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M
O
B
classic
Martyn Brabbins
ARTIST MUSICS
5
Symphony No. 1 in A flat major, Op. 55  1. Andante. Nobilmente e semplice - Allegro
Symphony No. 1 in A flat major, Op. 55  1. Andante. Nobilmente e semplice - Allegro
18:6
13
Cello Concert  1. Molto tranquillo - Misterioso - Allegro - Più tranquillo - Allegro - Andante, misterioso - Alleg
Cello Concerto  1. Molto tranquillo - Misterioso - Allegro - Più tranquillo - Allegro - Andante, misterioso - Alleg
16:47
14
Cello Concert  2. Intermezzo pastorale. Andante molto sostenuto - Lontano -
Cello Concerto  2. Intermezzo pastorale. Andante molto sostenuto - Lontano -
3:59
15
Cello Concert  3. Rondo piocoso. [ ] - Maestoso - Quasi cadenza - Andante sostenuto - Allargando al fine
Cello Concerto  3. Rondo piocoso. [ ] - Maestoso - Quasi cadenza - Andante sostenuto - Allargando al fine
6:31
16
Symphony No. 1 in G major  1. Allegro frivolo. Andante - Allegro assai - Andante - A tempo l d'allegro - Allegro agitato
Symphony No. 1 in G major  1. Allegro frivolo. Andante - Allegro assai - Andante - A tempo l d'allegro - Allegro agitato
6:41
17
Symphony No. 1 in G major  2. Andante con moto - Grazioso - A tempo 1
Symphony No. 1 in G major  2. Andante con moto - Grazioso - A tempo 1
6:22
18
Symphony No. 1 in G major  3. Allegretto - Trio 1. Poco meno mosso - Allegretto - Trio 2. Moderato - A tempo 1 (Allegretto) -
Symphony No. 1 in G major  3. Allegretto - Trio 1. Poco meno mosso - Allegretto - Trio 2. Moderato - A tempo 1 (Allegretto) -
5:1
19
Symphony No. 1 in G major  4. Finale. Tema con variazioni. [Tema.] Andante maestoso - Variazione 1. A tempo [Andante maestoso]
Symphony No. 1 in G major  4. Finale. Tema con variazioni. [Tema.] Andante maestoso - Variazione 1. A tempo [Andante maestoso]
7:51
20
Symphony No. 1 in G major  4. Finale. Molto moderato - Fuga. Pochissimo più mosso - Andante
Symphony No. 1 in G major  4. Finale. Molto moderato - Fuga. Pochissimo più mosso - Andante
4:48
39
Nightmail  Percussion Sequence
Night Mail  Percussion Sequence
 
55
40
Nightmail  End Sequence
Night Mail  End Sequence
 
4:8
41
The daughter  1. Allegro brillante
The Tocher  1. Allegro brillante
 
1:53
42
The daughter  2. Allegretto
The Tocher  2. Allegretto
 
2:20
43
The daughter  3. Allegretto
The Tocher  3. Allegretto
 
2:1
44
The daughter  4. Bolero: Allegro moderato
The Tocher  4. Bolero: Allegro moderato
 
2:
45
The daughter  5. Allegro con brio
The Tocher  5. Allegro con brio
 
1:18
46
The King's Stamp  Part 1. Allegro molto alla marcia
The King's Stamp  Part 1. Allegro molto alla marcia
 
38
47
The King's Stamp  Part 1. Allegro: 'Opening door...'
The King's Stamp  Part 1. Allegro: 'Opening door...'
 
2:20
48
The King's Stamp  Part 1. Allegretto: 'Messenger boy'
The King's Stamp  Part 1. Allegretto: 'Messenger boy'
 
40
49
The King's Stamp  Part 1. Lento ma non troppo: 'Entry to lithograph works'
The King's Stamp  Part 1. Lento ma non troppo: 'Entry to lithograph works'
 
1:46
50
The King's Stamp  Part 1. Allegro moderato: 'Stamp factory - Machine starts'
The King's Stamp  Part 1. Allegro moderato: 'Stamp factory - Machine starts'
 
2:48
51
The King's Stamp  Part 2. Minuet: Andante lento
The King's Stamp  Part 2. Minuet: Andante lento
 
56
52
The King's Stamp  Part 2. Allegretto: 'Train sequence'
The King's Stamp  Part 2. Allegretto: 'Train sequence'
 
1:37
53
The King's Stamp  Part 2. Allegretto: 'Parliament - The Stamp Bill'
The King's Stamp  Part 2. Allegretto: 'Parliament - The Stamp Bill'
 
53
55
The King's Stamp  Part 2. Allegro moderato alla marcia
The King's Stamp  Part 2. Allegro moderato alla marcia
 
1:17
56
Negroes/God's Chill  Allegro appassionato: Title Music
Negroes/God's Chillun  Allegro appassionato: Title Music
 
3:1
57
Negroes/God's Chill  1. Allegro: "In the middle ages"
Negroes/God's Chillun  1. Allegro: "In the middle ages"
 
1:4
58
Negroes/God's Chill  2. Allegro: "Then the Protuguese and Spaniards"
Negroes/God's Chillun  2. Allegro: "Then the Protuguese and Spaniards"
 
