Composer

:

Ferruccio Busoni

Genre

:

Keyboard

Style

:

Sonatina

Compose Date

:

Jun 1912 - Jul 8, 1912

Publication Date

:

1912

First Performance

:

May 12, 1913

Average_duration

:

8:49

Ferruccio Busoni's Sonatina seconda, KiV 259, was composed in 1912 and premiered in the same year in Berlin. The piece is divided into three movements: Allegro moderato, Andante, and Allegro vivace. The first movement, Allegro moderato, begins with a lively and energetic theme that is developed throughout the movement. The use of chromaticism and dissonance creates a sense of tension and urgency, which is contrasted by more lyrical and expressive sections. The movement ends with a virtuosic coda that showcases Busoni's pianistic skills. The second movement, Andante, is a lyrical and introspective piece that features a beautiful melody in the right hand accompanied by arpeggiated chords in the left hand. The use of rubato and expressive phrasing creates a sense of nostalgia and longing. The middle section of the movement features a more agitated and dramatic theme, which is eventually resolved back to the original melody. The final movement, Allegro vivace, is a lively and playful piece that features a syncopated rhythm and a catchy melody. The use of syncopation and irregular accents creates a sense of unpredictability and excitement. The middle section of the movement features a more lyrical and expressive theme, which is eventually developed into a virtuosic and energetic coda. Overall, Sonatina seconda, KiV 259, showcases Busoni's unique style, which combines elements of Romanticism, Impressionism, and modernism. The use of chromaticism, dissonance, and unconventional harmonies creates a sense of tension and unpredictability, while the lyrical and expressive melodies provide a sense of emotional depth and beauty. The piece is a testament to Busoni's virtuosic pianistic skills and his innovative approach to composition.

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