Composer

:

Johann Sebastian Bach

Genre

:

Choral

Style

:

Cantata

Compose Date

:

May 28, 1724

Publication Date

:

1863

First Performance

:

May 28, 1724

Average_duration

:

11:16

Movement_count

:

5

Movement ....

Johann Sebastian Bach composed Cantata No. 59, Wer mich liebet, der wird mein Wort halten, BWV 59, in Leipzig in 1724. The cantata premiered on May 19, 1724, as part of Bach's second annual cycle of cantatas for the liturgical year. The cantata consists of six movements and is scored for soprano, alto, tenor, and bass soloists, a four-part choir, and a Baroque orchestra consisting of two oboes, two violins, viola, and basso continuo. The first movement is a chorale fantasia based on the hymn "Wer nur den lieben Gott lässt walten" by Georg Neumark. The choir sings the chorale melody in long notes while the orchestra plays a complex and virtuosic accompaniment. The second movement is a recitative for the bass soloist, who sings a text based on John 14:23-24. The music is characterized by frequent changes in tempo and dynamics, reflecting the shifting emotions of the text. The third movement is an aria for the soprano soloist, who sings a text based on John 14:23. The music is characterized by a lilting rhythm and a pastoral melody, evoking the image of a shepherd leading his flock. The fourth movement is a duet for the alto and tenor soloists, who sing a text based on John 14:23-24. The music is characterized by a lively and playful rhythm, with the two voices intertwining and imitating each other. The fifth movement is a recitative for the tenor soloist, who sings a text based on John 14:25-26. The music is characterized by a sense of urgency and agitation, reflecting the anxiety of the disciples as they prepare for Jesus' departure. The final movement is a chorale setting of the hymn "Wer nur den lieben Gott lässt walten." The choir sings the chorale melody in four-part harmony, accompanied by the orchestra playing a simple and elegant accompaniment. Overall, Cantata No. 59 is characterized by Bach's masterful use of counterpoint, his skillful handling of the orchestra and choir, and his ability to convey the emotional depth and complexity of the text. It is a testament to Bach's genius as a composer and his deep faith as a Christian.

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