Composer

:

Gustav Holst

Genre

:

Choral

Style

:

Choral

Compose Date

:

1911

Average_duration

:

5:30

Movement_count

:

2

Movement ....

Eastern Pictures (2), H. 112 is a composition by Gustav Holst, a British composer known for his works in the early 20th century. The piece was composed in 1911 and premiered on March 7, 1912, at the Aeolian Hall in London. It is a two-movement work that showcases Holst's fascination with Eastern music and culture. The first movement, titled "Kami-No-Michi," is inspired by Japanese music. It begins with a slow and mysterious introduction that sets the mood for the piece. The main theme is then introduced by the solo violin, which is accompanied by the harp and the rest of the orchestra. The melody is characterized by its pentatonic scale, which is commonly used in Japanese music. The movement features a variety of textures and dynamics, ranging from soft and delicate to loud and powerful. The use of percussion instruments, such as the gong and the tam-tam, adds to the exotic atmosphere of the piece. The second movement, titled "Ushas," is inspired by Indian music. It is a slow and meditative piece that features a solo cello accompanied by the orchestra. The melody is characterized by its use of the raga, a traditional Indian musical scale. The movement is structured around a series of variations on the main theme, each one building on the previous one. The use of the harp and the celesta adds to the ethereal quality of the piece. Overall, Eastern Pictures (2), H. 112 is a unique and innovative work that showcases Holst's interest in Eastern music and culture. The piece is characterized by its use of exotic scales, textures, and instrumentation, which create a mystical and otherworldly atmosphere. It is a testament to Holst's versatility as a composer and his ability to incorporate diverse musical influences into his work.

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