Composer

:

Stefan Wolpe

Genre

:

Keyboard

Style

:

Ground

Compose Date

:

Feb 1936 - Mar 1936

Publication Date

:

1946

Average_duration

:

15:25

Stefan Wolpe's "Passacaglia On an All-Interval Row C. 62/4, Op. 23/4" is a twelve-tone composition that premiered in 1949. The piece is divided into three movements, each with its own unique characteristics. The first movement is marked "Moderato" and begins with a solo piano introduction that sets the tone for the entire piece. The passacaglia theme is introduced in the bass and is repeated throughout the movement. The theme is constructed from an all-interval row, which means that each note in the row is separated by a different interval. This creates a sense of dissonance and tension that is characteristic of Wolpe's style. The movement builds in intensity, with the passacaglia theme becoming more complex and fragmented as it is developed. The second movement is marked "Adagio" and is more introspective than the first. The passacaglia theme is still present, but it is played in a more subdued manner. The movement is characterized by its use of silence and space, with long pauses between phrases. The piano is used to create a sense of atmosphere, with the notes ringing out and fading away into the silence. The final movement is marked "Allegro" and is the most energetic of the three. The passacaglia theme is played in a fast and frenetic manner, with the piano and violin trading off the melody. The movement is characterized by its use of rhythm, with the piano and violin playing off each other in a complex and syncopated manner. The movement builds to a climax before ending abruptly. Overall, "Passacaglia On an All-Interval Row C. 62/4, Op. 23/4" is a challenging and complex piece that showcases Wolpe's unique style. The use of an all-interval row creates a sense of dissonance and tension that is characteristic of his work, while the three movements allow for a range of emotions and moods to be explored. The piece premiered in 1949 and remains a challenging and rewarding work for performers and listeners alike.

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