oblio, che lento / Recit. Le mie fiamme / Aria. Ah, gl'챔 meglio ridere / Aria. Ahim챔, gl'챔 meglio piangere
Infinite Refrain: Music of Love's Refuge
8:39
72
Giovanni Antonio Boretti
Giovanni Antonio Boretti
Ercole in Tebe
Act II: Scene 14: Entro l'orrida mole... Se per t챔 lieto mi lice
Act II: Scene 14: Entro l'orrida mole... Se per t챔 lieto mi lice
Ercole in Tebe
Act II: Scene 14: Entro l'orrida mole... Se per t챔 lieto mi lice
Infinite Refrain: Music of Love's Refuge
2:29
73
Claudio Monteverdi
Claudio Monteverdi
The coronation of Poppea
Act III. Scena ultima: Pur ti miro, pur ti godo
L'incoronazione di Poppea
Act III. Scena ultima: Pur ti miro, pur ti godo
Infinite Refrain: Music of Love's Refuge
5:3
74
Johann Christian Bach
Johann Christian Bach
Hadrian in Syria
I. Allegro con Brio
Adriano in Siria
I. Allegro con Brio
J.C. Bach: Adriano in Syria, Symphonies Nos. 1, 4 & 6, Sinfonia Concertante
3:18
75
Johann Christian Bach
Johann Christian Bach
Hadrian in Syria
II. Andante
Adriano in Siria
II. Andante
J.C. Bach: Adriano in Syria, Symphonies Nos. 1, 4 & 6, Sinfonia Concertante
2:31
76
Johann Christian Bach
Johann Christian Bach
Hadrian in Syria
III. Allegro Assai
Adriano in Siria
III. Allegro Assai
J.C. Bach: Adriano in Syria, Symphonies Nos. 1, 4 & 6, Sinfonia Concertante
1:2
77
George Frederick Handel
George Frederick Handel
Rinaldo
Act II: 'Lascia ch'io pianga'
Rinaldo
Act II: 'Lascia ch'io pianga'
Sinfini Music: Best Baroque
4:49
78
Henry Purcell
Henry Purcell
Dido and Aeneas
Act III: 'Thy Hand Belinda - When I Am Laid in Earth'
Dido and Aeneas
Act III: 'Thy Hand Belinda - When I Am Laid in Earth'
Sinfini Music: Best Baroque
4:13
79
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Apollo and Hyacinthus
Intrada in D Major
Apollo et Hyacinthus
Intrada in D Major
Mozart 225: Complete Symphonies
2:50
80
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Lucius Silla
1. Molto allegro
Lucio Silla
1. Molto allegro
Mozart 225: Complete Symphonies
3:31
81
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Lucius Silla
2. Andante
Lucio Silla
2. Andante
Mozart 225: Complete Symphonies
2:52
82
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Lucius Silla
3. Molto allegro
Lucio Silla
3. Molto allegro
Mozart 225: Complete Symphonies
1:25
83
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Overture
Die Entführung aus dem Serail
Overture
Mozart 225 - The Middle Operas
4:15
84
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Hier soll ich dich denn sehen'
Die Entführung aus dem Serail
Act I: 'Hier soll ich dich denn sehen'
Mozart 225 - The Middle Operas
2:56
85
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Aber wie soll ich in den Palast kommen?'
Die Entführung aus dem Serail
Act I: 'Aber wie soll ich in den Palast kommen?'
Mozart 225 - The Middle Operas
6:41
86
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Könnt ich mir doch noch so einen'
Die Entführung aus dem Serail
Act I: 'Könnt ich mir doch noch so einen'
Mozart 225 - The Middle Operas
46
87
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Solche hergelauf'ne Laffen'
Die Entführung aus dem Serail
Act I: 'Solche hergelauf'ne Laffen'
Mozart 225 - The Middle Operas
5:11
88
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Geh nur, verwünschter Aufpasser'
Die Entführung aus dem Serail
Act I: 'Geh nur, verwünschter Aufpasser'
Mozart 225 - The Middle Operas
2:31
89
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Konstanze, dich wiederzusehen, dich!'
Die Entführung aus dem Serail
Act I: 'Konstanze, dich wiederzusehen, dich!'
Mozart 225 - The Middle Operas
5:17
90
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Geschwind, geschwind auf die Seite und versteckt!'
Die Entführung aus dem Serail
Act I: 'Geschwind, geschwind auf die Seite und versteckt!'
Mozart 225 - The Middle Operas
1:58
91
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Singt dem großen Bassa Lieder'
Die Entführung aus dem Serail
Act I: 'Singt dem großen Bassa Lieder'
Mozart 225 - The Middle Operas
1:36
92
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Immer noch traurig, geliebte Konstanze?'
Die Entführung aus dem Serail
Act I: 'Immer noch traurig, geliebte Konstanze?'
Mozart 225 - The Middle Operas
1:8
93
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Ach ich liebte, war so glücklich'
Die Entführung aus dem Serail
Act I: 'Ach ich liebte, war so glücklich'
Mozart 225 - The Middle Operas
5:9
94
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Ach, ich sagt' e wohl, du würdest mich hassen'
Die Entführung aus dem Serail
Act I: 'Ach, ich sagt' e wohl, du würdest mich hassen'
Mozart 225 - The Middle Operas
3:52
95
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act I: 'Marsch! Trollt euch fort!'
Die Entführung aus dem Serail
Act I: 'Marsch! Trollt euch fort!'
Mozart 225 - The Middle Operas
2:5
96
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act II: 'O des Zankens'- 'Durch Zärtlichkeit'
Die Entführung aus dem Serail
Act II: 'O des Zankens'- 'Durch Zärtlichkeit'
Mozart 225 - The Middle Operas
4:55
97
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act II: 'Ei seht doch mal'
Die Entführung aus dem Serail
Act II: 'Ei seht doch mal'
Mozart 225 - The Middle Operas
2:16
98
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act II: 'Ich gehe, doch rate ich dir'
Die Entführung aus dem Serail
Act II: 'Ich gehe, doch rate ich dir'
Mozart 225 - The Middle Operas
3:34
99
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act II: 'Wie traurig das gute Mädchen' - 'Welcher. wechsal.Wechsal.'
Die Entführung aus dem Serail
Act II: 'Wie traurig das gute Mädchen' - 'Welcher. wechsal.Wechsal.'
Mozart 225 - The Middle Operas
2:19
100
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
The Abduction from the Seraglio
Act II: 'Traurigkeit ward mir zum Lose'
Die Entführung aus dem Serail
Act II: 'Traurigkeit ward mir zum Lose'
Mozart 225 - The Middle Operas
7:25
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