Composer

:

Antony Holborne

Genre

:

Chamber

Style

:

Elegy

Average_duration

:

3:58

Antony Holborne's "Last Will and Testament for viol consort" is a collection of 65 pieces for viol consort, composed in the late 16th century. The exact date of composition is unknown, but it is believed to have been written in the 1590s. The work was first published in 1602, after Holborne's death. The collection is divided into six sections, or "movements," each containing a number of pieces. The first movement consists of 14 pavans, a slow and stately dance in duple meter. The second movement contains 12 galliards, a faster dance in triple meter. The third movement is made up of 10 almains, a lively dance in duple meter. The fourth movement contains 10 fantasies, or instrumental compositions that are free in form and often highly virtuosic. The fifth movement consists of six preludes, short pieces that serve as introductions to other works. The final movement contains three pieces: a "Galliard to the First Pavan," a "Galliard to the Second Pavan," and a "Galliard to the Third Pavan." Holborne's "Last Will and Testament" is characterized by its rich harmonies, intricate counterpoint, and expressive melodies. The pieces are written for a consort of viols, a family of bowed string instruments that were popular in the Renaissance. The collection showcases the versatility of the viol consort, with pieces ranging from the stately pavans to the lively almains and virtuosic fantasies. Overall, Holborne's "Last Will and Testament for viol consort" is a significant contribution to the repertoire of Renaissance music. Its intricate harmonies and expressive melodies continue to captivate audiences today, making it a beloved work in the canon of early music.

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