Composer

:

Astor Piazzolla

Genre

:

Orchestral

Style

:

Orchestral

Compose Date

:

1999

Average_duration

:

17:18

Movement_count

:

3

Movement ....

Astor Piazzolla's "Pieces (3) for chamber orchestra" is a collection of three pieces that were composed in 1986. The premiere of the work took place on September 5, 1986, at the Teatro Colón in Buenos Aires, Argentina. The three movements of the piece are titled "Tango Suite," "Romance del Diablo," and "Tres Movimientos Tanguísticos Porteños." The first movement, "Tango Suite," is a collection of four tangos that are played without pause. The tangos are "Decarísimo," "Michelangelo 70," "Fuga y Misterio," and "Tanguango." The movement is characterized by its use of traditional tango rhythms and melodies, but with a modern twist. Piazzolla's use of dissonance and unconventional harmonies gives the movement a unique sound that sets it apart from traditional tango music. The second movement, "Romance del Diablo," is a slower, more contemplative piece. The movement is characterized by its use of a haunting melody that is played by the violin. The melody is accompanied by a simple, repetitive rhythm that creates a sense of tension and unease. The movement is named after a poem by the Argentine writer Julio Cortázar, which tells the story of a man who sells his soul to the devil in exchange for the ability to play the violin. The third movement, "Tres Movimientos Tanguísticos Porteños," is a collection of three movements that are inspired by the city of Buenos Aires. The movements are titled "Buenos Aires Hora Cero," "Lunfardo," and "Concierto para Quinteto." The movement is characterized by its use of traditional tango rhythms and melodies, but with a more modern and experimental approach. Piazzolla's use of complex harmonies and rhythms gives the movement a sense of energy and excitement that captures the spirit of Buenos Aires. Overall, "Pieces (3) for chamber orchestra" is a unique and innovative work that combines traditional tango music with modern and experimental elements. The piece showcases Piazzolla's ability to push the boundaries of traditional music while still staying true to its roots.

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