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Zoltán Kodály
Mátra Pictures
Works Info
Composer
:
Zoltán Kodály
Genre
:
Choral
Style
:
Choral
Compose Date
:
1931
Publication Date
:
1947
Average_duration
:
10:50
Mátra Pictures is a composition for orchestra by Hungarian composer Zoltán Kodály. It was composed in 1927 and premiered on March 11, 1928, in Budapest, Hungary. The piece is divided into five movements, each of which depicts a different scene from the Mátra Mountains, a range in northern Hungary. The first movement, "Dawn in the Valley," begins with a soft, mysterious introduction that gradually builds to a lively folk dance. The second movement, "Noon on the Hill," is a scherzo that features a playful melody played by the woodwinds. The third movement, "In the Tavern," is a lively dance that evokes the atmosphere of a Hungarian pub. The fourth movement, "Evening by the Stream," is a slow, lyrical piece that features a beautiful melody played by the strings. The final movement, "Night in the Village," is a lively dance that brings the piece to a rousing conclusion. One of the characteristics of Mátra Pictures is its use of Hungarian folk music. Kodály was a pioneer in the field of ethnomusicology, and he incorporated many elements of Hungarian folk music into his compositions. In Mátra Pictures, he uses folk melodies and rhythms to create a vivid portrait of the Mátra Mountains and the people who live there. Another characteristic of the piece is its use of orchestration. Kodály was a master of orchestration, and he uses the full range of the orchestra to create a rich, colorful sound. He also uses unusual instruments, such as the cimbalom (a Hungarian hammered dulcimer) and the tárogató (a Hungarian woodwind instrument), to add a distinctive flavor to the music. Overall, Mátra Pictures is a lively and colorful piece that showcases Kodály's skill as a composer and his love for Hungarian folk music. Its five movements paint a vivid picture of life in the Mátra Mountains, and its use of folk melodies and orchestration make it a unique and memorable work.
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