Composer

:

Giacinto Scelsi

Genre

:

Chamber

Style

:

Open Form

Compose Date

:

1976

Average_duration

:

4:00

Giacinto Scelsi's "Maknongan" is a composition for solo cello that was composed in 1976. The piece was premiered in Paris in 1977 by cellist Frances-Marie Uitti. "Maknongan" is a single-movement work that lasts approximately 15 minutes. The piece is characterized by Scelsi's use of microtonality and his interest in exploring the sonic possibilities of individual instruments. The cello is used to create a wide range of sounds, from delicate harmonics to aggressive, percussive attacks. The piece is also notable for its use of extended techniques, such as glissandi, sul ponticello, and col legno. The title "Maknongan" is derived from the Javanese word for "dragon," and the piece is said to be inspired by the mythical creature. The music is highly evocative, with the cello's various sounds and techniques used to create a sense of movement and transformation. The piece is also notable for its use of silence, with moments of stillness punctuating the more active sections. Overall, "Maknongan" is a challenging and rewarding work for both performer and listener. Its use of microtonality and extended techniques creates a unique sonic landscape, while its evocative title and programmatic elements add an extra layer of meaning to the music.

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