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Claudio Monteverdi
Quel sguardo sdegnosetto (from Scherzi musicali), SV 247/1
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Works Info
Composer
:
Claudio Monteverdi
Genre
:
Vocal
Style
:
Madrigal
Compose Date
:
ca. 1632
Average_duration
:
2:29
'Quel sguardo sdegnosetto' is a vocal piece composed by Claudio Monteverdi, which is part of his collection of Scherzi musicali, published in 1607. The piece is a solo madrigal for soprano voice and continuo, and it is one of the most famous and beloved works of Monteverdi. The premiere of 'Quel sguardo sdegnosetto' is not known, but it was likely performed in the courts and salons of Italy during the early 17th century. The piece is composed in the key of G minor and has a moderate tempo. It consists of a single movement, which is divided into three sections. The first section of the piece is marked by a lively and playful melody, which is accompanied by a simple and repetitive bass line. The soprano voice sings the opening lines, which describe the disdainful glance of a lover. The music is characterized by its rhythmic vitality and its use of syncopation, which creates a sense of tension and excitement. The second section of the piece is more introspective and melancholic. The music slows down, and the soprano voice sings a more lyrical melody, which expresses the pain and longing of the lover. The bass line becomes more complex, and the harmonies become more dissonant, reflecting the emotional turmoil of the text. The final section of the piece returns to the lively and playful character of the opening. The soprano voice sings a variation of the opening melody, which is accompanied by a more elaborate and virtuosic bass line. The music builds to a climax, and the piece ends with a flourish. Overall, 'Quel sguardo sdegnosetto' is a masterful example of Monteverdi's skill in combining text and music to create a powerful emotional effect. The piece is characterized by its lively rhythms, its use of syncopation, and its expressive melodies. It is a testament to Monteverdi's enduring legacy as one of the greatest composers of the Baroque era.
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