Insert title here

15:0

César Franck

Les Djinns, M.45 Les Djinns

Les Djinns, M. 45 Les Djinns

12:14

César Franck

Piano Concerto No. 2, in G minor I. Allegro maestoso

15:37

César Franck

Piano Concerto No. 2, in G minor II. Adagio

6:46

César Franck

Piano Concerto No. 2, in G minor III. Rondo: Allegro

9:35

Maurice Ravel

Piano Concerto in G major I. Allegramente

8:23

Maurice Ravel

Piano Concerto in G major II. Adagio Assai

9:19

Maurice Ravel

Piano Concerto in G major III. Presto

3:59

Maurice Ravel

Piano Concerto in D major Piano Concerto in D for the left hand

18:30

Claude Debussy

Fantasy for piano & orchestra, L. 73 I. Andante ma non troppo

Fantaisie for piano & orchestra, L. 73 I. Andante ma non troppo

8:48

Claude Debussy

Fantasy for piano & orchestra, L. 73 II. Lento e molto espressivo - III. Allegro molto

Fantaisie for piano & orchestra, L. 73 II. Lento e molto espressivo - III. Allegro molto

16:41

The Carnival of Aix (11), Op. 83b I. Le Corso

Le carnaval d'Aix (11), Op. 83b I. Le Corso

1:19

The Carnival of Aix (11), Op. 83b II. Tartaglia

Le carnaval d'Aix (11), Op. 83b II. Tartaglia

1:14

The Carnival of Aix (11), Op. 83b III. Isabelle

Le carnaval d'Aix (11), Op. 83b III. Isabelle

1:46

The Carnival of Aix (11), Op. 83b IV. Rosetta

Le carnaval d'Aix (11), Op. 83b IV. Rosetta

2:17

The Carnival of Aix (11), Op. 83b V. Le Bon et le Mauvais Tuteur

Le carnaval d'Aix (11), Op. 83b V. Le Bon et le Mauvais Tuteur

2:7

The Carnival of Aix (11), Op. 83b VI. Coviello

Le carnaval d'Aix (11), Op. 83b VI. Coviello

The Carnival of Aix (11), Op. 83b VII. Le Capitaine Cartuccia

Le carnaval d'Aix (11), Op. 83b VII. Le Capitaine Cartuccia

2:21

The Carnival of Aix (11), Op. 83b VIII. Polichinelle

Le carnaval d'Aix (11), Op. 83b VIII. Polichinelle

The Carnival of Aix (11), Op. 83b IX. Polka

Le carnaval d'Aix (11), Op. 83b IX. Polka

1:24

The Carnival of Aix (11), Op. 83b X. Cinzio

Le carnaval d'Aix (11), Op. 83b X. Cinzio

1:26

The Carnival of Aix (11), Op. 83b XI. Souvenir de Rio

Le carnaval d'Aix (11), Op. 83b XI. Souvenir de Rio

1:57

The Carnival of Aix (11), Op. 83b XII. Final

Le carnaval d'Aix (11), Op. 83b XII. Final

1:50

Ballad, Op. 61 Ballade Op. 61

Ballade, Op. 61 Ballade Op. 61

8:31

Studies (5), Op. 63 No. 1 Vif

Études (5), Op. 63 No. 1 Vif

1:2

Studies (5), Op. 63 No. 2 Doucement

Études (5), Op. 63 No. 2 Doucement

3:27

Studies (5), Op. 63 No. 3 Fugues: Vif et rythmé

Études (5), Op. 63 No. 3 Fugues: Vif et rythmé

1:1

Studies (5), Op. 63 No. 4 Sombre

Études (5), Op. 63 No. 4 Sombre

2:50

Studies (5), Op. 63 No. 5 Romantique: Très animé

Études (5), Op. 63 No. 5 Romantique: Très animé

2:16

Concerto, for piano & orchestra No. 1, Op. 127 I. Très vif

3:33

Concerto, for piano & orchestra No. 1, Op. 127 II. Barcarolle

5:5

Concerto, for piano & orchestra No. 1, Op. 127 III. Finale

4:33

Pastoral Fantasy, Op. 188 Fantaisie pastorale Op. 188

Fantaisie pastorale, Op. 188 Fantaisie pastorale Op. 188

9:57

Concerto, for piano & orchestra No. 2, Op. 225 I. Animé

3:39

Concerto, for piano & orchestra No. 2, Op. 225 II. Romance

6:11

Concerto, for piano & orchestra No. 2, Op. 225 III. Bien modérément animé

3:26

Concerto, for piano & orchestra No. 3, Op. 270 I. Alerte et avec élégance

5:10

Concerto, for piano & orchestra No. 3, Op. 270 II. Lent

8:6

