Composer

:

Alan Hovhaness

Genre

:

Chamber

Compose Date

:

1932-1972

Average_duration

:

15:19

The Sonata for cello & piano, Op. 255, was composed by Alan Hovhaness in 1971. The piece was premiered on March 5, 1972, at the University of Washington in Seattle, with cellist Toby Saks and pianist Judith Cohen performing. The sonata consists of three movements, each with its own unique characteristics. The first movement, marked "Moderato," begins with a lyrical cello melody accompanied by a simple piano accompaniment. The melody is then repeated with variations, showcasing Hovhaness's interest in modal melodies and his use of non-Western scales. The movement builds to a climax before returning to the opening melody, which fades away into a quiet ending. The second movement, marked "Andante," is a slow and introspective piece. The cello and piano take turns playing a mournful melody, with the cello often playing in its lower register. The movement is characterized by its use of dissonant harmonies and sparse textures, creating a haunting and melancholic atmosphere. The final movement, marked "Allegro," is a lively and energetic piece. The cello and piano play off each other in a playful and virtuosic manner, with the cello often playing fast runs and the piano providing a rhythmic accompaniment. The movement is characterized by its use of syncopated rhythms and sudden shifts in dynamics, creating a sense of excitement and unpredictability. Overall, the Sonata for cello & piano, Op. 255, showcases Hovhaness's unique style, which combines Western classical music with non-Western influences. The piece is characterized by its use of modal melodies, dissonant harmonies, and sparse textures, creating a haunting and introspective atmosphere. The final movement provides a contrast to the previous two movements, showcasing Hovhaness's ability to write lively and virtuosic music.

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