Composer

:

Dietrich Buxtehude

Genre

:

Choral

Style

:

Choral

Average_duration

:

11:34

Dietrich Buxtehude's 'Wie wird erneuet, wie wird erfreuet' (BuxWV 110) is a sacred vocal work composed in the mid-17th century. The piece is believed to have been written during Buxtehude's tenure as the organist at the Marienkirche in Lübeck, Germany. The composition is a cantata, which is a type of vocal music that is typically performed during a church service. 'Wie wird erneuet, wie wird erfreuet' is composed of six movements, each of which is based on a different biblical text. The first movement is an instrumental sinfonia, which sets the tone for the rest of the piece. The second movement is a duet for soprano and bass, which is based on Psalm 85:7-8. The third movement is a bass aria, which is based on Psalm 126:5-6. The fourth movement is a soprano aria, which is based on Psalm 126:1-2. The fifth movement is a duet for soprano and bass, which is based on Psalm 126:3-4. The final movement is a chorale, which is based on the hymn 'Nun lob, mein Seel, den Herren'. The characteristics of 'Wie wird erneuet, wie wird erfreuet' are typical of Buxtehude's style. The piece is characterized by its use of counterpoint, which is a technique in which two or more melodies are played or sung simultaneously. Buxtehude also makes use of chromaticism, which is the use of notes that are not part of the diatonic scale. This gives the piece a sense of tension and release, which is a hallmark of Baroque music. 'Wie wird erneuet, wie wird erfreuet' premiered in the Marienkirche in Lübeck, Germany, where Buxtehude was the organist. The exact date of the premiere is not known, but it is believed to have been performed during a church service. The piece was likely performed by the church choir and a small ensemble of instrumentalists. In conclusion, 'Wie wird erneuet, wie wird erfreuet' is a sacred vocal work composed by Dietrich Buxtehude in the mid-17th century. The piece is a cantata consisting of six movements, each of which is based on a different biblical text. The piece is characterized by its use of counterpoint and chromaticism, which give it a sense of tension and release. The exact date of the premiere is not known, but it is believed to have been performed during a church service in Lübeck, Germany.

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