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Orlande de Lassus
Cathalina apra finestra, (S. 10/112)
Works Info
Composer
:
Orlande de Lassus
Genre
:
Vocal
Style
:
Madrigal
Publication Date
:
1581
Average_duration
:
3:55
"Cathalina apra finestra" is a madrigal composed by Orlande de Lassus, a prominent composer of the late Renaissance period. The piece was composed in the late 16th century and premiered in Munich, Germany. It is part of Lassus' collection of madrigals, which were popular secular vocal pieces during the Renaissance. The madrigal is written for five voices, with the text in Italian. The piece is divided into three movements, with each movement featuring different vocal combinations. The first movement is sung by the full ensemble, while the second movement is a duet between two of the voices. The final movement returns to the full ensemble. The piece is characterized by its use of word painting, a technique where the music reflects the meaning of the text. For example, in the first movement, the word "cathalina" is repeated several times, with each repetition becoming softer and more delicate, as if the singer is whispering. The word "apra" (open) is also emphasized, with the music becoming more expansive and open as the singers sing the word. The second movement features a duet between two of the voices, with the other three voices providing a harmonic backdrop. The duet is characterized by its use of imitation, where one voice sings a melody and the other voice repeats it shortly after. This creates a sense of dialogue between the two voices. The final movement returns to the full ensemble, with the voices singing in harmony. The music is characterized by its use of repetition, with the same melody being repeated several times with different harmonies and vocal combinations. Overall, "Cathalina apra finestra" is a beautiful example of Renaissance vocal music, showcasing Lassus' skill in word painting and vocal composition. Its use of different vocal combinations and techniques make it a challenging and rewarding piece for performers and a joy to listen to for audiences.
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