Composer

:

Buxheimer Orgelbuch Anonymous

Genre

:

Keyboard

Style

:

Keyboard

Average_duration

:

2:04

"Se la face ay pale" is a chanson setting that was composed by an anonymous composer, who is believed to be from the Buxheimer Orgelbuch. The exact date of composition is unknown, but it is believed to have been composed in the late 15th century. The piece is a setting of a chanson by Guillaume Dufay, a prominent composer of the Burgundian School. The piece is written for four voices and is in the form of a rondeau. It is characterized by its use of imitation, where each voice enters in turn with the same melody. The piece is also notable for its use of dissonance, which was a common feature of music from the Burgundian School. The premiere of "Se la face ay pale" is unknown, but it is believed to have been performed in a courtly setting, possibly at the court of the Duke of Burgundy. The piece was likely performed by a small ensemble of singers, accompanied by a keyboard instrument such as an organ or a harpsichord. The piece is divided into three movements, each of which is based on a different section of the chanson. The first movement is based on the opening section of the chanson, which describes the pale face of a lover who is suffering from unrequited love. The second movement is based on the middle section of the chanson, which describes the lover's attempts to win the affection of his beloved. The final movement is based on the closing section of the chanson, which describes the lover's despair at his failure to win the love of his beloved. Overall, "Se la face ay pale" is a beautiful and complex piece of music that showcases the skill and artistry of the anonymous composer. Its use of imitation and dissonance make it a quintessential example of music from the Burgundian School, and its setting of Dufay's chanson is a testament to the enduring influence of this great composer.

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