Composer

:

Sébastien de Brossard

Genre

:

Choral

Style

:

Choral

Average_duration

:

1:43

Élévation O Miraculum is a sacred vocal composition composed by Sébastien de Brossard, a French composer, music theorist, and musicologist. The piece was composed in the late 17th century, around 1690, during the Baroque period. It is a motet, a type of sacred vocal composition that is usually sung in Latin and is often performed during religious services. The piece is divided into three movements, each with its own distinct character and musical style. The first movement is a slow and solemn introduction, with the choir singing in unison and accompanied by a simple organ accompaniment. The second movement is more lively and energetic, with the choir singing in a polyphonic style and the organ providing a more complex accompaniment. The third movement is a return to the slow and solemn style of the first movement, with the choir singing in unison and the organ providing a simple accompaniment. The text of Élévation O Miraculum is taken from a Latin hymn, and the music is typical of the Baroque period, with its use of complex harmonies, intricate counterpoint, and ornamental flourishes. The piece is notable for its use of dissonance, which was a common feature of Baroque music, and for its use of chromaticism, which was a relatively new technique at the time. Élévation O Miraculum was premiered in a religious setting, most likely during a Mass or other religious service. It would have been performed by a choir of singers and accompanied by an organist. The piece was likely well-received by audiences at the time, as it showcases the composer's skill in writing complex and beautiful sacred music. Overall, Élévation O Miraculum is a beautiful and complex piece of sacred music that showcases the composer's skill in writing for choir and organ. Its use of dissonance and chromaticism make it a notable example of Baroque music, and its solemn and reverent character make it a fitting piece for religious services.

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