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M
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B
classic
Joan Sutherland
ARTIST MUSICS
1
The Huguenots  Tu m'as compris; adieu
Les Huguenots  Tu m'as compris; adieu
4:5
2
The Huguenots  Un danger le menace, et j'ignore lequel
Les Huguenots  Un danger le menace, et j'ignore lequel
1:54
3
The Huguenots  En mon bon droit j'ai confiance
Les Huguenots  En mon bon droit j'ai confiance
8:32
4
The Huguenots  Arrêtez! Respectez la reine de Navarre
Les Huguenots  Arrêtez! Respectez la reine de Navarre
4:39
5
The Huguenots  Au banquet où le ciel leur apprête
Les Huguenots  Au banquet où le ciel leur apprête
1:55
6
The Huguenots  Je suis seule chez moi!
Les Huguenots  Je suis seule chez moi!
5:47
7
The Huguenots  Juste ciel! est-ce lui
Les Huguenots  Juste ciel! est-ce lui
1:33
8
The Huguenots  Oui, l'ordre de la reine . des troubles renaissants
Les Huguenots  Oui, l'ordre de la reine . des troubles renaissants
11:38
9
The Huguenots  Gloire, gloire au grand Dieu vengeur!
Les Huguenots  Gloire, gloire au grand Dieu vengeur!
7:2
10
The Huguenots  O ciel! Où courez-vous?
Les Huguenots  O ciel! Où courez-vous?
10:25
11
The Huguenots  Entends-tu ces sons funèbres
Les Huguenots  Entends-tu ces sons funèbres
6:28
13
The Huguenots  Aux armes, mes amis!
Les Huguenots  Aux armes, mes amis!
5:16
14
The Huguenots  C'est toi, mon vieux Marcel
Les Huguenots  C'est toi, mon vieux Marcel
7:55
15
The Huguenots  Savez-vous qu'en joignant
Les Huguenots  Savez-vous qu'en joignant
2:55
16
The Huguenots  Abjurez, huguenots, le ciel l'ordonne!
Les Huguenots  Abjurez, huguenots, le ciel l'ordonne!
1:3
17
The Huguenots  Ah! voyez, le ciel s'ouvre
Les Huguenots  Ah! voyez, le ciel s'ouvre
3:9
18
The Huguenots  Par le fer et par l'incendie
Les Huguenots  Par le fer et par l'incendie
2:5
20
Beatrice of Tende  Act 1. Scene 1. Tu, signor! lasciar sì presto
Beatrice di Tenda  Act 1. Scene 1. Tu, signor! lasciar sì presto
5:
21
Beatrice of Tende  Act 1. Scene 1. Ah! non penser che pieno
Beatrice di Tenda  Act 1. Scene 1. Ah! non penser che pieno
9:21
22
Beatrice of Tende  Act 1. Scene 2. Silenzio e notte intorno
Beatrice di Tenda  Act 1. Scene 2. Silenzio e notte intorno
4:59
23
Beatrice of Tende  Act 1. Scene 2. Sì: rivale... rival regnante
Beatrice di Tenda  Act 1. Scene 2. Sì: rivale... rival regnante
6:59
24
Beatrice of Tende  Act 1. Scene 3. Respiro io qui
Beatrice di Tenda  Act 1. Scene 3. Respiro io qui
7:28
25
Beatrice of Tende  Act 1. Scene 3. Ma la sola, ohimè! son io
Beatrice di Tenda  Act 1. Scene 3. Ma la sola, ohimè! son io
3:50
26
Beatrice of Tende  Act 1. Scene 3. Ah! la pena in lor piombò
Beatrice di Tenda  Act 1. Scene 3. Ah! la pena in lor piombò
3:55
27
Beatrice of Tende  Act 1. Scene 3. Vedi? La tua presenza
Beatrice di Tenda  Act 1. Scene 3. Vedi? La tua presenza
2:49
28
Beatrice of Tende  Act 1. Scene 3. E quali? quali? spergiura! ingrata!
Beatrice di Tenda  Act 1. Scene 3. E quali? quali? spergiura! ingrata!
4:46
29
Beatrice of Tende  Act 1. Scene 3. Qui di ribelli sudditi
Beatrice di Tenda  Act 1. Scene 3. Qui di ribelli sudditi
6:16
30
Beatrice of Tende  Act 1. Scene 4. Lo vedeste?
Beatrice di Tenda  Act 1. Scene 4. Lo vedeste?
5:30
31
Beatrice of Tende  Act 1. Scene 4. Il mio dolore, e l'ira
Beatrice di Tenda  Act 1. Scene 4. Il mio dolore, e l'ira
10:20
32
Beatrice of Tende  Act 1. Scene 4. Patri... Deh! perdona
Beatrice di Tenda  Act 1. Scene 4. Patri... Deh! perdona
9:31
33
Beatrice of Tende  Act 2. Scene 1. Lassa! e può il ciel permettere
Beatrice di Tenda  Act 2. Scene 1. Lassa! e può il ciel permettere
6:33
34
Beatrice of Tende  Act 2. Scene 1. Omai del suo destino arbitra solo
Beatrice di Tenda  Act 2. Scene 1. Omai del suo destino arbitra solo
3:17
35
Beatrice of Tende  Act 2. Scene 1. (Oh, troppo a mie preghiere sordo...)
Beatrice di Tenda  Act 2. Scene 1. (Oh, troppo a mie preghiere sordo...)
6:48
36
Beatrice of Tende  Act 2. Scene 1. Orombello!... (Oh voce! è dessa!...)
Beatrice di Tenda  Act 2. Scene 1. Orombello!... (Oh voce! è dessa!...)
3:44
37
Beatrice of Tende  Act 2. Scene 1. Al tuo fallo ammenda festi
Beatrice di Tenda  Act 2. Scene 1. Al tuo fallo ammenda festi
9:1
38
Beatrice of Tende  Act 2. Scene 1. Filippo!... Tu! ti appressa
Beatrice di Tenda  Act 2. Scene 1. Filippo!... Tu! ti appressa
2:8
39
Beatrice of Tende  Act 2. Scene 1. Rimorso in lei?
Beatrice di Tenda  Act 2. Scene 1. Rimorso in lei?
4:39
40
Beatrice of Tende  Act 2. Scene 1. Qui m'accolse oppresso, errante
Beatrice di Tenda  Act 2. Scene 1. Qui m'accolse oppresso, errante
6:12
41
Beatrice of Tende  Act 2. Scene 2. Prega. Ah no, non sia la misera
Beatrice di Tenda  Act 2. Scene 2. Prega. Ah no, non sia la misera
2:59
42
Beatrice of Tende  Act 2. Scene 2. Nulla io dissi
Beatrice di Tenda  Act 2. Scene 2. Nulla io dissi
10:52
43
Beatrice of Tende  Act 2. Scene 2. Ah! se un'urna è a me concessa
Beatrice di Tenda  Act 2. Scene 2. Ah! se un'urna è a me concessa
7:32
44
Norm  Sedizione voci... Casta Diva
Norma  Sedizione voci... Casta Diva
16:57
45
The Puritans  Son vergin vezzosa
I Puritani  Son vergin vezzosa
4:10
46
The Puritans  O rendetemi la speme... Qui la voce
I Puritani  O rendetemi la speme... Qui la voce
16:55
47
The sonnambula  Ah, non redea miratri... Ah! non giunge
La sonnambula  Ah, non redea miratri... Ah! non giunge
11:5
49
An Introduction to Wagner's "The Ring of the Nibelung"  Of all great musical compositions... [Examples 1-4]
An Introduction to Wagner's "Der Ring des Nibelungen"  Of all great musical compositions... [Examples 1-4]
 
