Composer

:

Charles Hylton Stewart

Genre

:

Choral

Style

:

Psalm

Average_duration

:

2:27

Psalm 130, also known as "Out of the Deep Have I Called Unto Thee, O Lord," is a choral work composed by Charles Hylton Stewart. The piece was composed in the early 20th century and premiered in 1917. It is a setting of the text of Psalm 130, which is a penitential psalm that expresses the psalmist's cry for mercy and forgiveness. The piece is divided into four movements, each of which reflects a different aspect of the psalmist's plea. The first movement, marked "Adagio," begins with a somber and introspective mood, as the choir sings the opening lines of the psalm. The music gradually builds in intensity as the choir repeats the phrase "Out of the deep have I called unto thee, O Lord," with increasing urgency. The second movement, marked "Allegro," is more lively and rhythmic, as the choir sings of the psalmist's hope in the Lord's mercy. The music is characterized by a driving rhythm and a sense of forward momentum, as the choir sings of the Lord's steadfast love and redemption. The third movement, marked "Andante," is more contemplative and introspective, as the choir sings of the psalmist's trust in the Lord's forgiveness. The music is characterized by a gentle and flowing melody, as the choir sings of the Lord's mercy and grace. The final movement, marked "Allegro con fuoco," is the most dramatic and intense of the four. The choir sings of the psalmist's plea for the Lord's mercy and forgiveness, with a sense of urgency and desperation. The music is characterized by a driving rhythm and a sense of urgency, as the choir sings of the Lord's power and mercy. Overall, "Psalm 130 Out of the Deep Have I Called Unto Thee, O Lord" is a powerful and moving choral work that reflects the psalmist's plea for mercy and forgiveness. The music is characterized by a range of moods and emotions, from somber introspection to joyful hope, and is a testament to the enduring power of the psalms as a source of spiritual inspiration.

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