Composer

:

Heitor Villa-Lobos

Genre

:

Keyboard

Style

:

Character Piece

Compose Date

:

1925

Average_duration

:

5:09

Chôros No. 5 Alma brasileira, A. 207 is a composition by the Brazilian composer Heitor Villa-Lobos. It was composed in 1925 and premiered in Rio de Janeiro in the same year. The piece is part of a series of works called Chôros, which Villa-Lobos composed between 1920 and 1929. Chôros No. 5 is scored for a large ensemble, including flutes, oboes, clarinets, bassoons, horns, trumpets, trombones, tuba, percussion, and strings. The piece is divided into three movements, each with its own distinct character. The first movement, marked "Animé," is a lively and rhythmic dance. It begins with a syncopated melody played by the flutes and clarinets, which is then taken up by the rest of the ensemble. The percussion section provides a driving rhythm, with the snare drum and tambourine playing a prominent role. The movement builds to a frenzied climax before ending abruptly. The second movement, marked "Très modéré," is a lyrical and introspective piece. It features a solo violin playing a plaintive melody over a lush string accompaniment. The melody is then taken up by the other strings, with the winds and brass providing subtle harmonies. The movement ends quietly, with the solo violin playing a delicate coda. The third movement, marked "Vif," is a fast and energetic dance. It begins with a lively theme played by the winds and brass, which is then taken up by the strings. The percussion section provides a driving rhythm, with the snare drum and tambourine once again playing a prominent role. The movement builds to a frenzied climax before ending with a flourish. Chôros No. 5 is a quintessentially Brazilian work, incorporating elements of folk music and dance into a classical form. It is characterized by its rhythmic vitality, lush harmonies, and colorful orchestration. The piece is a testament to Villa-Lobos's unique musical voice and his commitment to celebrating the music of his homeland.

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