3:37
51
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to the Nature Motive... [Examples 6, 12-16]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to the Nature Motive... [Examples 6, 12-16]
 
3:22
52
An Introduction to Wagner's "The Ring of the Nibelung"  A number of further motives... [Examples 5, 17-21]
An Introduction to Wagner's "Der Ring des Nibelungen"  A number of further motives... [Examples 5, 17-21]
 
3:17
53
An Introduction to Wagner's "The Ring of the Nibelung"  A second, much smaller family... [Examples 22-25]
An Introduction to Wagner's "Der Ring des Nibelungen"  A second, much smaller family... [Examples 22-25]
 
2:35
55
An Introduction to Wagner's "The Ring of the Nibelung"  The cause of the deterioration... [Examples 39-44]
An Introduction to Wagner's "Der Ring des Nibelungen"  The cause of the deterioration... [Examples 39-44]
 
3:30
59
An Introduction to Wagner's "The Ring of the Nibelung"  The basic motive associated with the spear... [Examples 62-68]
An Introduction to Wagner's "Der Ring des Nibelungen"  The basic motive associated with the spear... [Examples 62-68]
 
5:17
60
An Introduction to Wagner's "The Ring of the Nibelung"  Along another, more complex line... [Examples 69-72]
An Introduction to Wagner's "Der Ring des Nibelungen"  Along another, more complex line... [Examples 69-72]
 
2:12
61
An Introduction to Wagner's "The Ring of the Nibelung"  In Act Two of "Walküre"... [Examples 69, 73-75]
An Introduction to Wagner's "Der Ring des Nibelungen"  In Act Two of "Walküre"... [Examples 69, 73-75]
 
