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classic
Béla Bartók: The Six String Quartets
Artboard 2
ALBUM NAME
Béla Bartók: The Six String Quartets
Copyright
℗ 2013 Music and Arts Programs of America
RELEASE DATE
January 1, 2006
TRACK
36
DURATION
3:07:41
ALBUM ARTIST
Album TRACKS
2
 
 
II. Poco a poco accelerando al Allegretto
8:58
3
 
 
(Introduzione.) Allegro. III. Allegro vivace
12:37
5
 
 
II. Allegro molto capriccioso
8:24
6
 
 
III. Lento
9:11
8
 
 
II. Seconda parte. Allegro
6:11
9
 
 
III. Ricapitulazione della prima parte, Moderato. Coda. Allegro molto
5:22
11
 
 
II. Prestissimo, con sordino
2:56
12
 
 
III. Non troppo lento
5:26
13
 
 
IV. Allegretto pizzicato
2:56
14
 
 
V. Allegro molto
5:39
16
 
 
II. Adagio molto
5:38
17
 
 
III. Scherzo. Alla bulgarese (vivace)
5:7
18
 
 
IV. Andante
5:18
19
 
 
V. Finale. Allegro vivace / Presto
7:20
20
String Quartet No. 6 in D major, No. 114 I. Mesto / Più mosso, pesante / Vivace
String Quartet No. 6 in D major, Sz. 114 I. Mesto / Più mosso, pesante / Vivace
7:44
21
 
 
II. Mesto / Marcia
8:19
22
 
 
III. Mesto / Burletta
7:22
23
 
 
IV. Mesto
6:44
25
 
 
Pellegrini: Introduction to TV program
58
26
 
 
Rehearsal discussion: voices heard, in sequence - Pellegrini, Sorkin, Sopkin, Ilmer, Pellegrini, Lo
3:25
27
 
 
Excerpt: mvt 3, Sorkin introduces examples (working back from end of quartet), Loft shows illustrat
3:4
28
 
 
Pellegrini; Loft lists movement titles, describes form. Excerpt, opening of 1st movement. Loft show
3:50
29
 
 
Loft describes melodic construction, Sopkin illustrates with shaped-wire graph, Sorkin describes fo
2:59
30
 
 
Closing phase of 1st movement; Sopkin sets stage for new section, Loft introduces examples, shows i
2:3
31
 
 
Sorkin introduces excerpt from end of 1st movemnet; Sopkin, Pellegrini.
1:36
32
 
 
Loft, then Sorkin, discuss transition; examples played.
2:52
33
 
 
Discussion about contrast: Sorkin introduces example; Ilmer, closing excerpt
1:26
34
 
 
Introduzione: Pellegrini; Sopkin cites fanfare that announces the Introduction; Sopkin & Sorkin pla
1:6
35
 
 
3rd movement: Loft leads off; Ilmer plays dance-like theme transformation; Sopkin & Loft cite later
1:42
36
 
 
Pellegrini: conclusion
34
 
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