1:4
59
Negroes/God's Chill  3. Allegro ritmico: "At the mouth of the Senegal"
Negroes/God's Chillun  3. Allegro ritmico: "At the mouth of the Senegal"
 
1:8
60
Negroes/God's Chill  4. Andante con moto: "To sail from Africa to Jamaica"
Negroes/God's Chillun  4. Andante con moto: "To sail from Africa to Jamaica"
 
58
61
Negroes/God's Chill  5. Andante lento: "The more advanced thinkers in Europe"
Negroes/God's Chillun  5. Andante lento: "The more advanced thinkers in Europe"
 
1:32
62
Negroes/God's Chill  6. Andante con molto moto: "Still at their accustomed hour"
Negroes/God's Chillun  6. Andante con molto moto: "Still at their accustomed hour"
 
3:26
63
Negroes/God's Chill  7. Allegro ritmico: "Coffee from the Blue Mountains"
Negroes/God's Chillun  7. Allegro ritmico: "Coffee from the Blue Mountains"
 
50
64
The Way to the sea  Allegro: Introduction
The Way to the sea  Allegro: Introduction
33
65
The Way to the sea  Andante maestoso: Romans
The Way to the sea  Andante maestoso: Romans
39
66
The Way to the sea  Andante maestoso: Alfred
The Way to the sea  Andante maestoso: Alfred
48
67
The Way to the sea  Moderato: "There is, at this point of the haven"
The Way to the sea  Moderato: "There is, at this point of the haven"
1:27
68
The Way to the sea  Allegro: "The eighteenth century"
The Way to the sea  Allegro: "The eighteenth century"
1:19
69
The Way to the sea  Allegro con fuoco: "Nelson has gone"
The Way to the sea  Allegro con fuoco: "Nelson has gone"
56
70
The Way to the sea  Lento e pesante: "169 trains a week"
The Way to the sea  Lento e pesante: "169 trains a week"
41
72
The Way to the sea  Piu lento: "Here is a harbour"
The Way to the sea  Piu lento: "Here is a harbour"
3:
73
The Way to the sea  Slow: "We seek a spectacle"
The Way to the sea  Slow: "We seek a spectacle"
1:16
74
The Way to the sea  Allegro molto - alla marcia
The Way to the sea  Allegro molto - alla marcia
1:54
78
Men Behind the Meters  Andantino: "I Dreamt I Dwelt in Marble Halls"
Men Behind the Meters  Andantino: "I Dreamt I Dwelt in Marble Halls"
 
1:33
79
Men Behind the Meters  Allegro moderato: 1935 Sequence
Men Behind the Meters  Allegro moderato: 1935 Sequence
 
1:16
80
Coalface  1. Andante: "A sterile landscape"
Coal Face  1. Andante: "A sterile landscape"
39
81
Coalface  2. "Coal mining is the basic industry of Britain"
Coal Face  2. "Coal mining is the basic industry of Britain"
1:10
82
Coalface  3. Andante: "The chief coal-producing centres"
Coal Face  3. Andante: "The chief coal-producing centres"
42
83
Coalface  4. "Yorkshire and Lancashire"
Coal Face  4. "Yorkshire and Lancashire"
1:1
84
Coalface  5. Moderato: "The temp'rature often reaches"
Coal Face  5. Moderato: "The temp'rature often reaches"
28
85
Coalface  6. Andante: "The seven and a half hour shift"
Coal Face  6. Andante: "The seven and a half hour shift"
47
86
Coalface  7. Ad libitum sempre: "One thirty a.m."
Coal Face  7. Ad libitum sempre: "One thirty a.m."
50
87
Coalface  8. Allegro ma non troppo: "In many pits"
Coal Face  8. Allegro ma non troppo: "In many pits"
1:4
88
Coalface  9. Allegro molto: "The shift is finished"
Coal Face  9. Allegro molto: "The shift is finished"
2:3
89
Coalface  10. "Making up coal trains"
Coal Face  10. "Making up coal trains"
2:26
90
Coalface  11. Allegro: "Coal mining is the basic industry"
Coal Face  11. Allegro: "Coal mining is the basic industry"
14
91
Coalface  12. Andante: "There are the miners"
Coal Face  12. Andante: "There are the miners"
23
93
Symphony No. 1, Op. 42  1. Lento ma non troppo...Tempo giusto alla fine
Symphony No. 1, Op. 42  1. Lento ma non troppo...Tempo giusto alla fine
11:42
94
Symphony No. 1, Op. 42  2. Allegro molto ed impetuoso - Più animato - Molto cantabile
Symphony No. 1, Op. 42  2. Allegro molto ed impetuoso - Più animato - Molto cantabile
8:25
95
Symphony No. 1, Op. 42  3. Molto adagio e sostenuto...Tempo giusto
Symphony No. 1, Op. 42  3. Molto adagio e sostenuto...Tempo giusto
15:45
96
Piano Concerto No. 3, Op. 57 "Summer Concert"  1. Introduction and allegro...Meno mosso (Molto moderato)
Piano Concerto No. 3, Op. 57 "Concerto estivo"  1. Introduction and allegro...Meno mosso (Molto moderato)
13:5
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