2:21
62
An Introduction to Wagner's "The Ring of the Nibelung"  Returning now to Act Two of "Walküre"... [Examples 76-79]
An Introduction to Wagner's "Der Ring des Nibelungen"  Returning now to Act Two of "Walküre"... [Examples 76-79]
 
3:54
63
An Introduction to Wagner's "The Ring of the Nibelung"  Love is another of the central symbols... [Examples 80-83]
An Introduction to Wagner's "Der Ring des Nibelungen"  Love is another of the central symbols... [Examples 80-83]
 
3:6
65
An Introduction to Wagner's "The Ring of the Nibelung"  Freia's Motive has two independent segments... [Examples 88-91]
An Introduction to Wagner's "Der Ring des Nibelungen"  Freia's Motive has two independent segments... [Examples 88-91]
 
2:1
67
An Introduction to Wagner's "The Ring of the Nibelung"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
An Introduction to Wagner's "Der Ring des Nibelungen"  When Fasolt, in Scene Two of "Rhinegold"... [Examples 93-98]
 
5:23
68
An Introduction to Wagner's "The Ring of the Nibelung"  A little later in this interlude... [Examples 99-103]
An Introduction to Wagner's "Der Ring des Nibelungen"  A little later in this interlude... [Examples 99-103]
 
3:7
70
An Introduction to Wagner's "The Ring of the Nibelung"  There are several independent love-themes... [Examples 110-114]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are several independent love-themes... [Examples 110-114]
 
2:55
71
An Introduction to Wagner's "The Ring of the Nibelung"  The characters in whose lives... [Examples 115-120]
An Introduction to Wagner's "Der Ring des Nibelungen"  The characters in whose lives... [Examples 115-120]
 
5:27
75
An Introduction to Wagner's "The Ring of the Nibelung"  Closely associated with Gutrune's Motive... [Examples 136-140]
An Introduction to Wagner's "Der Ring des Nibelungen"  Closely associated with Gutrune's Motive... [Examples 136-140]
 
2:26
77
An Introduction to Wagner's "The Ring of the Nibelung"  Complementary to this symbol... [Examples 147-149]
An Introduction to Wagner's "Der Ring des Nibelungen"  Complementary to this symbol... [Examples 147-149]
 
2:14
79
An Introduction to Wagner's "The Ring of the Nibelung"  One further motive connected... [Examples 158-161]
An Introduction to Wagner's "Der Ring des Nibelungen"  One further motive connected... [Examples 158-161]
 
2:52
80
An Introduction to Wagner's "The Ring of the Nibelung"  There are one or two motives... [Examples 162-168]
An Introduction to Wagner's "Der Ring des Nibelungen"  There are one or two motives... [Examples 162-168]
 
3:48
81
An Introduction to Wagner's "The Ring of the Nibelung"  These motives of Alberich and Mime... [Examples 169-171]
An Introduction to Wagner's "Der Ring des Nibelungen"  These motives of Alberich and Mime... [Examples 169-171]
 
2:7
82
An Introduction to Wagner's "The Ring of the Nibelung"  Quite a number of the subsidiary motives... [Examples 172-176]
An Introduction to Wagner's "Der Ring des Nibelungen"  Quite a number of the subsidiary motives... [Examples 172-176]
 
2:50
83
An Introduction to Wagner's "The Ring of the Nibelung"  Besides this family of motives... [Examples 177-180]
An Introduction to Wagner's "Der Ring des Nibelungen"  Besides this family of motives... [Examples 177-180]
 
2:31
85
An Introduction to Wagner's "The Ring of the Nibelung"  In the final scene of "Götterdämmerung"... [Examples 181-183]
An Introduction to Wagner's "Der Ring des Nibelungen"  In the final scene of "Götterdämmerung"... [Examples 181-183]
 
2:45
92
Cantata no. 147, "Heart and mouth and deed and life", BWV 147  Part 1. No. 4. Recitative: Verstockung kann Gewaltige verblenden
Cantata No. 147, "Herz und Mund und Tat und Leben", BWV 147  Part 1. No. 4. Recitative: Verstockung kann Gewaltige verblenden
1:49
98
Cantata no. 147, "Heart and mouth and deed and life", BWV 147  Part 2. No. 10. Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring)
Cantata No. 147, "Herz und Mund und Tat und Leben", BWV 147  Part 2. No. 10. Chorale: Jesus bleibet meine Freude (Jesu, Joy of Man's Desiring)
3:49
99
Traviata  Brindisi: Libiamo ne' lieti calici
La Traviata  Brindisi: Libiamo ne' lieti calici
3:
100
Lakmé  Flower duet: Viens, Mallika ... Dôme épais le jasmin
Lakmé  Flower duet: Viens, Mallika ... Dôme épais le jasmin
6:2
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