Concerto, for piano & orchestra No. 3, Op. 270 III. Avec esprit et élégance

5:44

Concerto, for piano & orchestra No. 4, Op. 295 I. Animé

5:2

Concerto, for piano & orchestra No. 4, Op. 295 II. Très lent

10:28

Concerto, for piano & orchestra No. 4, Op. 295 III. Joyeux

5:15

Concerto, for piano & orchestra No. 5, Op. 346 I. Alerte

4:58

Concerto, for piano & orchestra No. 5, Op. 346 II. Nonchalant

10:41

Concerto, for piano & orchestra No. 5, Op. 346 III. Joyeux

5:49

Nadia Boulanger

Fantasy Fantaisie (variée) for piano and orchestra

19:57

Germaine Tailleferre

Ballade for piano & orchestra Ballade

14:30

Piano Concerto in C sharp minor, FP 146 I. Allegretto

10:6

Piano Concerto in C sharp minor, FP 146 II. Andante con moto

6:2

Piano Concerto in C sharp minor, FP 146 III. Rondo à la française: Presto giocoso

3:47

Concert for 2 pianos & orchestra I. Allegro giocoso

Concerto for 2 pianos & orchestra I. Allegro giocoso

9:28

Concert for 2 pianos & orchestra II. Doppio più lento

Concerto for 2 pianos & orchestra II. Doppio più lento

6:4

Concert for 2 pianos & orchestra III. Scherzando

Concerto for 2 pianos & orchestra III. Scherzando

7:53

Concert for 2 pianos & orchestra IV. Allegro tieramente

Concerto for 2 pianos & orchestra IV. Allegro tieramente

5:40

Les animaux models, FP 111 No. 1 Le Petit Jour: Très calme

Les animaux modèles, FP 111 No. 1 Le Petit Jour: Très calme

4:3

Les animaux models, FP 111 No. 4 Le Lion amoureux: Passionnément animé

Les animaux modèles, FP 111 No. 4 Le Lion amoureux: Passionnément animé

1:35

Les animaux models, FP 111 No. 5 L'Homme entre deux âges et ses deux maîtresses: Prestissimo

Les animaux modèles, FP 111 No. 5 L'Homme entre deux âges et ses deux maîtresses: Prestissimo

1:57

Les animaux models, FP 111 No. 6 La Mort et le Bûcheron: Très lent

Les animaux modèles, FP 111 No. 6 La Mort et le Bûcheron: Très lent

6:28

Les animaux models, FP 111 No. 7 Les Deux Coqs: Très modéré

Les animaux modèles, FP 111 No. 7 Les Deux Coqs: Très modéré

3:33

Les animaux models, FP 111 No. 8 Le Repas de midi

Les animaux modèles, FP 111 No. 8 Le Repas de midi

3:40

Concerto for 2 pianos & orchestra in D minor, FP 61 I. Allegro ma non troppo

8:5

Concerto for 2 pianos & orchestra in D minor, FP 61 II. Larghetto

5:45

Concerto for 2 pianos & orchestra in D minor, FP 61 III. Finale

5:46

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Introduction Introduction

Introduction

The uncle from Boston Act I: Overture [excerpt]

Der Onkel aus Boston Act I: Overture [excerpt]

Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

1:14

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Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823 Der Onkel aus Boston (The Uncle from Boston), a three-act dramatic work by Felix Mendelssohn, begun in May 1822 and completed in November 1823

6:59

Children's piece, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

Kinderstück, for piano in G major, Op. 72/1 Sechs Kinderst체cke, Op. 72 (Six Children's Pieces) - No. 1. Allegro non troppo

An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

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An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847 An extract from Mendelssohn's piano collection Kinderst체cke (Children's Pieces), published after the composer's death in 1847

