Role

:

Conductor  

Birth

:

1961

Period

:

Contemporary

 

 

Modern

Genre

:

Choral

 

 

Vocal

 

Marianne Pousseur is a Belgian classical music artist who has made a name for herself as a soprano, composer, and director. Born on October 20, 1959, in Verviers, Belgium, Pousseur grew up in a family of musicians. Her father Henri Pousseur was a composer and her mother was a pianist. From a young age, Pousseur was exposed to classical music and began singing in choirs. Pousseur studied at the Royal Conservatory of Liège, where she received a degree in singing. She continued her studies at the Conservatoire National Supérieur de Musique et de Danse de Paris, where she studied with renowned vocal coach Jane Berbié. Pousseur also studied with other notable coaches such as Pierre Bernac, Dalton Baldwin, and Elly Ameling. Pousseur made her professional debut in 1983 at the Théâtre Royal de la Monnaie in Brussels, where she performed the role of the Countess in Mozart's The Marriage of Figaro. This performance marked the beginning of a successful career for Pousseur, who went on to perform in major opera houses and concert halls around the world. One of Pousseur's most notable performances was in the 1990 production of Alban Berg's opera Wozzeck at the Salzburg Festival. Pousseur played the role of Marie, a character who is central to the opera's plot. Her performance was widely praised by critics, who noted her powerful voice and emotional depth. In addition to her work as a performer, Pousseur has also made a name for herself as a composer. She has written several pieces for voice and chamber ensemble, including the 2006 work "L'heure bleue," which was commissioned by the Festival de Wallonie. Pousseur's compositions have been performed by ensembles such as the Ensemble Intercontemporain and the Arditti Quartet. Pousseur has also worked as a director, staging productions of operas and other works. In 2008, she directed a production of Luigi Nono's opera Intolleranza 1960 at the Théâtre Royal de la Monnaie. The production was well-received by audiences and critics alike, with many praising Pousseur's innovative staging and interpretation of the work. Throughout her career, Pousseur has received numerous awards and honors for her work as a performer, composer, and director. In 1991, she was awarded the Prix de la Critique for her performance in Wozzeck at the Salzburg Festival. She has also been awarded the Prix de la Fondation Simone et Cino Del Duca and the Prix de la Ville de Paris for her contributions to the arts. In addition to her work in classical music, Pousseur has also been involved in various educational and outreach programs. She has taught master classes at institutions such as the Conservatoire National Supérieur de Musique et de Danse de Paris and the Royal Conservatory of Brussels. She has also worked with organizations such as Musique et Santé, which brings music to hospitals and other healthcare settings. Today, Pousseur continues to perform, compose, and direct, and remains a respected figure in the world of classical music. Her contributions to the art form have been significant, and her work has inspired countless musicians and audiences around the world.

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