Composer

:

Johann Sebastian Bach

Genre

:

Choral

Style

:

Cantata

Compose Date

:

Jul 25, 1723

Publication Date

:

1876

First Performance

:

Jul 25, 1723

Average_duration

:

22:35

Movement_count

:

6

Movement ....

Johann Sebastian Bach composed Cantata No. 105, Herr, gehe nicht ins Gericht, BWV 105, in Leipzig in 1723. The cantata premiered on the 11th Sunday after Trinity, which fell on August 22nd of that year. The cantata is divided into six movements, with a total running time of approximately 25 minutes. The first movement is a chorale fantasia, in which the choir sings the first verse of the hymn "Herr, gehe nicht ins Gericht" (Lord, do not enter into judgment) while the orchestra provides a complex and intricate accompaniment. The second movement is a recitative for bass, in which the soloist warns the listener of the dangers of sin and the importance of repentance. The third movement is an aria for tenor, in which the soloist pleads with God for mercy and forgiveness. The fourth movement is a duet for alto and tenor, in which the two soloists sing of the comfort and hope that can be found in God's mercy. The fifth movement is a recitative for soprano, in which the soloist expresses her faith in God's mercy and her desire to be saved. The final movement is a chorale, in which the choir sings the final verse of the hymn "Herr, gehe nicht ins Gericht" while the orchestra provides a simple and straightforward accompaniment. The cantata is characterized by Bach's masterful use of counterpoint and his ability to create complex and intricate musical textures. The chorale fantasia in particular is a tour de force of Bach's compositional skill, with the choir and orchestra weaving in and out of each other in a complex and intricate dance. Overall, Cantata No. 105 is a powerful and moving work that speaks to the human condition and the need for mercy and forgiveness. Bach's music is able to convey the depth of human emotion and the power of faith in a way that is both profound and uplifting.

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