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Percussion Group Cincinnati
ARTIST MUSICS
1
Gringo Blaster  Mambo; merengue; marcha brasileira
Gringo Blaster  Mambo; merengue; marcha brasileira
 
5:5
4
Gringo Blaster  Chorinho do gringo; marcha carnavalesca
Gringo Blaster  Chorinho do gringo; marcha carnavalesca
 
7:14
5
Strange and Sacred Noise  ...dust into dust..., for 2 snare drums & 2 field drums
Strange and Sacred Noise  ...dust into dust..., for 2 snare drums & 2 field drums
 
9:15
6
Strange and Sacred Noise  Solitary and time-breaking waves, after James Tenney, for 4 tam-tams
Strange and Sacred Noise  Solitary and time-breaking waves, after James Tenney, for 4 tam-tams
 
10:44
7
Strange and Sacred Noise  Velocities crossing in phase-space, after Conlon Nancarrow and Peter Garland, for 8 tom-toms and 2
Strange and Sacred Noise  Velocities crossing in phase-space, after Conlon Nancarrow and Peter Garland, for 8 tom-toms and 2
 
9:40
8
Strange and Sacred Noise  Triadic iteration lattices, To Edgar Varése and Alvin Lucier, for 4 air-raid sirens
Strange and Sacred Noise  Triadic iteration lattices, To Edgar Varése and Alvin Lucier, for 4 air-raid sirens
 
8:39
9
Strange and Sacred Noise  Clusters on a quadrilateral grid 1, to Morton Feldman, for 4 marimbas
Strange and Sacred Noise  Clusters on a quadrilateral grid 1, to Morton Feldman, for 4 marimbas
 
8:22
10
Strange and Sacred Noise  Clusters on a quadrilateral grid 2, for 4 vibraphones
Strange and Sacred Noise  Clusters on a quadrilateral grid 2, for 4 vibraphones
 
4:36
11
Strange and Sacred Noise  Clusters on a quadrilateral grid 3, for 4 sets of crotales and orchestra bells
Strange and Sacred Noise  Clusters on a quadrilateral grid 3, for 4 sets of crotales and orchestra bells
 
4:31
12
Strange and Sacred Noise  Clusters on a quadrilateral grid 4, for 4 marimbas
Strange and Sacred Noise  Clusters on a quadrilateral grid 4, for 4 marimbas
 
8:35
13
Strange and Sacred Noise  ...and dust rising..., for 2 snare drums & 2 field drums
Strange and Sacred Noise  ...and dust rising..., for 2 snare drums & 2 field drums
 
8:43
14
Creed in US  Credo in Us, for percussion quartet (including piano and radio or phonograph)
Credo in US  Credo in Us, for percussion quartet (including piano and radio or phonograph)
12:57
15
Imaginary LandscapeNo. 5  Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
Imaginary Landscape No. 5  Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
3:8
16
Imaginary LandscapeNo. 4  Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
Imaginary Landscape No. 4  Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
4:26
17
Imaginary LandscapeNo. 1  Imaginary Landscape No. 1, for 2 variable-speed turntables, frequency recordings, muted piano and cymbal
Imaginary Landscape No. 1  Imaginary Landscape No. 1, for 2 variable-speed turntables, frequency recordings, muted piano and cymbal
6:52
18
Imaginary LandscapeNo. 2  Imaginary Landscape No. 2 ("March No. 1"), for percussion quintet
Imaginary Landscape No. 2  Imaginary Landscape No. 2 ("March No. 1"), for percussion quintet
6:49
19
Imaginary LandscapeNo. 3  Imaginary Landscape No. 3, for percussion sextet
Imaginary Landscape No. 3  Imaginary Landscape No. 3, for percussion sextet
4:6
20
Imaginary LandscapeNo. 4  Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
Imaginary Landscape No. 4  Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
4:29
21
Imaginary LandscapeNo. 5  Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
Imaginary Landscape No. 5  Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
3:7
22
Creed in US  Credo in Us, for percussion quartet (including piano and radio or phonograph)
Credo in US  Credo in Us, for percussion quartet (including piano and radio or phonograph)
15:
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