Orlande de Lassus
Psalmi Davidis poenitentiales, psalm settings (7)
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Composer:Orlande de LassusGenre:ChoralStyle:PsalmCompose Date:1559Publication Date:1584Average_duration:135:56Movement_count:7Movement ....Orlande de Lassus, a prominent composer of the Renaissance period, composed a collection of seven psalm settings titled "Psalmi Davidis poenitentiales" (Penitential Psalms of David). The collection was composed in 1584 and premiered in Munich, Germany. The seven psalms included in the collection are Psalm 6, Psalm 32, Psalm 38, Psalm 51, Psalm 102, Psalm 130, and Psalm 143. Each psalm is set to music and features Lassus' signature polyphonic style, with multiple voices singing different melodies that blend together harmoniously. The first movement of each psalm is typically a choral setting of the text, with the voices singing in unison or in simple harmonies. The subsequent movements feature more complex polyphonic textures, with the voices weaving in and out of each other in intricate patterns. Lassus' use of chromaticism and dissonance in the psalm settings is notable, as it adds a sense of tension and emotional depth to the music. The psalms themselves are penitential in nature, with themes of repentance, forgiveness, and redemption. Lassus' music reflects these themes, with moments of sorrowful introspection and moments of joyful release. Overall, "Psalmi Davidis poenitentiales" is a masterful collection of choral music that showcases Lassus' skill as a composer and his ability to convey complex emotions through music.More....
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1
Psalmi Davidis poenitentiales, psalm settings (7)
Secundus Psalmus Poenitentialis: Intellectum tibi dabo
4:12
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11:28
3
Psalmi Davidis poenitentiales, psalm settings (7)
I. Domine, ne in furore tuo arguas me, 'Psalm 6'. Domine, ne in furore
3:34
4
Psalmi Davidis poenitentiales, psalm settings (7)
Psalmus Primus Poenitentialis. Domine, ne in furore two arguas me
16:26
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Psalmi Davidis poenitentiales, psalm settings (7)
Quartus Psalmus Poenitentialis (Psalm 51/50)
20:15
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13:3