Composer

:

Arthur Vincent Lourié

Genre

:

Keyboard

Style

:

Keyboard

Compose Date

:

1915

Average_duration

:

8:13

Movement_count

:

3

Movement ....

'Formes en l'air' is a composition by Arthur Vincent Lourié, a Russian composer who was part of the avant-garde movement in the early 20th century. The piece was composed in 1915 and premiered in Moscow in the same year. It is a work for solo piano and consists of three movements. The first movement, titled "Lent et grave," is characterized by its slow and serious tempo. The piece begins with a series of low, rumbling chords that gradually build in intensity. The melody is sparse and angular, with sudden bursts of dissonance that create a sense of tension and unease. The movement ends with a quiet, unresolved chord that leaves the listener hanging. The second movement, "Allegro," is a sharp contrast to the first. It is fast-paced and energetic, with a lively melody that dances across the keyboard. The rhythm is irregular, with sudden shifts in tempo and unexpected accents that keep the listener on their toes. The movement ends with a flourish, leaving the listener feeling exhilarated. The final movement, "Lent et mystérieux," returns to the slow and serious mood of the first. The melody is haunting and ethereal, with a sense of mystery and longing. The harmonies are rich and complex, with unexpected chord progressions that add to the sense of unease. The movement ends with a quiet, unresolved chord, echoing the unresolved ending of the first movement. Overall, 'Formes en l'air' is a complex and challenging work that showcases Lourié's avant-garde style. The piece is characterized by its use of dissonance, irregular rhythms, and unexpected harmonies, which create a sense of tension and unease. Despite its challenges, the piece is a beautiful and haunting work that rewards careful listening.

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