Composer

:

Darius Milhaud

Genre

:

Concerto

Style

:

Concerto

Compose Date

:

1920

Publication Date

:

1953

Average_duration

:

10:16

Movement_count

:

5

Movement ....

Études (5), Op. 63 is a set of five piano études composed by Darius Milhaud in 1920. The work was premiered on May 17, 1921, in Paris, by the composer himself. The five movements of the work are titled "Polytonalité," "Accords," "Sextes," "Octaves," and "Chromatisme." The first movement, "Polytonalité," explores the use of multiple tonalities simultaneously. Milhaud employs a complex harmonic language, with dissonant chords and unexpected modulations. The second movement, "Accords," focuses on the use of chords and their various inversions. The movement is characterized by its rhythmic vitality and playful use of harmony. The third movement, "Sextes," is centered around the interval of the sixth. Milhaud uses this interval in various ways, creating a sense of tension and release throughout the movement. The fourth movement, "Octaves," is a virtuosic display of octave passages. Milhaud employs a variety of rhythmic patterns and dynamic contrasts to create a sense of excitement and energy. The final movement, "Chromatisme," is characterized by its use of chromaticism. Milhaud employs chromatic scales and chromatic harmonies to create a sense of tension and instability. The movement builds to a frenzied climax before resolving in a final chord. Overall, Études (5), Op. 63 is a challenging and innovative work that showcases Milhaud's mastery of harmony and rhythm. The work is notable for its use of complex harmonies, rhythmic vitality, and virtuosic piano writing.

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