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Johann Jacob Froberger
Suite for harpsichord No. 12 in A minor
Released Album
 
Works Info
Composer
:
Johann Jacob Froberger
Genre
:
Keyboard
Style
:
Keyboard
Average_duration
:
9:18
Johann Jacob Froberger's Suite for Harpsichord No. 12 in A minor is a baroque keyboard work composed in the mid-17th century. The exact date of composition is unknown, but it is believed to have been written between 1656 and 1662. The suite consists of six movements, each with its own unique character and style. The first movement, Allemande, is a slow and stately dance in duple meter. It features a flowing melody in the right hand accompanied by a simple bass line in the left hand. The second movement, Courante, is a faster dance in triple meter. It is characterized by its lively and energetic rhythm, with the melody alternating between the hands. The third movement, Sarabande, is a slow and solemn dance in triple meter. It is one of the most expressive movements of the suite, with a melancholic melody that is often ornamented with trills and other embellishments. The fourth movement, Gigue, is a fast and lively dance in compound meter. It features a lively and syncopated rhythm, with the melody often played in a call-and-response style between the hands. The fifth movement, Canzona, is a more complex and intricate piece that features a contrapuntal texture. It is characterized by its intricate interplay between the hands, with the melody often passed back and forth between them. The final movement, Capriccio, is a lively and playful piece that features a virtuosic display of keyboard technique. It is characterized by its fast and intricate runs, trills, and other embellishments. Overall, Froberger's Suite for Harpsichord No. 12 in A minor is a masterful example of baroque keyboard music. It showcases Froberger's skill as a composer and his ability to create a diverse range of moods and styles within a single work. Its intricate melodies, complex harmonies, and virtuosic keyboard technique make it a challenging and rewarding piece for performers and listeners alike.
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