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Percussion Group Cincinnati
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1
Michael Kowalski
Michael Kowalski
Gringo Blaster
Mambo; merengue; marcha brasileira
Gringo Blaster
Mambo; merengue; marcha brasileira
Michael Kowalski: Gringo Blaster
5:5
2
Michael Kowalski
Michael Kowalski
Gringo Blaster
Hip-hop
Gringo Blaster
Hip-hop
Michael Kowalski: Gringo Blaster
5:23
3
Michael Kowalski
Michael Kowalski
Gringo Blaster
Funeral march; tango
Gringo Blaster
Funeral march; tango
Michael Kowalski: Gringo Blaster
6:3
4
Michael Kowalski
Michael Kowalski
Gringo Blaster
Chorinho do gringo; marcha carnavalesca
Gringo Blaster
Chorinho do gringo; marcha carnavalesca
Michael Kowalski: Gringo Blaster
7:14
5
John Luther Adams
John Luther Adams
Strange and Sacred Noise
...dust into dust..., for 2 snare drums & 2 field drums
Strange and Sacred Noise
...dust into dust..., for 2 snare drums & 2 field drums
John Luther Adams: Strange and Sacred Noise
9:15
6
John Luther Adams
John Luther Adams
Strange and Sacred Noise
Solitary and time-breaking waves, after James Tenney, for 4 tam-tams
Strange and Sacred Noise
Solitary and time-breaking waves, after James Tenney, for 4 tam-tams
John Luther Adams: Strange and Sacred Noise
10:44
7
John Luther Adams
John Luther Adams
Strange and Sacred Noise
Velocities crossing in phase-space, after Conlon Nancarrow and Peter Garland, for 8 tom-toms and 2
Strange and Sacred Noise
Velocities crossing in phase-space, after Conlon Nancarrow and Peter Garland, for 8 tom-toms and 2
John Luther Adams: Strange and Sacred Noise
9:40
8
John Luther Adams
John Luther Adams
Strange and Sacred Noise
Triadic iteration lattices, To Edgar Varése and Alvin Lucier, for 4 air-raid sirens
Strange and Sacred Noise
Triadic iteration lattices, To Edgar Varése and Alvin Lucier, for 4 air-raid sirens
John Luther Adams: Strange and Sacred Noise
8:39
9
John Luther Adams
John Luther Adams
Strange and Sacred Noise
Clusters on a quadrilateral grid 1, to Morton Feldman, for 4 marimbas
Strange and Sacred Noise
Clusters on a quadrilateral grid 1, to Morton Feldman, for 4 marimbas
John Luther Adams: Strange and Sacred Noise
8:22
10
John Luther Adams
John Luther Adams
Strange and Sacred Noise
Clusters on a quadrilateral grid 2, for 4 vibraphones
Strange and Sacred Noise
Clusters on a quadrilateral grid 2, for 4 vibraphones
John Luther Adams: Strange and Sacred Noise
4:36
11
John Luther Adams
John Luther Adams
Strange and Sacred Noise
Clusters on a quadrilateral grid 3, for 4 sets of crotales and orchestra bells
Strange and Sacred Noise
Clusters on a quadrilateral grid 3, for 4 sets of crotales and orchestra bells
John Luther Adams: Strange and Sacred Noise
4:31
12
John Luther Adams
John Luther Adams
Strange and Sacred Noise
Clusters on a quadrilateral grid 4, for 4 marimbas
Strange and Sacred Noise
Clusters on a quadrilateral grid 4, for 4 marimbas
John Luther Adams: Strange and Sacred Noise
8:35
13
John Luther Adams
John Luther Adams
Strange and Sacred Noise
...and dust rising..., for 2 snare drums & 2 field drums
Strange and Sacred Noise
...and dust rising..., for 2 snare drums & 2 field drums
John Luther Adams: Strange and Sacred Noise
8:43
14
John Cage
John Cage
Creed in US
Credo in Us, for percussion quartet (including piano and radio or phonograph)
Credo in US
Credo in Us, for percussion quartet (including piano and radio or phonograph)
John Cage: The Works for Percussion, Vol. 1
12:57
15
John Cage
John Cage
Imaginary LandscapeNo. 5
Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
Imaginary Landscape No. 5
Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
John Cage: The Works for Percussion, Vol. 1
3:8
16
John Cage
John Cage
Imaginary LandscapeNo. 4
Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
Imaginary Landscape No. 4
Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
John Cage: The Works for Percussion, Vol. 1
4:26
17
John Cage
John Cage
Imaginary LandscapeNo. 1
Imaginary Landscape No. 1, for 2 variable-speed turntables, frequency recordings, muted piano and cymbal
Imaginary Landscape No. 1
Imaginary Landscape No. 1, for 2 variable-speed turntables, frequency recordings, muted piano and cymbal
John Cage: The Works for Percussion, Vol. 1
6:52
18
John Cage
John Cage
Imaginary LandscapeNo. 2
Imaginary Landscape No. 2 ("March No. 1"), for percussion quintet
Imaginary Landscape No. 2
Imaginary Landscape No. 2 ("March No. 1"), for percussion quintet
John Cage: The Works for Percussion, Vol. 1
6:49
19
John Cage
John Cage
Imaginary LandscapeNo. 3
Imaginary Landscape No. 3, for percussion sextet
Imaginary Landscape No. 3
Imaginary Landscape No. 3, for percussion sextet
John Cage: The Works for Percussion, Vol. 1
4:6
20
John Cage
John Cage
Imaginary LandscapeNo. 4
Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
Imaginary Landscape No. 4
Imaginary Landscape No. 4 ("March No. 2"), for 12 radios & ensemble
John Cage: The Works for Percussion, Vol. 1
4:29
21
John Cage
John Cage
Imaginary LandscapeNo. 5
Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
Imaginary Landscape No. 5
Imaginary Landscape No. 5, for any 42 recordings, score to be realized as a magnetic tape
John Cage: The Works for Percussion, Vol. 1
3:7
22
John Cage
John Cage
Creed in US
Credo in Us, for percussion quartet (including piano and radio or phonograph)
Credo in US
Credo in Us, for percussion quartet (including piano and radio or phonograph)
John Cage: The Works for Percussion, Vol. 1
15:
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