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classic
BBC Northern Orchestra
ARTIST MUSICS
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Violin Concerto  I. Rhapsody. Allegro guisto - Largamente ed appassionato - Allegro con brio
Violin Concerto  I. Rhapsody. Allegro guisto - Largamente ed appassionato - Allegro con brio
11:51
3
Violin Concerto  III - Rondo. Allegro vivace - ma non troppo presto
Violin Concerto  III - Rondo. Allegro vivace - ma non troppo presto
7:24
7
Violin Concerto  I. Overture, Ballad and Scherzo. Allegro Risoluto - Allegro Moderato - Poco Largamente
Violin Concerto  I. Overture, Ballad and Scherzo. Allegro Risoluto - Allegro Moderato - Poco Largamente
13:21
9
Violin Concerto  III. Allegro - Slow Valse Tempo - Andante con moto
Violin Concerto  III. Allegro - Slow Valse Tempo - Andante con moto
7:2
13
The Lodgers  Act I, Scene I: She had some mending in her lap
The Lodger  Act I, Scene I: She had some mending in her lap
 
10:33
14
The Lodgers  Act I, Scene I: Why whoever can that be?
The Lodger  Act I, Scene I: Why whoever can that be?
 
8:30
15
The Lodgers  Act I, Scene I: Now George Bunting, I haven't got time to sit here with you
The Lodger  Act I, Scene I: Now George Bunting, I haven't got time to sit here with you
 
6:54
16
The Lodgers  Act I, Scene I: There's young Joe. You don't want him to see you like this
The Lodger  Act I, Scene I: There's young Joe. You don't want him to see you like this
 
4:47
17
The Lodgers  Act I, Scene II: It is evening, a week later
The Lodger  Act I, Scene II: It is evening, a week later
 
7:1
18
The Lodgers  Act I, Scene II: Daisy Bunting arrives, and puts down her luggage outside front door
The Lodger  Act I, Scene II: Daisy Bunting arrives, and puts down her luggage outside front door
 
9:49
19
The Lodgers  Act I, Scene II: Emma fusses half-heartedly with cushions and knick-knacks, then sits and looks fixedly at nothing
The Lodger  Act I, Scene II: Emma fusses half-heartedly with cushions and knick-knacks, then sits and looks fixedly at nothing
 
6:56
20
The Lodgers  Act I, Scene II: Emma has returned to her own room and sits looking blankly before her
The Lodger  Act I, Scene II: Emma has returned to her own room and sits looking blankly before her
 
9:23
21
The Lodgers  Act II, Scene I: It is very late the next night - well after midnight
The Lodger  Act II, Scene I: It is very late the next night - well after midnight
 
6:51
22
The Lodgers  Act II, Scene I: Left alone, Emma rocks herself in her chair
The Lodger  Act II, Scene I: Left alone, Emma rocks herself in her chair
 
5:55
23
The Lodgers  Act II, Scene I: Suddenly Emma hears voices approaching outside
The Lodger  Act II, Scene I: Suddenly Emma hears voices approaching outside
 
7:7
24
The Lodgers  Act II, Scene II: Late afternoon of the following day
The Lodger  Act II, Scene II: Late afternoon of the following day
 
5:33
25
The Lodgers  Act II, Scene II: Mr Bunting
The Lodger  Act II, Scene II: Mr Bunting
 
4:5
26
The Lodgers  Act II, Scene II: Does mum know?
The Lodger  Act II, Scene II: Does mum know?
 
9:
27
The Lodgers  Act II, Scene II: The Lodger gropes his way out of the house, as the cockneys return
The Lodger  Act II, Scene II: The Lodger gropes his way out of the house, as the cockneys return
 
5:34
28
The Lodgers  Epilogue: When did you know who he was?
The Lodger  Epilogue: When did you know who he was?
 
10:30
32
A Suite of Variations, Op.37  A Suite of Variations, Op. 37, for viola and piano
A Suite of Variations, Op. 37  A Suite of Variations, Op. 37, for viola and piano
 
14:6
34
Pastoral  II. Brightly but not too fast
Pastoral  II. Brightly but not too fast
 
2:55
35
Pastoral  III. At a moderate pace
Pastoral  III. At a moderate pace
 
2:51
37
Introductions and Variations, Op. 24  Introduction and Variations, Op. 24, for violin and piano
Introduction and Variations, Op. 24  Introduction and Variations, Op. 24, for violin and piano
 
13:47
44
Sonatina alla fantasia, for recorder & piano, Op. 23  Sonatina alla Fantasia, Op. 23, for recorder and piano
Sonatina alla fantasia, for recorder & piano, Op. 23  Sonatina alla Fantasia, Op. 23, for recorder and piano
7:58
47
Sonatina for piano, Op. 19  IIII. Poco vivace - Presto con fuoco
Sonatina for piano, Op. 19  IIII. Poco vivace - Presto con fuoco
 
3:33
49
A Vision of the Future  II. No more shall nation against nation rise
A Vision of the Future  II. No more shall nation against nation rise
 
6:37
54
Entertainment  Divertimento, for clarinet and string orchestra
Divertimento  Divertimento, for clarinet and string orchestra
 
11:44
56
Stabat Mater, Op. 28  II. O quam tristis et afflicta
Stabat Mater, Op. 28  II. O quam tristis et afflicta
 
3:38
57
Stabat Mater, Op. 28  III. Quis est homo qui non fleret / IV. Pro peccatis suæ gentis
Stabat Mater, Op. 28  III. Quis est homo qui non fleret / IV. Pro peccatis suæ gentis
 
4:49
59
Stabat Mater, Op. 28  VI. Sancta Mater, istud agas / VII. Fac me tecum, pie, flere
Stabat Mater, Op. 28  VI. Sancta Mater, istud agas / VII. Fac me tecum, pie, flere
 
4:24
60
Stabat Mater, Op. 28  VIII. Virgo virginum præclara / IX. Fac me plagis vulnerari
Stabat Mater, Op. 28  VIII. Virgo virginum præclara / IX. Fac me plagis vulnerari
 
5:32
61
Stabat Mater, Op. 28  X. Christe, cum sit hinc exire
Stabat Mater, Op. 28  X. Christe, cum sit hinc exire
 
5:58
62
Beat my Heart, Op. 60/1  Cantata, 'Batter My Heart Three Person'd God' for soprano, chorus, oboe, horn, cellos, double-bass and organ
Batter my Heart, Op. 60/1  Cantata, 'Batter My Heart Three Person'd God' for soprano, chorus, oboe, horn, cellos, double-bass and organ
 
13:23
63
Magnificat, Op.71  I. Magnificat anima mea Dominum
Magnificat, Op. 71  I. Magnificat anima mea Dominum
 
5:32
64
Magnificat, Op.71  II. Et misericordia eius / III. Fecit potentiam
Magnificat, Op. 71  II. Et misericordia eius / III. Fecit potentiam
 
6:3
65
Magnificat, Op.71  IV. Esurientes implevit bonis / V. Suscepit Isreal
Magnificat, Op. 71  IV. Esurientes implevit bonis / V. Suscepit Isreal
 
7:27
66
Magnificat, Op.71  VI. Sicut locutus est / VII. Gloria Patri
Magnificat, Op. 71  VI. Sicut locutus est / VII. Gloria Patri
 
6:36
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