2:57

Song for my good father's birthday Lied zum Geburtstag meines guten Vaters

Lied zum Gebrutstag meines guten Vaters Lied zum Geburtstag meines guten Vaters

By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

1:12

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By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works By His Early Teens, Mendelssohn Had Already Acquired an Impressive Portfolio of Musical Compositions Across a Range of Genres: Chamber Music, Psalm Settings, String Sinfonias and Keyboard Works

5:40

Octet for strings in E flat major, Op. 20 III. Scherzo: Allegro leggierissimo [excerpt]

1:0

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A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home A Similar Musical Atmosphere Was Created in the Second of Mendelssohn's Towering Early Works: His Overture to A Midsummer Night's Dream, Finished in Early August 1826 and, Like the Octet, Most Probably First Performed in the Family Home

A Midsummer Night's Dream, overture, Op. 21 Overture [excerpt]

The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

1:35

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The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music The Period also Witnessed the Inensification of Mendelssohn's Historical Interest in Earlier Styles, Particularly Sacred Vocal Music

3:10

Est time in G minor/A major [excerpt]

Hora est in G minor/A major [excerpt]

2:22

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1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write 1829 Saw the Beginning of Mendelssohn's Grand Tour of Europe, a Series of Excursions That Took the Composer North to Scotland and South to Italy, Both Countries Providing Inspiration for Symphonies He Would Go On to Write

2:31

The Hebrides in B minor, Op. 26 "Fingal's Cave" [excerpt]

At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

1:6

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At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony At the Home of a Wealthy Mine Owner in North Wales, the Next Stop in His Tour, Mendelssohn First Contemplated a Large-Scale Orchestral Work Now Known as the Reformation Symphony

4:49

Symphony No. 4 in A major, Op. 90 Italian IV. Saltarello: Presto [excerpt]

Symphony No. 4 in A major, Op. 90 "Italian" IV. Saltarello: Presto [excerpt]

The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

1:8

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The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest... The Second Opportunity to Present Itself on Mendelssohn's Return to Berlin, Following His European Tour, Was the Directorship of the 15th Niederrheinisches Musikfest...

2:8

Overture for orchestra in C major "Trumpet", Op. 101 [excerpt]

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The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City The Success of Mendelssohn's Directorship of the D체sseldorf Festival - to One Commentator, ''the Greatest Public Success That He Had Yet Had in Germany' - Led to a Three-Year Appointment as Director of Music in the City

5:19

Paul, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Paulus, Op. 36 How Lovely Are the Messengers (Sung in English) [excerpt]

Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

1:41

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Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud... Roughly One Month Earlier, the 9th of September 1836, Mendelssohn Had Become Engaged to C챕cile Jeanrenaud...

2:58

Motets (3) for female chorus & organ, Op. 39 No. 1. Veni, Domine (Hear My Prayer, O Lord) [excerpt]

The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

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The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'... The Next Few Years in Leipzig Witnessed the Completion of Mendelssohn's String Quartets Op. 44, His Piano Trio in D Minor, the Overture 'Ruy Blas'...

3:30

Organ Sonata No. 2 in C minor/C major, Op. 65/2 II. Allegro maestoso e vivace [excerpt]

It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

1:5

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It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ It Is Easy to Forget That, While Mendelssohn Was Most Famous During His Lifetime as a Composer, Conductor and virtuoso pianist, His Skills Extended to the Organ

3:11

Violin Concerto in E minor, Op.64 III. Allegro molto vivace [excerpt]

Violin Concerto in E minor, Op. 64 III. Allegro molto vivace [excerpt]

Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:9

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Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece Hear My Prayer, a Short Standalone Piece of Sacred Choral Music Also Composed in 1844, Cannot Be Described as a Masterpiece

1:2

Hear My Prayer in G major [excerpt]

Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

1:28

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Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah... Ten Years After the Premiere of St Paul, Mendelssohn Turned His Attention Once Again to the Genre of the Oratorio: the Result Was Elijah...

2:6

Elijah, Op.70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

Elijah, Op. 70 Part II, No. 42. Alsdann wird euer Licht hervorbrechen (And Then Shall Your Light Break Forth [excerpt]

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Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

Mendelssohn Died on the 4th of November 1847 Following a Series of Strokes

3:37

Song Without Words for piano No. 28 in G major, Op. 62/4 Lieder ohne Worte (Songs without Words), Book 5, Op. 62 - No. 28 in G major, Op. 62, No. 4