Composer

:

Bernardo Storace

Genre

:

Keyboard

Style

:

Toccata

Average_duration

:

4:09

Bernardo Storace was an Italian composer and organist who lived in the 17th century. He is known for his keyboard music, particularly his collection of pieces titled "Selva di varie compositioni" (The Grove of Various Compositions), which was published in Venice in 1664. One of the most famous pieces from this collection is the "Toccata e Canzon." The "Toccata e Canzon" is a two-movement piece for keyboard instrument, likely intended for the harpsichord or organ. The first movement, the toccata, is a virtuosic display of keyboard technique. It begins with a fast and lively section, featuring rapid runs and arpeggios. This is followed by a more lyrical section, which provides a contrast to the opening material. The toccata concludes with a return to the fast and lively material, bringing the movement to a thrilling close. The second movement, the canzon, is a more structured and formal piece. It is based on a simple melody that is presented in the opening section and then developed throughout the movement. The canzon features a number of variations on the melody, including changes in rhythm, harmony, and texture. The movement builds to a climax before returning to the original melody and concluding with a brief coda. The "Toccata e Canzon" is a prime example of the Baroque keyboard style. It features a number of characteristic elements, including virtuosic runs and arpeggios, intricate counterpoint, and a strong sense of rhythm and pulse. The piece also demonstrates Storace's skill as a composer, particularly in his ability to create a sense of unity and coherence across the two contrasting movements. The exact date of composition and premiere of the "Toccata e Canzon" is unknown, but it is likely that it was written in the mid-17th century. The piece has since become a staple of the keyboard repertoire and is frequently performed and recorded by modern musicians.

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